Auguste Herbin pochoir for L'art non figuratif non

Medium: pochoir (after the gouache). Printed in Paris for L'art non figuratif non objectif, issued in an edition of 1000 and published in Paris in 1949 by Lydia Conti. The total sheet size including m

Heading: Author: Herbin, Auguste Title: L'Art non Figuratif non Objectif Place Published: Paris Publisher:Lydia Conti Date Published: 1949 Description: 23x19 cm (9x7&frac12

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: serigraph (after the gouache). Printed in Basel, Switzerland in 1955 for a rare catalogue by Leon Degand that was issued in an edition of 650. Printed on smooth wove paper, the image size is 5

Including (1) ladies 14k white gold Benrus watch, a Lorus stainless steel Mid-Century watch, A Gruen Curvex and (2) Art Deco ladies non-gold watches. Dimensions: Gruen: L 1.75" x W 0.75" Condition: Al

Large non-lead crystal art glassware; transparent blue body with teal and gold shimmer swirl accents. Comes with original box; size - 4.5"H x 21"W x 20.25"L. Issued: 2014 - 2022 Dimensions: 2.25" H x

Manifesto Offset [Non Telato] by Gruau René Stampatore non Indicato Epoca 2000 Misure h 99 x L 68 cm Condizioni A

etching in black ink on thick wove paper, c1894, comes with a non guaranteed COA from Global Fine Art,, 25 1/2" X 26 1/2"

copper plate engraving on wove paper, executed under the direct supervision of Pierre Auguste Renoir, comes with a non guaranteed COA from Global Fine Art, 16" X 18"

hand painted pochoir on thick wove paper, signed by the artist on the stencil, comes with a non guaranteed COA from Global Fine Art, 26" X 30", some chips on corner of frame

H:19cm,L:62cm

Quattro sedie. Disegno del 1927. Acciaio tubolare cromato, cuoio. Produzione non identificata anni '70. cm 79x49x70 FOUR CHAIRS BY L. M. VAN DER ROHE Vitra Design Museum, Mies van der Rohe Architettur

Santa Caterina da Siena Olio su tela, cm 65X50 La buona conservazione e la tenue cromia rendono questo piccolo dipinto particolarmente delicato. L'iconografia, che non si scosta dalla tradizione, pres

Etching depicting Vue de l'Etna. Taken from Voyage Pittoresque Ou Description des Royaumes de Naples et de Sicilie, Saint-Non. First edition 1785. a.p.d.R. N ° 34 Sicilie. In beautiful briar settin

con orologio, uno dorato di gusto classico e firmato Megrat et Comp a Geneve, l'altro argentato a doppio quadrante- usure, gli orologi non funzionanti Alt. massima cm 20,5, larg. massima cm 14 TWO DIF

Posacenere. Ottone, ottone verniciato. Produzione Azucena anni '50. cm 10x18 AN ASHTRY BY L. C. DOMINIONI catalogo produzione Azucena Buone condizioni. Segni d?usura, piccole righe. Vernice non origin

Lampada da parete. Metallo verniciato, cristallo satinato. Italia 1980 circa cm 40x90x15 A WALL LIGHT BY L'ISOLA CHE NON C'E' Buone condizioni generali. Piccoli graffi, normali segni di usura dovuti a

l'Eplattenier, Charles ( Swiss 1874-1946), Initiative de Crise 2 Juin Non, (No to the crisis Initiative), 1935, Poster, 49.25 x 35.5 inches, printed by Arts Graphique Haefeli and Co. , La Chaux-de-Fon

Manifesto Offset [Non Telato] by Gruau René Edito Stampa Garattoni, Rimini Epoca 1993 Misure h 98 x L 69 cm Condizioni A

**Back at auction due to non-paying bidder - yes, this hammered for over $7000 a month or so ago, but we are starting again at the original price and we'll see where it goes.** Auguste and Antonin Dau

Pair of Art Deco Czech faceted glass drop earrings with non-pierced screw backs. 2" L.

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The shee

Medium: color pochoir. Printed in Paris for the Temoignages pour l'art abstrait project (Witnesses for Abstract Art), published in 1952 by Editions d'Art d'Aujourd'hui, in an edition of 1500. The imag