Quantity of Inuit And First Nations Clippings

  Lot Includes:

1. Paul Dumas, “L’art des Esquimaux du Canada, Vie des Arts, (9), 9 Dec. 1957, p. 6-11, facsimile copy;
2. Fred Bruemmer, “Canada’s Gold Mine of Stone: Where the best Eskimo Carvings Come from”, The Financial Post Magazine, Oct. 1960, p. 90-3; 
3. Fred Bruemmer, “Canada’s Gold Mine of Stone: Where the best Eskimo Carvings Come from”, The Financial Post Magazine, Oct. 1960, p. 90-3, facsimile copy; 
4. Parquerette Villeneuve, “Canadian Exhibition in Paris,” The Beaver, Autumn 1969, p. 51-55;
5. “If We Cannot Come Together Ourselves, Our Work Will Speak for Us”; Fred Bruemmer, “Games Inuit Play” North, 17.4, July-Aug. 1970), p. 30-2;
6. Kevin Waring and Earl Finkler, “Barrow and Kotzebue: Remote Disaster Areas of Self-Supporting Arctic Cities”, North, 17.4, July-Aug. 1970), p. 40;
7. David F. Raine, “The Miniatures of Bobby Takrik, The Beaver, Winter 1971, p. 16-17;
8. Author Unknown, “Eskimo Graphic Art”, Canada Today, April 1971, p.1-10;
9. Geoffrey James, “Masterworks of the Arctic: An Impressive Summation” Time (s.l., New York?), 29 Nov 1971, p. 12-13, facsimile copy; 

Donald Stuart, “Weaving in the Arctic,” The Beaver, Summer 1972, p. 60-62;

John Ayre, “James Houston: the neglected hero”, Saturday Night (Toronto), May 1974, p. 25-30;

Atoat and Pauloosie Akitriq (As told to Rhoda Innukshuk and translated by Maddie Qitsualik. An extract from the book ‘Arctic Bay’ soon to be published by Canadian Arctic Producers.) “Comments On Carving Soapstone”, The Beaver, Autumn 1975, p.14-17;

Dorothy Eber, “Peter Pitseolak, Artist and Author”, The Beaver, Winter 1975, p. 36-39;

George Russell, “Cultural Chain Gang”, Time (s.l., New York?); 19 January 1976, p. 8;
“Operation Soapstone”, Time (s.l., New York?); 18 August 1975, p. 8;

“Inuit art exhibit going to Winnipeg”, The Montreal Star, 17 February 1976;

“Banff Gallery to exhibit drawings by Pitseolak”, The Albertan, 28 Aug 1976, p. 9;

“They Saw it on Tivi”, Montreal Scene, 17 April 1976, p. 25;


Jamake Highwater, “Seeing Indian Works as Fine Art”, The New York Times, 21 Nov. 1976, p. D27-8;

Lois Neely, “Eskimo Co-ops: New Dawn in the Arctic” Reader’s Digest, June 1976, p. 91-96

John Robertson, “The Sculpture of Tukiki Oshaweektok,” The Beaver, Winter 1977, p. 23-27;

Alain Duhamel, “Vers des échanges avec les Inuit”, Le Devoir, 24 Aug 1978, p. 10

EJ Gordon, “Special exhibition of Inuit art, was a smash in Israel”, The Montreal Gazete, 5 Jan 1979, p. 13;

Terrance Ryan, “Parr”, The Beaver, Autumn 1979, p. 46-49;

Pearl Oxorn, “Exploiting art, productively,” Ottawa Journal, 12 May 1979, p. 32;

Hubert Johnson, “Arctic Inuit hunt whales from open boats”, The Gazette (Montreal), 1 Nov. 1979, p. 77-8;

“Conference Planned: How Winnipeg cornered the market on Inuit art”, The Northern News Report, 15 March 1979, p. 18;

Maureen Peterson, “Inuit Art Gets First Public Showing”, The Montreal Gazette”, 26 May 1980;

David Kendall, “Top dollar bid for Inuit Art”, The Toronto Sun, 5 March 1980, p. 54-5;


“Young Inuit artists boost declining business”, The Montreal Gazette, 19 July 1980;

Thomas Hopkins, “The happy rebirth of an intricate art”, Maclean’s, 14 April 1980, p. 56-60;

“The Inuit: Life as It Was”, Today, September 1981, p. 5-7;

Andrew H. Malcolm, “Canada’s Native Art Form”, New York Times, 6 Dec 1981;

Sandra Peredo, “Northern Light: Kenojuak the luminary of Inuit art, shines through the Southern Hype”, Today, 5 September 1981, p. 12-15;

Edith Iglauer, “The Myth Maker”, Saturday Night, Feb 1982, p. 13-24;

Kate Dunn, “Carving a living in Canada’s North”, The Montreal Gazette, 22 January 1989, p. A-8;

Ingrid Abramovitch, “Aging soapstone carver offers no false modesty” The Montreal Gazette, 21 July 1990, p. J1;

Kathryn Young, “Drawings in new exhibit span career of veteran Inuit artist”, The Montreal Gazette, 21 July 1990, p. J1;

Christopher Hume, “Inuit Art, Official Approval,” The Toronto Star, 31 March 1991, p. C1;

Anna Hobbs “Heritage : A new generation of inuit artists in Cape Dorset continues to draw life from the ancient stone,” Canadian Living, March 1991, p. 153-160;

Hank Burchard, “Matisse Exhibition Focuses on the Inuit”, The Toronto Star, 1 May 1993, p. G15;

Kate Taylor, “The world in pictures”, The Globe and Mail, 7 June 1994, p. C2;

Phillip Marchard, “Learning from the People”, The Toronto Star, 5 November 1995, p. B1 & B4;

Anna Hobbs, “Inuit Interpretations”, Canadian Living, September 1995, p. 164-170;

Val Ross, “The mainstream of Inuit Art’, The Globe and Mail (Toronto), 13 January 1996, p. C1 & C10 (two copies);

Jane George, “Age and politics conspire against Inuit printmaking”, The Toronto Star, 1 January 1997, p. D7;

Val Ross, “Portrain of an Inuit artist,” The Globe and Mail, 26 November 1998, p. D1 - D2;

Val Ross, “Portrain of an Inuit artist,” The Globe and Mail, 26 November 1998, p. D1 - D2, facsimile copy;

Graham Fraser, “Five Decades Later, Celebrating a Eureka Moment”, The Globe and Mail, 27 March 1999, p. C13;

Graham Fraser, “Five decades later: Celebrating a Eureka Moment”, The Globe and Mail (Toronto), 27 March 1999, C13, facsimile copy;

Blake Gopnik and Graham Fraser, “Inuit Art: It's not primitive, it's not very old. Can it even be called art?: Chirac's interest raises questions among critics, anthropologists”, Globe and Mail (Toronto), 3 September 1999, A1 & A3;

David Staples, “Cape Dorset in Crisis”, Weekend Post, 27 March 1999, p, 6-7;

Jill Mahoney, “A Long-Held Inuit Dream Is Realized At Last” The Globe and Mail, 29 March 1999, p. A1 & A3;

Val Ross, “The Rich Pageant of Inuit Art”, The Globe and Mail, 1 April 1999, p. C1-C2;

Christopher Hume, “Art Above the Arctic Circle”, The Toronto Star, 17 May 1999, p. C1 & C5;

“Art Above the Arctic Circle, The Toronto Star, 23 May 1999, p. BE1-2;

Blake Gopnik, “From an Inuit Point of View”, The Globe and Mail (Toronto), 13 September 2000, p. R1-2;

“Simon Tookoome Prints: 1970-1990 at Isaacs / Innuit Gallery”, The Globe and Mail (Toronto), 26 Feb 2000, p. R11;

Kristina Foss, “George Swinton - Art of the north was never just academic,” The Globe and Mail, 1 May 2002, R11;

James Adams, “A revolutionary Inuit artist’s life imitates her art, darkly,”, The Globe and Mail, 16 August 2002, p. R1-R2;

Bente Mirow, “The Last of the Inuit Shamans,” Vision Magazine, November 2006, p. 26-7;

Lisa Paul, “Drawing on the Past, and the Future,” The Globe and Mail, 29 October 2009, p. R1, R4;

Sandra Martin, “Beauty in a Cold and Troubled Land”, The Globe (Toronto), 12 Nov. 2011, p. F6-7

Sarah Milroy, “Inuit feminism goes global”, The Globe and Mail, 8 September 2012, p. R5;

Sandra Martin, “National icon influenced Inuit artists who came after,” The Globe and Mail, 9 January 2013, p. A11;

James Adams, “North Stars”, The Globe and Mail, 27 April 2013, p. R1& R14-5;

Sandra Matin, “For Inuit culture, she was an iconic light of happiness and a dancing owl ; Prolific, bold and endlessly inventive, the printmaker came from nothing to preside over a fruitful period for Inuits in Canada,” The Globe and Mail, 12 January 2013, p. S12;

Sarah Milroy, “A rapturous grasp”, The Globe and Mail, 12 January 2013, p. R4;

Edmund Carpenter, “If Wittgenstein Had Been an Eskimo”, Rockefeller Collection, Metropolitan Museum of Art, nd, p. 72-76;

Penney Kome, “Stone, Bone, and Paint: The Native People of Canada / Part One of a Series by Penney Kome and Eileen Morris on the History and Plight of Canada’s First Citizens”, Homemaker’s Magazine, n.d., p. 26-40;


Anna Hobbs, “Weaving Tales of the Arctic”, Canadian Living, n.d.., p. 106-115;

Mario Pelletier, “Apres la sculpture: La poesie esquimaude”, s.l.: s.n., n.d., p. 14-17;

Les Levine, “The Social History of Art, Datline Arctic”, Art in America, Vol. 63 , No. 3: n.d., p. 30-31;

s.l.,: s.n., A partial clipping about Indigenous art, French, n.d.;

s.l.,: s.n., A partial clipping about Joe Talirunili, n.d., p. 19-23

s.l.,: s.n., “The Genesis of Inuit Art”,, n.d.,