(5) Beaulieu Vineyard BV Georges de Latour & Beau Tour

Medium: original etching. Published in Paris in 1920 for Gazette des Beaux-Arts. This impression on laid paper was printed by Vernant and Dolle. Image size: 7 1/2 x 5 1/2 inches (190 x 140 mm). Signed

BOOKS: La Tour La Vie et l'Oeuvre 1928 Besnard, Albert Besnard. La Tour: La Vie et l'Oeuvre de l'Artiste. Catalogue critique par Georges Wildenstein. Les Beaux-Arts, Edition d'Etudes et de Documents,

centrée d'un diamant taille ancienne pesant environ 3,00 cts, flanqué de diamants taille huit-huit Poids environ 5,1 g, tour de doigt 52 A DIAMOND RING

ornée d'un diamant taille brillant pesant cts 5.76 accompagné d'une vérification Cisgem n'22470IAAB déclarant la couleur K et la pureté I1 Poids 5,0 g environ, tour de doigt 5

Georges Washington (French, 1827-1910), "Horsemen by an Oasis", oil on canvas, signed lower left, 18 1/4 in. x 21 3/4 in., framed. Note: French artist Georges Washington studied at the Ecole de Beaux

Georges de Bardyère (1883-1942) oval carved dresser box with opposing butterfly and floral decoration France fruitwood, ebony, mother-of-pearl carved signature 4 5/8"w x 3 1/8"d x 1 1/8"h Provena

Attributed to Maurice Quentin de La Tour (1704 - 1788) A Portrait of a Gentleman Pastel on paper In a gilded frame Property of Stephanie Hoppen Dimensions: (Framed) 28 in (W) x 24.5 in (W) (Paper) 23.

centrée d'un rubis taille coussin pesant environ 5,10 cts, dans une monture à volutes ajourées serties de diamants Poids 7,9 g environ, tour de doigt 52 CETTE BAGUE A

Manuscript DS in French, signed “payez, Marie Antoinette,” one page, 9.5 x 14.5, July 1, 1786. An order to Treasurer General Randon de la Tour, directing him "to pay to Mr. Mollin, Maitre

Circle of Maurice Quentin de la Tour (French, 1704-1788) "Portrait of a Gentleman in Armor" (said to be Stanislaus I of Poland) - 1677-1766)" - 18th century Oil on canvas 24 x 20" (sight). 28.5" x 25.

Georges D'Espagnat French, 1870-1950 Bouquet de Fleurs Initialed GdE (ul) Oil on canvas 16 9/16 x 12 5/8 inches (42 x 31.8 cm) Provenance: Moderne Galerie, Zurich C

Text by Alain Decaux and Leon Zitrone, ARMAN and GEORGES ISRAEL Editeur, 1983. With 5 Color lithographs signed in pencil and justified E.A., and 13 lithographs signed in plate and marked Copyright S.P

Georges Washington (French, 1827-1910), "Environs de Philippeville, Provence de Constantin (un Douair)", oil on panel, signed lower left, titled en verso, 18 in. x 14 5/8 in., framed.

bronze; inscribed in casting; Societe des Bronzes de Paris foundry mark; Provenance: The Estate of Barry Tarlow, Los Angeles; 22 1/2 inches wide; 5 1/2 inches deep; 11 inches high

oil on panel; signed and dated lower center "Nicholaus de Siona [illegible] pinxit AD MCMXXVIII" Frame: 56 1/4 x 28 5/8 in. (142.9 x 72.7 cm.) Provenance: Christies label to verso

Full title: Six English polychrome and partly gilt George Hepplewhite style armchairs, 19th C. Description: H 96 x L 55 x D 51,5 cm About this sale: Paul De Grande is one of the major dealers of antiq

(1861 Tours - 1947 Paris) "Place de la Concorde - Paris". Originaltitel Impressionistische Paris-Vedute Souillets, der in Tours bei Félix Laurent und später an der École des Beaux Arts

GEORGES ANATOLOVITCH DE POGEDAIEFF 1897-1971 Pogedaievska 1897 - 1971 Ménerbes (Russian/ French) Title: Bouquet of Lilacs and Orange / Bouquet de lilas à l'orange, 1964 Technique: Original Signe

"Get Up" bronze 23 1/2 inches (not including marble base)

Artist: Jean-Honore Fragonard 18th century (Grasse, 5 de abril de 1732 - Parees, 22 de agosto de 1806)Title: Gallant sceneTechnique: oil and canvasMeasures: 51 x 79 cm

A suite of Art Nouveau carved fruitwood furniture Circa 1900, Attributed to George De Feure (Dutch/French, 1868–1943) Comprising of sofa, two armchairs and a pair of side chairs, upholstered in

"Sunday Sailors" Oil on canvas Signed lower right: Charles Wysocki, and with the copyright symbol, titled on the stretcher 24" H x 30" W Provenance: Galerie De Tours, Carmel, CA, December 22, 197

Provenance: Le modèle de ce candélabre a été conçu juste après la fin de la première guerre mondiale - une période très riche où une abondance d'arge

Marc Chagall (1887-1985) Les Amoureux de la Tour Eiffel (Mourlot 187) Lithograph in colours, 1960, on Arches wove paper, signed and numbered XI/XXV in pencil, an artist's proof aside from the edition