1936 SMITHSONIAN COLLECTION Washington DC ABRAHAM

1936 SMITHSONIAN COLLECTION Washington DC ABRAHAM LINCOLN PHOTOGRAPHIC NEGATIVES 1936 SMITHSONIAN COLLECTION Washington DC ABRAHAM LINCOLN PHOTOGRAPHIC NEGATIVES Description Title partly reads; SMITHS

A collection of archeology papers including Excavations at a Prehistoric Indian Village Site in Mississippi, 1932 by Henry B. Collins Jr. Published by the Smithsonian Institution, Washington, DC, 1932

Thornton Utz (1914 - 1999) Illustration. Collections of Utz's work have been on display at the Air Force Academy in Colorado, the Pentagon and the Smithsonian Institution in Washington D.C. Sight Size

Dan Farrell (American, b.1930). "The Salute". Vintage silver gelatin print. 1963. Printed 1963. Signed, titled, and dated, verso. Fine condition. Provenance: Private collection, Washington, D.C. Very

DARREN VIGIL GRAY (b. 1959) Untitled acrylic on paper signed lower right: Darren Vigil Dimensions: 29 3/4 x 22 3/8 inches Provenance: Private Collection, Washington, D.C.

(German, 1883-1970). Woodcut, 1922, pencil signed and dated "Erich Heckel" lr, image size: 14 1/2 x 10 1/2 in., framedPrivate collection, Washington, DC

Mixed Media on Board 32 x 20 1/4" . Signed on verso Jasper Johns 1956. The piece is in good condition. Private Collection Washington DC.A Certificate of Authenticity Accompanies this Lot. Jasper Johns

The front decorated with abstract incised motifs; brown surface decorated with white and red pigments and kaolin.PROVENANCEPrivate Collection, Washington, DC, acquired in the 1960s.According to Cornet

Mitjili Napurrula Aboriginal 1945-2019 Uwalki (All the Trees) synthetic polymer paint on canvas 2006, Private Collection, Washington, D.C., accompanied by a Certificate of Authenticity from Brenton Cr

Jean Richardson (American, b. 1940) Perspicacious Signed bottom right, titled verso, oil on canvas. (48 1/8 x 35 7/8 in. (122.2 x 91.1cm)) Provenance Private Collection, Washington, D.C.

Thelonious Monk-Devil at the Keyboard, 1976; Lithograph in colors; Signed and numbered 6/75; 30 1/4" x 24 1/2" (sight); Provenance: Private Collection, Washington D.C.

A Chinese panel with birds and flowers 19th century Featuring forbidden stitch to flowers; framed. H: 26 1/4, W: 40 5/8 in. H: 66.68, W: 103.19 cm. (sight) Provenance: Private collection, Washington D

TONY ROSENTHAL (AMER. 1914-09), BRONZE SCULPTURE, H 12" UNTITLED Signed. Purchased from Rago Arts and Auction Center, May 2016. Provenance: private collection, Washington, D.C.

(American, b. 1924). Serigraph on paper, ed. 143/150, blind stamp ll, pencil signed "R. Mayhew" lr, sheet size: 9 x 13 in., framed. Private collection, Washington, DC.

Texas landscape, signed lower right: P.L. Hohnstedt, oil on board, 15.25'' H x 15.75'' W, est: $1000/2000 Provenance: Private Collection, Washington D.C

Charles Warren Eaton (American, 1857–1937) Snow-covered Field Signed bottom right, watercolor on paper. 19 1/4 in x 29 1/4 in. (48.9 x 74.3cm) PROVENANCE: Private Collection, Washington, D.C.

Mitjili Napurrula 1945-2019 Watiya Tjuta synthetic polymer paint on canvas 2005, unstretched, Kooroora Art Gallery, cat. no. 10675, acquired from the above, Private Collection, Washington, D.C., accom

Alphonse Mucha (Czech, 1860-1939) Sarah Bernhardt - La Dame Aux Camelias Color lithograph 13 1/4 x 4 3/4 in. (34 x 12 cm) PROVENANCE: Property from a Prominent Private Collection, Washington, D.C.

Tiffany Studios Pastel bowl USA, c. 1920hand-blown Favrile glass 1.875 h x 5 dia in (5 x 13 cm) Etched to underside '1777 L.C.T. Favrile'. Provenance: Important Collect

A Japanese Carved Wood Hearth Fish 14 in. l. From the Collection of Jay Gates, former Director, Phillips Collection, Washington,DC

A Diné (Navajo) Germantown textile A fine weave with overall serrated eye-dazzler design. 40 1/2 x 26 1/2 in. Footnotes: Provenance: Victor J Evans (1865-1931) collection, Washington D.C.; thenc

Rare Pair Worcester Japan Dragon PlatesEngland circa 1800, similar to Coalport but for the gilt foliate center, not marked. Each plate 8 1/2 in. From a Private Collection, Washington, D.C. Additional

Rembrandt etching, “The Good Samaritan", label on reverse reads The Cooper Collection Washington D.C. size 9-1/2"x 7-3/4" 257mm x 208mm

Rembrandt etching, “St. Jerome Reading in an Italian Landscape", , label on reverse reads The Cooper Collection Washington D.C., First state of two, size 9-1/2"x 7-3/4" 259mm x 207mm