Borris Saillart - Au bout de la cloture - 1975 Etching

Au Bout de la Galerie, Laurentides Oil on canvas Signed lower left Signed and titled to canvas verso Size: 20 x 24 in. (51 x 61 cm)

Medium: original etching and drypoint. Catalogue reference: Delteil 88. Executed in 1909 and published in Paris by H. Floury. Plate size: 7 3/4 x 6 inches (198 x 155 mm), on wove paper. Signed by Raff

"San Lazzaro and his Friends" – Published by XXe Siècle – Paris, 1975 – Original LithographsSan Lazzaro Et Ses Amis, Hommage au fondateur de la revue XXe Siècle. Paris, 1975. 15 lithographs in

Joan Miro (Spanish, (1893-1983). Etching and aquatint in colors on Arches paper titled "Pic de la Mirandole," 1975. Pencil signed by artist Miro lower right and numbered by Miro 14/50 lower left. Joan

PIERRETTE, AU CLAIR DE LA LUNE (Holland 320), 1927, color etching, signed in pencil, copyright L. Icart Paris upper right, blind stamp lower left, image 20 ¼ x 13 ¼”, full margins,

after Hippolyte Flandrin (French, 1809-1864), Jeune Homme assis au bord de la mer (Young man sitting by the sea)etching and engraving, 19th century, engraved by Jean-Baptiste Danguin (1823-1894), matt

Artist: James Tissot Title: Au Bord de la mer Year: 1880 Dimensions: 10.5in. by 8in. Edition: From the rare limited edition Medium: Original etching on paper

Verso with label from Kennedy Gallery, New York. Together with a colored print after C.C. Hendersen, British, 19th C. and two prints titled "La Chasse Au Renard" and "Le Moment de la Chasse." 4 pieces

French print of France "Vue de la Ville et du Port de Bordeaux , Prise du Chateau Trompette, Grave d'apres le Tableau Original, appartenant au Roy, et faisant partie de la collection des Ports de Fran

Pair of framed hand colored etchings. Vintage / Antique prints. "J. B. Huet delin", the printer "Bonnet direxit" - La Racommodeuse de Dentelle - La Brodeuse au Tambour Height: 18 1/2"; Width: 15 1/4".

La vaisselle de bronze romaine et provinciale au Musée des antiquités nationales Tassinari, Suzanne (1975). Paris, Centre National de la Recherche Scientifique. ISBN: 2-222-01768-8 CHF 50 /

RENE MAGRITTE (Belgian 1898-1967) "L'art de vivre (From: Le Lien de Paille)" 1968 and "La Petre Marie (From Signe de Survie au temps d'Amor)" 1968 etching in colors, etching in colors with aquatint, i

Antoni Tàpies (Spanish, 1923-2012) 'La pierre trouant le sens mais, plus tard, le ciel au fond de l'entaille (Galfetti n. 818)', 1981'; Etching and aquatint on Arches paper ed. 40 of 75; Signed in pe

Pierre Auguste Renoir- ''Femme au Cep de Vigne (Woman at Vine)''- lithograph, heavy moisture stain through majority of print (whole image), causing waviness of paper in top half; ''La Baigneuse debout

La pierre trouant le sens mais, plus tard, le ciel au fond de l'entaille From the 3-part portfolio of poems by Yves Bonnefoy; , etching and aquatint on Arches paper (Galfetti n. 818)', 1981'; signed i

Visez au coeur, belles dames!; Les Belles Sauvagesses de 1920, from the album Le Bonheur du jour or Les Graces à la Mode, 1924 Two etchings with pochoir on

"ROY LICHTENSTEIN COLOR ETCHING WITH AQUATINT. Illustration for “De Denver au Montana, Départ 27 Mai 1972 ” from “La Nouvelle Chute de l'Amérique” (The New Fall of America), 1992Provenance:

Avigdor Arikha (Roumanie 1929-2010 France). Etude de Main, 1975 Eau-forte Datée dans la planche, signée en bas à droite Dédicacée 18 x 13 cm Footnotes: Etching of a Study of a

Louis Valtat (French, 1869-1952) Paysage d'automne au bord de la riviere, c. 1935 oil on canvas signed with initials L.V. (lower right) 10 3/4 x 14 inches. This lot has previously been confirmed to be

Emmanuel Victor Auguste Marie de la Villeon (France 1858-1944) etching. Signed in pencil lower right. Title and number in pencil lower left. Measures 4-in. x 5.375-in. plate size, 6.25-in. x 8.25-in.

GEORGES JOUVE (1910-1964) Vase sphérique ou pomme, à petit col droit en faïence émaillée rouge. Signature Jouve et sigle d’Apollon au revers de la base. Circa 1955. (&#2

GEORGES JOUVE (1910-1964) Vase cylindre en faïence émaillée rouge à l'extérieur et noir à l'intérieur. Signature Jouve et sigle d’Apollon au revers de la base.

Paul Jean Gervais (French, 1859-1936) "Frolicking on the Terrace" oil on canvas signed lower right, a "Bureau de Vente, Des Oeuvres Exposees au Salon de la Societe des Artistes Francais" label with ar

Max Moreau (Belgian 1902-1992) Paris au Moulin de la Galette, oil on canvas. Signed lower left. Circa 1959. (HEAR415)(EL) Dimensions: 20 x 24" unstretched Property from a fouth generation gallery, Ma