1580-1585 (Very Rare This Old/Felipe II), Pirate Era, Over 400 Years Old!

1580-1585 (Very Rare This Old/Felipe II), Pirate Era, Over 400 Years Old!

1630 (Very Rare with Date on it & this Old), Pirate Era, Nearly 400 Years Old!

1602-1620 (Great Details/4 Maravedis) Filipe III, Pirate Era Coins, Over 400 Years Old!

1602-1621 Felipe III, Pirate Era, 8 Maravedis, Over 400 Years old!

1599-1602, Pirate Era, Nice Details, Maravedis, Over 400 Years old!

1590-1602 (Amazing Details/Pirate Era) Spain, 12 Maravedis, Over 400 Years Old!

1752 (Very Rare with Date on it), Pirate Era, 272 Years Old!

1641 (Very Rare with Date on it), Pirate Era, 383 Years Old!

1598-1603, Pirate Era, 4 Maravedis, Nice Details, Over 400 Years old!

1680 (Very Rare with Date on it/Great Details), Pirate Era, 344 Years Old!

1659 -Rare with date on it-Pirate coin era-364 years old!!

1654-Rare with date on it-Pirate era coin-369 years old!!

1655 (Very Rare with Date on it & This Old), Pirate Era, 369 Years old!

1716 (Very Rare with Date on it), Nice Details, Pirate Era, 308 Years old!

1650 (Very Rare with Date on it/Error on "0"), 8 Maradavadis-Pirate Era, 374 Years Old!

169? (Very Rare with Date on it & This Old), Pirate Era, Over 300 Years Old!

1654, Pirate Era, (Rare with Date On It), 8 Maravedis, Great Details, 370 Years old!

1614 (Very Rare with Date on it & This Old), Pirate Era, 8 Maravedis, 410 Years old!

1652 (Very Rare with Date on it & This Old), Pirate Era, 8 Maravedis, 372 Years old!

1641 (Very Rare with Date on it & This Old), Pirate Era, Felipe IV, 8 Maravedis, 389 Years old!

2, 1600-1700, Pirate Era Coins, Over 300 Years Old!

Massive 'Part-Silk' Nain Carpet, Persia, circa 30 years old, wool/part-silk/cotton, approx. 600 x 400 cm, condition: 2 (good condition), unusual Nain size, rare.*

This lot consists of an very old oil on canvas Virgin and child painting dated to the 16th-19th century. The lot depicts mother with Jesus in her hands and two church servers. The painting could be on

Rare 120-year-old prop skeleton, attributed to Karl Germain, as used in several of his many stage illusions. It was hand carved for him just after 1900, according to research by Stuart Cramer, author