ADAM FARRINGTON (20th c, New Orleans) Sculpture

13 1/4 x 14 x 10 in. Outsider art. Metal sculpture

Giltwood Mirror in the Adam Taste 20th century, the oval mirror plate set into a giltwood surround, the tall pierced crest decorated with a female profile portrait on a circular panel, supporting a re

Giltwood Mirror in the Adam Taste 20th century, the oval mirror plate set into a giltwood surround, the tall pierced crest decorated with a female profile portrait on a circular panel, supporting a re

Vintage Post Modern 1992 Thomas Mann mixed metal figural wall sculpture titled "Torso Series No. 1". Signed and dated on backside. Steel and brass or bronze construction. Post Modern lines of a textur

Vintage Post Modern 1992 Thomas Mann mixed metal figural wall sculpture titled "Torso Series No. 2". Signed and dated on backside. Steel and brass or bronze construction. Post Modern lines of a textur

Jordan Ivanov (Bulgaria/New Orleans), "Abstract Composition Sculpture," 20th c., on a green iron base, H.- 23 in., W.- 32 in., D.- 13 in.

Pair of Cast Iron Gates in the Adam Taste first quarter 20th century, American or English, decorated with oval outlined central panels supported on molded medallions, the crests decorated with framed

Pair of Mahogany Knife Urns in the Adam Tastefirst quarter 20th century, the ogee covers suspended on ratcheted support rods, opening to reveal fitted interiors, mounted with carved ram's-head handles

Cast Iron Fence Post in the Adam Taste first quarter 20th century, American, now mounted as a lamp, the paneled post molded with leaves and berries, and supporting a reeded urn-form finial decorated

Adam-Style Giltwood Mirror 20th century, set with a beveled mirror plate, the crest with an urn of flowers flanked with flowerheads and leaves. h. 64-1/2", w. 47-1/4"

† Veronica Bell (New Orleans), Patinated Bronze Abstract Sculpture, 20th c., unsigned, H.- 17 in., W.- 20 in., D.- 12 1/2 in. Provenance: “Little Oaks,” Bay St. Louis, Mississippi, t

Thomas E. Ashburn (American/New Orleans, 20th c.), "The Curse", 1998, paint, wood and mixed media sculpture, signed, dated and titled on reverse, h. 30 in IMPORTANT: All purchases must be removed from

Pair of George III-Style Mahogany Side Tables early 20th century, in the Adam taste, each with a demi-lune top above a conforming garland-carved frieze, raised on paneled tapering square legs headed b

George III-Style Satinwood Armchair early 20th century, in the Adam taste, the caned, rectangular back surmounted by a shaped crest featuring a scene of young children at play, centered by an oval pan

Pair of Regency-Style Mahogany Serving Cabinets 20th century, in the Adam taste, each surmounted by an urn-form cabinet topped by a finial and fitted with a single swag-carved door, opening to four pu

Pair of English Mahogany, Bronze and Marble Adjustable Torcheres, first quarter 20th century, in the Adam style, each set with a pair of electrified candles on an oval mottled gray and red marble top

Edwardian Satinwood Occasional Table early 20th century, in the Adam taste, the banded oval top centered by a patera inlay and with an inlaid foliate ribband band, above a conforming banded frieze, ra

Two Tiffany Dore Bronze Desk Objects early 20th century, including an "Adams" pattern letter holder marked "Tiffany Studios, New York, 1779", h. 6", w. 9-1/4", d. 2-1/2", and a small box with a hinged

Suite of Twelve Adam-Style Mahogany Dining Chairs early 20th century, consisting of two armchairs and ten sidechairs, each with an open oval back surmounted by a ribbon crest and with a Prince of Wale

Hernan Caro (Colombia/New Orleans, 20th/21st c.), Large Abstract White Aluminum Sculpture, 20th c., on a tan marble base that sits atop a metal geometric base, H.- 60 in., W.- 26 in., D.- 25 in.

Arlyn Jimenez (Dominican Republic/New Orleans), Group of Three Brutalist Iron "Spear" Sculptures, mid 20th c., two signed "Arlyn," on iron bases, Tallest- H.- 18 in., W.- 4 in., D.- 1 in. (3 Pcs.)

Italian Patinated Bronze of "Bacchus and Cupid" first quarter 20th century, after the 2nd century CE Roman marble (itself a copy of a Greek sculpture) formerly in the Farnese Collection and now conser

Italian Bronze Bust of "Hypnos", the God of Sleep first quarter 20th century, after the ancient Roman bronze (itself a copy of a 3rd century BCE Hellenistic sculpture) excavated at Civitella d'Arna, P

Pierre le Faguays (French, 1892-1962) "Encore" chryselephantine sculpture first half 20th century, cast signature, titled and numbered "119/190" at lower right and right side, on an integral marble pl