Tiffany Studios
Roman table lamp
New York, New York
dore bronze, leaded glass
shade stamp marked Tiffany Studios New York 1564; base stamp marked Tiffany Studios / New York / 529
an impressive large form with great glass and patina
25"dia x 31"h

Provenance:
Private Collection, California

Original fitter cap with touch-up to patina. Some wear and touch-up to patina on shade. Approximately 18 glass segments with expected tight cracks. Some light rattling to the shade. Original patina to base. Overall light surface dirt. Six-socket cluster appears to be original. Replaced cloth wiring.

Biography:
Born in New York City in 1848, Louis Comfort Tiffany was the oldest son of Charles Lewis Tiffany, founder of Tiffany & Co. He was raised in an atmosphere of tremendous wealth and expensive taste during the Gilded Age. Instead of joining his father’s company, Tiffany studied fine arts and worked in many mediums, including furniture, metalwork, textiles, pottery, enamels, jewelry, and book design. In the late 1870s, he became intrigued by the decorative possibilities of glass and used it throughout his career. Tiffany was a notable contributor to the Aesthetic Movement and used biblical and historical sources for inspiration from Asia and the Middle East. Influenced as well by British designer William Morris, Tiffany contributed to the Arts & Crafts Movement. He was critical of painting on glass, which he felt marred the innate prismatic qualities, so he experimented with opalescent finishes and created lava glass as well as his most important innovation, Favrile glass. Tiffany patented this iridescent art glass in 1894 and began manufacture in 1896. Coined by Tiffany, the term Favrile comes from the Latin “fabrilis,” or handmade. From his glass factory in Queens, Tiffany sold Favrile windows, lamps, vases, and mosaics. An impeccable taskmaster, Tiffany would walk down production lines with his cane and shatter any piece of work that he deemed unsuitable. As a proponent of Art Nouveau in America, Tiffany presented the variegated colors and forms of the natural world directly. After World War I, cultural trends moved toward the more minimal, Bauhaus style. With his business income dwindling, lavish lifestyle, and extensive philanthropic efforts, Tiffany declared bankruptcy in 1932. On January 17, 1933, he died in New York City in relative obscurity. During the decades that followed, Tiffany would come to be regarded as a master of the decorative arts. His early glasswork is now part of the collections of the Metropolitan Museum of Art in New York City, the Smithsonian Institution in Washington DC, Tokyo’s Imperial Museum, and other notable facilities. Tiffany’s stained-glass windows are still found in many of America’s oldest colleges and universities, including Harvard, Yale, and Columbia.