Large Itzchak Tarkay mixed media, watercolor con paper, COA was misplaced, same owner as lot #1, private collection from New Jersey, 35 x 29 inches.

Biography: Itzchak Tarkay was born in 1935 in Subotica on the Yugoslav Hungarian border. When he was only nine years old, the Nazis sent Tarkay to Mathausen concentration camp. After the war, he returned home and developed an interest in art. While still at school in Subotica, he won a prize for excellence in painting.In 1949 he and his family immigrated to Israel and were sent to a transit camp for new arrivals at Beer Ya'akov. Their next two years were spent in a Kibbutz.In 1951, Tarkay received a scholarship to the Bezalel Art Academy in Jerusalem, where he studied for a year before having to leave due to difficult financial circumstances at home. In order to continue his scholarship, he was allowed to study under the artist Schwartzman until his mobilization to the Israeli army. After returning to the familiar environment of Tel Aviv, Tarkay enrolled in the Avni Institute of Art, which he graduated in 1956. His teachers there were Mokady, Janko, Schtreichman and Sematsky.Tarkay has since exhibited extensively both in Israel and abroad, and his works can be found in many public and private collections.Tarkay focuses on the female figure by using simplicity of form and line, along with a rich palette not unlike Toulouse-Lautrec, to create sensitive portraits of elusive ladies.

All authorship of items in this catalog are described according to the following terms:

Signed [Artist Name] : In cases in which the signature is legible in the lot, this work is described as-is with no attributions given.

By [Artist Name] : The work is by the artist.

Attributed to [Artist Name] : The work may be ascribed to the artist on the basis of style, but there may be some question as to actual authorship.

In the manner of [Artist Name] : The work was executed by an unknown hand, but was designed deliberately to emulate the style of the artist.

After [Artist Name] : The work was executed by an unknown hand, but is a deliberate copy of a known work by the artist.

Circle of [Artist Name] : A work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil.

Follower of [Artist Name]: A work by a pupil or a follower of the artist (not necessarily a pupil).

American, 19th century: This work was executed by an unknown hand, and can only be identified by origin (i.e., region, period).

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