UNIDENTIFIED ARTIST, EASTERN ARCTIC
Mother with Child in Her Amaut, early 1960s
stone, 8 x 3.75 x 4.25 in (20.3 x 9.5 x 10.8 cm)
unsigned.

PROVENANCE
Private Collection, Hamilton, ON;
Estate of the above.

In the tuberculosis epidemic of the 1950s and 60s, almost 1,300 Inuit patients from the eastern Arctic were sent to the Hamilton Mountain Sanatorium (later renamed Chedoke Hospital) [1]. When they reached their destination, most were facing a lengthy stay of an average two years or more. As part of their occupational therapy and to cope with the boredom, the Inuit patients were encouraged to make artwork, including stone carvings. The works were in turn sold in the “San Shop” with the lion’s share of the proceeds going back to the artist-patients and a small percentage paid to the hospital to purchase additional materials and tools to keep the program going.
,
The works that went unsold were placed back under the remit of the hospital. In 2016, with the closure of the Chedoke site imminent, an anonymous donor purchased the collection and donated it to the Art Gallery of Hamilton. The gallery held an exhibition of the donated works in the summer of 2017 called, Carving Home: The Chedoke Collection of Inuit Art.

1. While the evacuation was well-intentioned and medically necessary, the often abrupt relocation of these affected patients caused obvious trauma and hardship. James Houston related a moving account in his 1995 book Confessions of an Igloo Dweller, entitled "A Family Divided" (pp. 118-20).

For further information on the Tuberculosis epidemic and the art produced during this period, see: Pat Grygier, A Long Way from Home: The Tuberculosis Epidemic among the Inuit, (McGill-Queen's University Press, 1994); Susan Gustavison, "Inuit Artists and Tuberculosis Patients in Hamilton," Inuit Art Quarterly</emM, Vol. 23, no. 4, Winter 2008, p. 11-16; Nancy Campbell, Susan Gustavison, and Tobi Bruce, Carving home: the Chedoke Collection of Inuit Art, exh, cat., (Hamilton, ON: Art Gallery of Hamilton, 2007).