Alcario Otero + Jorge Sanchez, Our Lady of Sorrows, 1993 + Santo Niño de Atocha, 1974

Alcario Otero + Jorge Sanchez(New Mexico, b. 1951 + New Mexico, 20th Century)Our Lady of Sorrows, 1993 + Santo Niño de Atocha, 1974pigments, carved wood, punched tinOur Lady of Sorrows, 1993:inscribe

Nicolas Otero (b. 1981)Group of Two Retablos Santo Niño de Atocha, 2009 hand-adzed wood, gesso, natural pigments inscribed verso: Santo / Nino / de / Atocha / Nicolas R Otero / Los Lentes NM / 2009 M

(lot of 3) Unframed oil on tin retablos, 19th c., including: (1) Santo Nino de Atocha (The Holy Child of Atocha), approx 7"h, 5"w, (1) Nuestra Senora del Refugio (Our Lady Refuge), approx 6.5"h, 4.5"w

Possibly Jose Rafael Aragon + Frank Applegate(1796 - 1862, 1881 - 1931)Santo Nino de Atocha Bulto en Nichowood, gesso, pigment, paper, fabricNicho possibly by Frank ApplegateSanto Nino de Atocha possi

** A portion of the proceeds from the sale of this lot will benefit The Fowler Museum at UCLA **Mexico, ca. 1900. Santo - El Santo Nino de Atocha en Nicho. Wooden nicho made from a recycled box, let

Jose Rafael Aragon(1795 - 1862)Santo Nino de Praga Bultocarved wood, gesso, pigments14 x 5 5/8 x 4 1/8 in. (35.6 x 14.3 x 10.5 cm.) The Paul Rhetts Collection, New Mexico

Alcario Otero(New Mexico, b. 1951)Our Lady Of Guadalupe, 1991carved wood, gesso, pigmentsinscribed underside: OUR LADY / OF / GUAdalupe. / C. OTERO "91"25 x 11 1/4 x 5 in. (63.50 x 28.58 x 1

Alcario Otero(New Mexico, b. 1951)Jesus de Nazarene, 1991carved wood, gesso, pigments, hand stitched fabricinscribed underside: JESUS NAZARENO / C. OTERO "91"23 x 7 x 7 in. (58.42 x 17.78 x

Alcario Otero(b. 1951)Nuestra Senora del Dolores en Nicho Bulto, 1994carved wood, gesso, pigmentsinscribed underside base: Nuestra Senora / de / Los Dolores / Alcario Otero / "94"26 1/4 x 12

Carved and polychrome painted religious santo/ altar figure, La Virgen de Guadalupe (Our Lady of Guadalupe), standing on stepped base, approx 33"h, 16"w, 5.5"d, 6.5lbs Start Price: $150.00

Framed oil on canvas painting, Our Lady of Perpetual Help, signed lower right T. Sanchez, dated 1893, possibly Tiburcio Sanchez de la Barquera (Mexican, 1837-1902), sight: 26"h, 18.5"w, overall: 34.25

NINO BAILANDO (P.167), 1974, color Mixografia, signed and numbered 29/100, sheet 29 1/4 x 21 1/2", printed and published by Taller de Grafica, Mexico, framed with glass. Provenance: Mixografia, Los An

NINO BAILANDO (P.167), 1974, color Mixografia, signed and numbered 29/100, sheet 29 ¼ x 21 ½”, printed and published by Taller de Grafica, Mexico, framed with glass. Provenance: Mixografia, Los An

With COA, 14 Troy Pounds, 1.6 Troy Oz, Carat: 2380, TSI Number: 85A-S924, Tag Number: 1100, Nuestra Senora De Atocha sank in 1622, Ingot recovered in 1985 by Treasure Salvors, With display case, Case

Francisco Zuniga, (Mexican, 1912-1998), Madre con nino de pie, bronze, signed and numbered, edition of 3, 24.5"h x 10"w x 7"d Provenance: Catalogue Note: We are grateful to Mr. Ariel Zuniga for his as

With COA, Nuestra Senora De Atocha sank in 1622, Ingot recovered in 1985 by Treasure Salvors, With display case base but no top. Plate measures 9 1/4 inches round. Total weight 255.7 grams

Laureano Atlas (1743 - 1773) Nuestra Señora Del Santisimo Rosarioen la Yglesia de Santo Domingo signed and dated 1759 (lower right) copper engraving on finely–combed cottonBinondo, Manila 30

AN IMPORTANT ONYX AND DIAMOND SAUTOIR NECKLACE, CHARLES DE TEMPLE 1974 the longchain formed of onyx and white gold pearl motifs encased in naturalistic yellow gold surrounds, jewelled and accented by

Toots Zynsky (American, b. 1951) Untitled #11 Vessel, c. 1993 filet de verre fused and thermo-formed glass threads signed with fused-glass 'Z' H 5 x W 17 x D 7 1/4 inches

Proof like in original box . Bicentennary of the Louvre Museum. No COA

ROBERTO MATTA (1911-2002) La folie est soif de verité 1973-1974 monogrammé ; titré et daté 1973 au revers huile sur toile signed with the artist's initials ; titled and dated 1973

MANUEL NERI (1930-2021) Los de Agua Fria, 1974-78 oil-based pigments and plaster over steel armature, styrofoam core, burlap and wire on wood base 65 1/4 x 21 1/2 x 14 1/2 in. 165.7 x 54.6 x 36.8 cm.

Marquis de Sade, Nino, 1964 Oil on canvas Signed, dated, and numbered in the upper right corner: Cuevas / #25; titled on the stretcher 54.75" H x 55" W Provenance: Silvan Simone Gallery, Los Ange

Gerard Sekoto (South African, 1913-1993) Le Chemin de l'Ecole oil on canvas signed G. Sekoto (lower right); signed, titled, and inscribed (verso) 19 3/4 x 24 inches. Property from the Collection of Jo