A Fine German Pencil Signed Etching

A fine original pencil signed etching. Signed illegibly in pencil lower right. Has Hienr. Wetteroth Munchen blind stamp lower left. Numbered in pencil "34/150" lower left. Measures 11.5" x 15.5" (plat

A fine likely German pencil signed etching. Illegibly signed in pencil lower right. Approximate image size 6 1/4" x 7 1/4" and sheet size 10" x 12". Very good to excellent condition. Unframed, loose a

UNTITLED from the Holy Land Series, etching, signed in pencil, numbered 23/50, plate 25 ¼ x 36 ¾”, sheet 29 ½ x 41 ¾”, framed, some surface dried bug debris in the lower margin, otherwise in a

UNTITLED (B.82.P; R/G.41) 1959, color etching, signed in pencil and inscribed artist proof IV/VII, image 10 x 7 ”, full margins, printed by Georges Visat, Paris, published by Les Editions Galerie Di

ACORD VERT, color aquatint etching, signed in pencil, numbered 30/95, sheet 30 x 22 ¼", matted.

THE BENCH, 1972, etching, signed in pencil, numbered 13/100, plate 15 ½ x 13”, full margins, frame 30 ¼ x 25 ½Â”.

UNTITLED, color aquatint etching, signed in pencil and inscribed EA (artist’s proof), sheet 30 x 22”, framed with glass.

Anton Schutz (German/American 1894-1977)- ''The Financial Heart of Washington''- etching, signed in pencil, abrasions in margins from adhesive, 1 nick in image along right edge. 8 3/4 x 11 3/4''

PASSACHILLE, color aquatint etching, signed in pencil, numbered 73/95, sheet 30 x 22 ¼".

PORTRAIT, etching, signed in pencil, numbered 3/XV, image 4 x 4", full margins, framed with glass, in apparently good condition.

UNTITLED, aquatint etching, signed in pencil and inscribed lower left, probably a working state proof, plate 38 1/2 x 28 1/4", sheet 41 1/4 x 29 1/2", framed.

PARK AM MORGEN, 1918-1922, etching, signed in pencil, plate 12 ½ x 9 ¼”, published by Die Schaffenden, with their blind stamp lower left, full margins.

UNTITLED,1983, color etching, signed in pencil and inscribed July 1983, numbered 16/21, plate 8 ¾ x 12”, sheet 11 x 14 ¾”, framed with glass. Courtesy of Gallery Schlesinger, New York. Proceeds

HOMAGE TO PICASSO-VOL. II # VIII, 1991, etching, signed in color pencil, inscribed and numbered 70/99 in pencil, plate 8 x 10”, large margins, frame 25 x 26 ½” with glass, with certif

HOMAGE TO PICASSO-VOL. II # V, 1991, etching, signed in color pencil, inscribed and numbered 70/99 in pencil, plate 10 x 8”, large margins, frame 26 ½ x 25” with glass, with certifica

Joseph Eidenberger GOLDEN GATE BRIDGE, KIRCHBERG, WIEN FREYANG SQUARE, STEYR, OLD COURTYARD KARLÂ’S CHURCH, five color etchings, each signed in pencil, sheets 25 x 21” to 17 ¼ x 12”;

Alexander Eckener (German 1878-1944) ''Foundry I''; ''Krokerei''; ''Hydraulic Press''; and Figure with Hose- 4 etchings, each signed in pencil, all age toned. 15 1/2 x 11 1/2'' ea.

Karl Bauer (German 1868-1942)- ''Hugo Wolf''; ''Schongauer''- 2 etchings, both signed in pencil, 'Hugo' also titled in pencil, good condition. 12 1/4 x 9 1/8''; 12 1/2 x 9 1/2''

Hermann Gradl (German 1883-1964)- Two Peasants on Road; Couple Sitting on Hillside- 2 etchings, both signed in pencil. 6 1/2 x 5''; 7 5/8 x 6''

4 European etchings- 1.) Hans Figura- Arc de Triumph- etching in colors, signed in pencil, stain in lower and upper margin; 2.) Ferdinand Staeger- ''... Christkind'' (title in German)- aquatint, signe

Emil Ganso (German/American 1895-1941)- ''Model Standing'' (Smith I-8C)- etching and aquatint, 1935, signed in pencil, edition of 250 by the Cleveland Print-A-Month Club, veyr good condition. 9 3/4 x

Emil Orlik (German 1870-1932)- Portrait of Conrad Ansorge- etching, 1916, signed and dated in pencil, good condition. 9 3/4 x 7 3/4''

Friedlaender, Johnny (French-German 1912 - 1992). Untitled Abstract. Etching on wove paper. Signed in pencil l.r. Edition 30 of 75. Sheet: 6" x 8". Framed. 13" x 16 1/2". Condition: Sight fine. Under

UNTITLED, color aquatint etching, signed and numbered 31/95 in pencil, sheet 30 x 22 ¼”, frame 33 ½ x 26” with glass.