(2) Gouache on Paper, Chinese Torture, 19th C

TINGQUA, and His Studio (19th Century). View of Hong Kong. Gouache on pith paper. Chinese, c. 1845-1855. 17 1/4" x 12 1/2" Framed. The studio of the artist Tingqua was perhaps the most prolific source

Chinese School, 19th Century Chinese figures in an interior, a pair both gouache on pith paper, held in carved and pierced period frames each 30.5 x 18.4cm (12 x 7 1/4in). (2)

Chinese School, (2) portrait paintings, Chinese School (19th/20th c.), Portraits of Two Officials, gouache on paper, unsigned but likely from the same hand, matted and framed under glass, each 15"h x

"Ancestral Portrait" gouache on paper 37 1/2 x 24 inches (including frame) Condition: Cockling, toning Temp No 6079

Anonymous Chinese Export School, 19th c., "Porcelain Production: Painting", gouache on paper, backing paper with "The Old Print Shope/New York" label, sight 15 1/2 in. x 20 5/8 in., matted and framed,

"Elaborate Battleground with Dozens of Warriors" gouache on pith paper. 11 x 18 1/2 inches. framed. 14 x 20 1/2 inches.

Large Chinese 19th Century Gouache on Pith Paper of 2 Mandarin Court Ladies receiving, in front of the Green Phoenix Screen, the seated Lady is wearing Manchu Shoes and holding a Ruyi Scepter, and the

Chinese School 19th century Group of Thirteen Works Depicting Chinese Occupations Watercolor and gouache on paper, some matted. (17 in. x 14 1/2 in. (approx.)) Provenance Property of a Maryland c

(19th c.) Assembly of (16) 3 x 2 inch paintings. framed 17 x 13 inches.

(19th century) three botanical subjects, with Chinese character script lower right, watercolor and gouache on paper, sight, 15-3/8 x 20-7/8 in., silk mat with gilt liner, 21-1/2 x 27 in. Provenance: T

Anonymous Chinese Export/Canton School, 19th c., "Torture", 12 watercolors on pith paper, sight 6 3/4 in. x 8 1/2 in., matted and framed alike. (12 pcs.) Provenance: The Estate of Caroline P. Ireland.

Group of Six Antique Chinese Gouache Paintings on Rice Paper Depicting boys playing, toys & games 19th century (or later) Each framed and measuring 13 1/2" x 17" Provenance: Martyn Gregory, London, 1/

Antique Chinese Ancestor Painting, C. 19th C. Gouache on paper. Framed. Chinese ancestor paintings were often commissioned of a relative after they passed away. Artists usually focused on depicting th

Sepulcro di Virgilio. Bay of Naples, Mount Vesuvius in background. Gouache on paper. Italian, 19th Century. Reverse black glass (flaking). Sight 11" x 19 1/2".

Eruzione Del Vesuvio Dell' 8 Ferr 1850 14" x 24 1/2" (image) gouache on paper unsigned in period grain painted frames 22 1/2" x 31 1/2" overall framed 19th century

A pair of 19th C. Chinese School gouache paintings on paper to include an interior genre scene, and a seated man in kimono. Mat opening of larger: 14-1/2in x 10-1/2in. Frame: 18in x 13-1/2in.

Asian Eight Panel Folding Screen, Early Gouache on paper panels set in 20th C Frame. Hand painted scenic panels, each with woodblock leaf and characters. Set single sided in linen matting and framed i

ALBUM OF TEN BOTANY BUTTERFLIES PITH PAINTINGS QING DYNASTY, 19TH CENTURY 清 外銷通è‰ç´™è¶æˆ€èŠ±åœ–冊 gouache on pith paper, comprising 10 paintings depicti

Chinese export painting. 18th/early 19th century. Tinqua school. Gouache on paper. Scene of silk cultivation. Stains. Framed under glass. Sight: 20 x 14in.

Chinese export painting. 18th/early 19th century. Tinqua school. Gouache on paper. Scene of silk cultivation. Stains. Framed under glass. Sight: 20 x 14in.

Early 19th century Chinese Export portrait of a French couple, executed in tonal gouache on rice paper, depicting a man and woman dressed in 18th century garb, she holds a basket of fruit on her arm,

Women in Interiors and Garden Settings gouache on pith paper 6 1/4 x 10 1/4 inches.

Chinese Export pith paper round watercolors, mid-19th century pair, hand-painted depicting laborers, for the tourist trade, both with old identifying inscriptions on the reverse, "Itinerant Barber" an

A CHINESE SCHOOL 19TH CENTURY PAINTING 'CONVENTION OF PEKING' Watercolor, gouache and ink on paper, with a paper mount and wooden end bars China, around 1860 This painting shows an interesting subject