Karel Appel Dutch Abstract Gouache on Paper
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Description
Gouache on paper. Featuring an abstract expressionist portrait. Signed appEL on the lower left corner. Attributed to Karel Appel (1921-2006, Dutch). 67 x 48 cm (26.4 x 18.9 inches). PROVENANCE: Southern Ontario estate
Karel Appel (1921-2006) was an influential Dutch painter whose figurative abstractions employed expressive colors and forms. Like Jean Dubuffet, Appel found inspiration in the artwork of children and the rejection of sophisticated aesthetic tastes. “Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast,” he reflected. “To paint is to destroy what preceded. I never try to make a painting, but a chunk of life.” Born on April 25, 1921 in Amsterdam, Netherlands, he went on to study at the Rijksakademie van Beeldende Kunsten and had his first solo exhibition in 1946. Inspired by the work of Paul Klee and Joan Miró, Appel began experimenting with a rudimentary approach of describing subject matter reminiscent of folk art. In 1948, he helped form the CoBrA group (an acronym for the cities the artists were from: Copenhagen, Brussels, and Amsterdam), along with Asger Jorn, Constant, Corneille and others who were united in their rejection of rationalism and geometric abstraction. Following the dissolution of CoBrA in 1952, Appel joined Art Informel, another collection of abstract artists which included Michel Tapié and Henri Michaux. Through the following decades the artist continued his engagement with painterly expression and was the subject of several solo exhibitions. He died on May 3, 2006 in Zürich, Switzerland. Appel’s works are presently held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam.
Karel Appel (1921-2006) was an influential Dutch painter whose figurative abstractions employed expressive colors and forms. Like Jean Dubuffet, Appel found inspiration in the artwork of children and the rejection of sophisticated aesthetic tastes. “Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast,” he reflected. “To paint is to destroy what preceded. I never try to make a painting, but a chunk of life.” Born on April 25, 1921 in Amsterdam, Netherlands, he went on to study at the Rijksakademie van Beeldende Kunsten and had his first solo exhibition in 1946. Inspired by the work of Paul Klee and Joan Miró, Appel began experimenting with a rudimentary approach of describing subject matter reminiscent of folk art. In 1948, he helped form the CoBrA group (an acronym for the cities the artists were from: Copenhagen, Brussels, and Amsterdam), along with Asger Jorn, Constant, Corneille and others who were united in their rejection of rationalism and geometric abstraction. Following the dissolution of CoBrA in 1952, Appel joined Art Informel, another collection of abstract artists which included Michel Tapié and Henri Michaux. Through the following decades the artist continued his engagement with painterly expression and was the subject of several solo exhibitions. He died on May 3, 2006 in Zürich, Switzerland. Appel’s works are presently held in the collections of The Museum of Modern Art in New York, the Art Institute of Chicago, the National Gallery of Art in Washington, D.C., and the Rijksmuseum in Amsterdam.
Condition
All lots that do not carry established documented provenance nor any past record of auction history record are described in the catalog as attributed .
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
All authorship of items in this catalog are described according to the following terms:
Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.
By [Artist Name] : The work is by the artist.
Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.
In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.
After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.
Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.
Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).
American, 19th century : This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).
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Karel Appel Dutch Abstract Gouache on Paper
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