Lot 4677

Print, Nathan Olivera

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "The New Mexican Sites #4," 1991, monotype, pencil signed and dated lower right, titled lower left, John Berggruen Gallery (San Francisco, CA) label affixed vers

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Yucatan-Sequence 1-2," 1982, monotype, pencil signed and dated lower right, gallery label (John Berggruen Gallery, San Francisco, CA) affixed verso, sight: 18"h

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Print, Nathan Oliviera: Nathan Oliviera (American, 1928-2010), "Pompeii 2," 1998, monotype with painting, pencil signed and dated lower right, titled lower left, gallery label (Marsha Mateyka, Washington, D.C.) affixed verso

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Tamarind Site I," 1982, color lithograph, signed and dated lower right in pencil, edition 69/70, sheet (unframed): 16.13"h x 24.75"w

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Rainbow Head," 1972, lithograph in colors, pencil signed and dated lower right, titled lower left, edition 8/10, sheet: 29.5"h x 22.5"w, overall (with frame): 3

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Face," 1967, lithograph, pencil signed and dated lower right, titled lower left, edition 18/75, sheet: 30"h x 22.25"w, overall (with frame): 36.25"h x 29.5"w

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928–2010), "Archive Site," 1979, etching, pencil signed and dated lower right, titled lower left, edition 3/50, image: 11.5"h x 14.5"w, overall (with frame): 23"h x 32"w

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Face II," 1966, lithograph, pencil signed and dated lower right, sheet: 26.25"h x 22.5"w, overall (with frame): 27.5"h x 22.75"w

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Revisted III," 1994, photo-intaglio print, pencil signed and dated lower right, edition 80/80, plate: 10.75"h x 9.75"w, overall (with frame): 25"h x 21"w

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Variation on a Head I," 1964, lithograph, pencil signed and dated lower right, titled lower center, edition 3/20, sheet: 25"h x 22"w, overall (with frame): 35.7

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Print, Nathan Oliveira: Nathan Oliveira (American 1928-2010) ""Emerson Site II "" 1979 lithograph pencil signed and dated lower right titled lower left edition 20/30 image: 6""h x 9""w overall (with frame): 26.5""h x 20.75""

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Print, Nathan Oliveira: Nathan Oliveira (American, 1928-2010), "Miramar II," 1969, lithograph in colors, pencil signed and dated lower right, titled lower center, edition 60/75, sheet: 30"h x 22"w, overall (with mat/unframed

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John Paul Strain (B1955) "Mary Ann" Forrest Print: John Paul Strain (B1955) "Mary Ann" Forrest Print. Signed and numbered print # 800/800. The print depicts Nathan Bedford Forrest carrying his future wife Mary Ann over a stream after her buggy broke d

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French Chromolithography 1879 birds school prints: This chromolithography prints was edited by Fernand Nathan , a French editor which made its mark by creating in the last quarter of the 19Th century school books and supplies geared to this new market

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Nathan Bedford Forrest Limited Edition Print: Nathan Bedford Forrest Limited Edition Print. Signed and numbered Ike Davis # 16/1,000. Framed in a nice gold frame under non-glare glass. Measures 27 1/2" X 32" overall. Condition - Good condition.

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Nathan Oliviera, Ryan II, 1980, Color print: Nathan Oliviera, Ryan II, 1980, Color print, signed, titled and dated '80 in margin. 26" x 22"; frame: 30 3/8" x 26 1/2". Very good condition. Purchased for $1200.00 P.Kirkeby, SF, 02/10

2019Nathan Oliviera, Ryan II, 1980, Color printSee Sold Price

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Item Details

Description

Unframed print, Stanford Centennial, depicting ''Santa Fe Wing No. 9'' by Nathan Olivera, signed lower right, ed. 50/100, overall: 26''h x 32''w

Condition

Any condition statement is given as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. The Gallery shall have no responsibility for any error or omission. The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging.