Mixed media on paper board. Catalog card label affixed to verso with illegible inscriptions. Another card with open card inscriebd Greetings of the Season with best wishes for the New Year, signed K Kona, President, Houes of Councillors. Attributed to Antoni Tapies (1923-2012, Spanish). 65.5 x 47 cm (25.8 x 18.5 inches)

Antoni Tapies (1923-2012) was a Spanish artist known for his mixed-media paintings that incorporated marble dust, found objects, and resin as seen in his seminal work Grey and Green Painting (1957). Social themes run throughout his highly textured and tactile paintings, which were influenced by his experience of the politics and environment of the wartime and the postwar state of the Spanish government. “If one draws things in a manner which provides only the barest clue to their meaning, the viewer is forced to fill in the gaps by using his own imagination,” he reflected. “He is compelled to participate in the creative act, which I consider very important.” Born on December 13, 1923 in Barcelona, Spain, he originally studied law while pursuing art, he became a friend of his fellow Catalan Joan Miró who was an integral influence on Tàpies’s early Surrealist work. Incorporating the scrawling marks of Paul Klee, Tàpies joined the Art Informel movement, as his work turned toward the abstract and seemingly anticipated the Arte Povera movement. Over the several decades to follow, the artist became more nuanced in his choice of materials and attempted to convey the accidental marks of walls and graffiti. He died on February 6, 2012 in Barcelona, Spain. Today, his works are held in the Fundació Antoni Tàpies Museum in Barcelona, The Museum of Modern Art in New York, the Tate Gallery in London, and the Reina Sofia National Museum in Madrid, among others.

All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).