20th C. Sepik River Painted Wood Yam Mask - Man & Bird
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Description
100% of the Hammer price of all lots sold in this auction will be donated to Community Food Share by Artemis Gallery. $1.00 = 3 meals!
**Originally Listed At $650**
Oceania, Papua New Guinea, East Sepik, Southern Abelam people, ca. early to mid 20th century CE. A finely handmade balsa wood mask with a standing cockatoo carved as part of the head. The balsa wood is remarkably light, used deliberately to create a larger sculpture to decorate a yam. The face is long, with white eyes, a long, thin, nose, and a painted, bright red mouth. The bird is of similar color, with red and black bands around the neck and red details on the wings and mouth. This was created for festivals surrounding the cherished yam, the crucial crop of the Abelam people of northeast Papua New Guinea. Masks like this example have traditionally been used to adorn the heads of huge tubers, rather than humans. Size: 3.55" W x 12.15" H (9 cm x 30.9 cm); 13.1" H (33.3 cm) on included custom stand.
Curious? Indeed, the Abelam cultivate massive yams in addition to the ordinary variety. These can be as much as 12 feet long. According to the curatorial department of the Metropolitan Museum of Art, "A man’s social status is determined largely by his success in growing long yams. Each man has a permanent exchange partner to whom he ceremonially presents his largest yams following the annual harvest, later receiving those of his rival in return. Men who are consistently able to give their partners longer yams than they receive gain great prestige. Lavishly adorned for the presentation ceremony, the finest long yams are essentially transformed into human images, decorated in the manner of men in full ceremonial regalia." (http://www.metmuseum.org/art/collection/search/311328)
Provenance: ex-private Tucson, Arizona, USA collection; ex-Ron Perry collection; Ron Perry collected art and artifacts for more than 40 years in New Guinea and the South Pacific. He collaborated with Carolyn Leigh to write a book entitled, "Art Dealer in the Last Unknown: Ron Perry & New Guinea Art: the early years 1964-1972" (2011)
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide to most countries and handle all shipping in-house for your convenience.
#130003
**Originally Listed At $650**
Oceania, Papua New Guinea, East Sepik, Southern Abelam people, ca. early to mid 20th century CE. A finely handmade balsa wood mask with a standing cockatoo carved as part of the head. The balsa wood is remarkably light, used deliberately to create a larger sculpture to decorate a yam. The face is long, with white eyes, a long, thin, nose, and a painted, bright red mouth. The bird is of similar color, with red and black bands around the neck and red details on the wings and mouth. This was created for festivals surrounding the cherished yam, the crucial crop of the Abelam people of northeast Papua New Guinea. Masks like this example have traditionally been used to adorn the heads of huge tubers, rather than humans. Size: 3.55" W x 12.15" H (9 cm x 30.9 cm); 13.1" H (33.3 cm) on included custom stand.
Curious? Indeed, the Abelam cultivate massive yams in addition to the ordinary variety. These can be as much as 12 feet long. According to the curatorial department of the Metropolitan Museum of Art, "A man’s social status is determined largely by his success in growing long yams. Each man has a permanent exchange partner to whom he ceremonially presents his largest yams following the annual harvest, later receiving those of his rival in return. Men who are consistently able to give their partners longer yams than they receive gain great prestige. Lavishly adorned for the presentation ceremony, the finest long yams are essentially transformed into human images, decorated in the manner of men in full ceremonial regalia." (http://www.metmuseum.org/art/collection/search/311328)
Provenance: ex-private Tucson, Arizona, USA collection; ex-Ron Perry collection; Ron Perry collected art and artifacts for more than 40 years in New Guinea and the South Pacific. He collaborated with Carolyn Leigh to write a book entitled, "Art Dealer in the Last Unknown: Ron Perry & New Guinea Art: the early years 1964-1972" (2011)
All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back.
A Certificate of Authenticity will accompany all winning bids.
We ship worldwide to most countries and handle all shipping in-house for your convenience.
#130003
Condition
Light wear to pigment, with small scratches commensurate with age. Otherwise in beautiful condition.
“To eliminate hunger in Boulder and Broomfield Counties through engagement, collaboration, and leadership…”
Community Food Share is a Feeding America food bank serving those in need with access to fresh, nutritious food and nutrition education, with a special emphasis on children, seniors, and other populations of greatest need.
“To eliminate hunger in Boulder and Broomfield Counties through engagement, collaboration, and leadership…”
Community Food Share is a Feeding America food bank serving those in need with access to fresh, nutritious food and nutrition education, with a special emphasis on children, seniors, and other populations of greatest need.
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20th C. Sepik River Painted Wood Yam Mask - Man & Bird
Estimate $400 - $600
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