ANTONIO PEDRO (1909-1966) (possibly) - Modernist vase

Possibly by ANTONIO Pedro, Moledo, decoration in black and white, with four wings. Incised 'fish'. Dimension: 25.2 cm.

António Pedro da Costa(1909-1966)Alias: António PedroAntónio Pedro "da" CostaAntónio Pedro Da CostaAntonio (1900) PedroSculptorPainter

Salt glaze early modernist vase - possibly North Carolina - c1930s. Unsigned. Perfect condition. 11.75"h x 5"d. We box and ship ourselves, to keep shipping costs low. We do not use a packaging service

Vintage Modernist Geometric Glass Vase / Possibly Sklo Union. 10 inches H x 3.5 W.

ARTIST: Maria Boveri Cantarella (New York, 1909 - 1966) NAME: Still Life with Vase of Flowers MEDIUM: oil on canvas CONDITION: Relined. Some craquelure. No visible inpaint under UV light. SIGHT SIZE:

A detailed and well executed brutalist cylindrical sculpture, with an intricate cage pattern, probably American modernist. Possibly intended as a vase for artificial flowers. Unsigned and unmarked. Ap

Alexandre Gempfenstein (Alexandre de Wemmel) (Ukrainian Belgian, 1909 to circa 1964). A modernist art pottery vase. Glazed robins egg blue gourd form ribbed body, with striking braided cord style rim

Oil on canvas, Signed l.r. and further signed and titled verso. George Joseph Habergritz (American, 1909 - 1966, active in New York). From a Westchester, NY estate; 30in. X 50in.

Artist unknown, possibly Victor Ries (origin unknown, likely American studio movement, 20th c.) Modernist vase form with linear striations. Brass covered copper Age unknown. Likely mid 20th century. M

Tempera and gesso on hand-adzed pine panel New Mexican retablo painting of Nuestra Senora del Carmen, attributed to Pedro Antonio Fresquis, (1749-1831) Truchas, New Mexico, or possibly his workshop. F

Artist unknown (possibly Italian, 20th c.) Opalescent and clear studio glass vase Hand blown glass c1960s Measurements 4.375" x 3" x 2" Notes No signature or markings foun

Signed Studio Art Glass Vase - Sommerso-style modernist asymmetrical vase with clear, blue, raspberry, amber, and green colors. Thick glass with angled surface. Signed illegibly on side (possibly Jim?

Pedro Lazcano (1909-1970), Texas Blue, oil on canvas, 20 x 30", frame: 24 x 34" Provenance: A San Antonio, Texas collection Born in the village of Villa Del Carmen outside of Mexico City, Lazcano mo

Modernist glass vase, five small interchangeable teardrop-form bud vases set into Lucite base, possibly tulip- or laboratory glassware-inspired. 10.75" H. Loss to rim of tallest bud vase, and chip to

Harding Black (San Antonio, Texas, 1912-2004), roadrunner vase, glazed ceramic, 1972 height 7 in. x width 4.5 in. x depth 3 in. Provenance: A San Antonio, Texas collection Possibly the most celebra

Harding Black (Texas, 1912-2004), javelina applique vase, 1972, glazed ceramic height 7 in. x width 5 in. x depth 3 in. Provenance: A San Antonio, Texas collection Possibly the most celebrated cont

Rare San Antonio Texas Impressionist Modernist Artist Oil Painting Signed. Oil on canvas by Thomas Lawson Blackmon; scene in Texas, possibly San Antonio; 14 x 22; rare Texas Artist.Thomas Lawson Black

Pedro Lazcano (Mexican/San Antonio, Texas, 1909-1970), autumn scene, oil on canvas sight: 16 x 20 in., frame: 20 x 24 in. Provenance: A San Antonio, Texas collection Born in the village of Villa De

Pedro Lazcano (Mexican/San Antonio, Texas, 1909-1970), autumn scene, oil on canvas, sight: 16 x 20", frame: 20 x 24" Provenance: A San Marcos, Texas collection Pedro Lazcano is known for his

Modernist Metal Cone Vase. Tests As Copper, Zinc, & Iron. Possibly a White Bronze Alloy. Approximately 12.0625H x 6.0W in.

20th C. The smaller of the two is cased glass, possibly Scandinavian. The taller example is likely Italian with possible attribution by Empoli, Italy. Both orange glass elongated vaseswith rounded for

Modernist hand-blown art glass vase in black, white and clear. Featuring three converging arms and clear round vase with loops. Possibly Scandinavian, unsigned. Measures 10"H x 8"W. Condition report:

Hand blown olive green glass. Ground lip. No apparent signature or mark; possibly Scandinavian. Very good condition; tiny shallow flake chip to inside lip, light age wear to bottom, etc. Circa 1930's.

Modernist oil on board 12 x 16 in., 14 1/2 x 18 1/2 in. (framed). Signed possibly Jean Wagner. Dated 1966. Horses grazing in landscape.