Bonus Genius (Vanishing Doll). American, ca. 1910 [?].

Bonus Genius (Vanishing Doll). American, ca. 1910 [?]. Hand painted turned wooden doll vanishes from under a small tartan cloak. 4 ¾” high. Folk art look. Cloth worn, else very good.

Private Pat. Los Angeles: F.G. Thayer, ca. 1942. A doughboy-themed version of the Bonus Genius vanishing doll. Complete with two figures and tent (often lacking) from which the doughboy vanishes. Doll

Bonus Genius. (Vanishing Devil). Los Angeles: Thayer Studios, ca. 1946. A Larsen-era version of the venerable vanishing doll effect. Red cloth ″cape,″ two Mephistophelean dolls (one gimmic

Assortment of four Thayer-made wooden dolls used in various versions of the “Bonus Genius” vanishing doll effect. Includes: Soldier (“Private Pat” - both solid and gimmicked dolls), Girl with

American, Amish people, ca. 1910 to 1920s. A handmade cloth Amish doll with hand-stitched garments including a long forest green dress with a sage green overdress and a black bonnet - clothes that are

Ca. 1910-1920. Embroidered face and button eyes. Original skirt and head scarf. Minor wear. 13"h.

Native American, Fort Yuma Indian Reservation (California & Arizona), Yuma/Quechan peoples, ca. 1910 CE. A fine male Yuma doll, hand-modeled from unfired clay and dressed in a loin cloth made from red

Ca, 1880-1910. Penciled facial features with tack mouth. Period clothing and stockings on her feet. Light stains. 13"h. Ex Rndean Gerritsen (Beaver Falls, Pennsylvania).

Ca. 1910-1920. Simplified form with inked eyes. Ex Sue Lindsey (Nashville). 8.5"h.

Ca 1900-1910. Early homespun fabric dress. Stains. 8.5"l.

Ca. 1890-1910. Embroidered face, original clothes. Stuffed with straw. Some tears and loss. 9.5"h.

Ca. 1880-1910. Stitched nose, wool yarn hair and period clothes. Small holes, tape repairs on legs. 10.5"h. Ex Rndean Gerritsen, Beaver Falls, Pennsylvania).

CA. 1890-1910. Embroidered face. Period clothing has damage and some stains. 10.5"l.

hand made doll ca. 1880 - 1910 from a richmond VA estate. 30"

Kepplinger Holdout Device. American, ca. 1910. A knee spread device that straps to the knees and arm and when the knees are spread apart delivers a card into the hand. Straps and strings renewed, with

12" long China head, hands, and feet, cloth body, hand painted molded black hair, blue eyes, rosy cheeks and lips, front plate marked Ethel, back markedPatent App'dForGermany, black paint hair shows w

wonderful dolls made of wood and wire. Hand made clothes. Simple bases made that the dolls hang on. Height of tallest when on stand 14"

American, ca. 1910, designed by Stanford White with alternating rows of repeating waves, ripples, rope twist, pearls, etc., likely made by Newcomb Macklin. Rabbet: 16" x 18" Overall Dimensions: 23.5"

American, ca. 1910, designed by Stanford White and made by Newcomb Macklin, a very rare an impressive example having wave and ripple top edge and reverse profile. Overall 37" x 42 ", Rabbet 23" x 28",

Nursery Rhyme Illustration – “Humpty Dumpty sat on a Wall”. Oil on unstretched Canvass. American ca 1910. Monogrammed lower right. Fair Estate Condition, with minor scattered losses

American ca. 1910. Hand carved and gilded, possibly by Hermann Dudley Murphy, bears Sotheby's labels for Ernest Lawson verso, in a great standard size. Rabbet: 16" x 20" Overall Dimensions: 26 1/2" x

American, ca. 1910, oil on canvas depicting barns and houses in a winter landscape likely Connecticut or the Hudson Valley, very nicely painted, unsigned. Presented in a fine custom carved and gilded

American, ca. 1910, hand carved and gilded in the art nouveau style. Rabbet: 18" x 20" Overall Dimensions: 24" x 26" Molding Width: 3"

American, ca. 1910, carved and gilded cassetta profile, possibly by Newcomb Macklin. Overall 35" x 40", rabbet 25" x 30", molding 5 1/2".