After the Pain, its All Hoilday: 2015

Mixed Media. Materials. Acrylic. House Paint. Carcoal. Markers. Signed on work. 30"×22 3/4"

A DIAMOND, EMERALD AND ONYX 'PANTHERE DE CARTIER' NECKLACE, BY CARTIERDesigned as a panther embellished with pave-set circular-cut diamonds and onyx spots and emerald eyes, suspending six emerald drop

"Grand Banks Fishermen, Noank", oil on canvas, signed lower right, titled and signed verso, also with Mystic Bicentennial Exhibition label, 1976, No. 104. The frame has a tag that reads "The Gedney Bu

Platin/Weissgold. Ein Diamant ca. 1 ct G/H-vs/si, zwei Altschliff-Diamanten ca. 0.24 ct und 41 Altschliff-Diamanten ca. 0.30 ct. L 3,8 cm, 5,8 g.

Purple glazed iridized bird applied to floral decorated vase. Amphora Oval Mark, Austria Oval Mark, Crown Mark. An example of the model is illustrated in "The House of Amphora", Scott, p. 230. Conditi

Victorian glazed stoneware garden bench, 19th c., probably English, each in the form of a seated sphinx, 36"h x 7.5"w x 32"d (supports only) Provenance: Palmetto Hall: The Jay P. Altmayer Family Colle

Korean celadon melon-shaped ewer, Possibly Goryeo Dynasty (918-1392 CE), Korea, glazed ceramic with Kintsugi repair, decorated in relief with bamboo branches, elaborate gold repair reserved for the mo

Manner of Gil Elvgren, pin-up painting, Manner of Gil Elvgren (American, 1914-1980), Lady luck, oil on board, no signature visible, 20"l x 13.5" (sight), matted and framed under glass Provenance: Prop

18k yellow gold Centering a 0.36ct. round full-cut diamond further set with one hundred sixty-seven round full-cut diamonds tapering in size and totaling 7.83cts. in weight and each graded M+ in colo

View a video of this lot: Click HereCrafted in 18K gold; set with cabochon emeralds, weighing a total of approximately 10.40 carats; accented by round brilliant-cut diamonds, weighing

Rosewood dresser in the manner of Poul Kjaerholme with two tone iron base and six drawers C 1960. Ht: 22" Wd: 70.5" Dpth: 15.25"

Richard Estes, (2) watercolors on paper, 1996, Richard Estes (American, b. 1932), "NY Harbor" and "Ferry NYC", each titled, signed and dated along lower margins, matted and framed under glass, 5"h x 4

PORSCHE 1952, original racing poster "Liege-Rome-Liege", French version, design Strenger, 59x42cm, edges slight patches with flaws, and poster with signs of abrasion, rarity German Description PORSCHE

Pair of Meissen tiered dessert stands, each having a Classical figure surmounting the three reticulated tiers, each with floral sprays, and rising on a circular base, marked with blue underglaze cross

The original marriage certificate for Robert Browning and Elizabeth Moulton Barrett dated 1846, mounted on card, signed by Thomas Wood Goldhawk, together with a photocopy of the original.

Girl attached to wicker picnic basket, which opens. Music box inside, which works. Head and hands move, with right hand holding what looks to be a piece of bread, and there is a book that goes in the

Right out of a Chicago suburb garage. A vintage Michelin Bibendum Bonhomme air compressor dating from circa 1920-1930. Has original on off switch and pressure gauge missing the needle. In very restora

Post War. Originally tied in graphic box. 4 Pieces. Condition Figures Near Mint. Condition Box Pristine.

Native American, Large Coiled "Whirling Log" Basket, Pimacirca 1920, willow and devil's claw, flared rim with wide shoulder and tapered body having thirty interwoven whirling log devices, rim is whip-

A pair of French lucite and brass two tiered end tables in the manner of Karl Springer circa 1970. Ht: 20" Wd: 23" Dpth: 23"

A nineteenth century French gilt wood mirror. Ht: 35.5" Wd: 25.5"

A sterling silver creamer, designed by Sigvard Bernadotte for Georg Jensen. The body with a ribbed design. Marked to underside Sigvard Denmark Georg Jensen Sterling 856 A. 456g H. 15.5 cm (6 1/4 in.)

A pair of cast and wrought iron Art Nouveau entry gates in a frame and with a transom circa 1910. Ht: 130" Wd: 51.25"

19th c. Simple Plank Construction, with two door upper cabinet having three shelves, unpainted interior; intermediate overhanging unpainted work surface, two doors below over two shelves, arch cut end