Charles White "Cats Cradle" etching

CHARLES WHITE (American, 1918ñ1979), "Cat's Cradle," 1972, etching on cream wove paper, plate: 23.375 x 26.5 inches; sight: 24.875 x 28 inches; overall with frame: 35.5 x 38.5 inches, pencil sign

Charles H. White (1878-1919) Street Scene etching, 1913, signed and dated in pencil.   6 3/4 x 8"

Pair of side shell chairs on cat's cradle bases by Charles Eames for Herman Miller, 1955. 24" H x 18.25" W x 23" D.

Charles H. White (American 1878-1918)- ''Chestnut Street, Salem''- etching, c. 1907, signed and titled in pencil, 3rd state. 8 3/16 x 6 9/16''

Charles White (American 1918-1979), "Sara," 1969, zinc etching on paper, artist proof, titled "Sara" at lower left, signed and dated at lower right, having a Forum Gallery NY label en verso. Note: The

Charles Henry White (American 1878 - 1918) signed etching. Signed "White imp - 3 - " in red pencil, lower right. "First state" in red pencil lower left. Titled "East River Bridge II" in pencil lower r

Charles White pencil signed & numbered etching 54/125; 1967 - 7 1/2" x 11" paper size (some discoloration to 1/4" band across top)

LKR wire chair with cat's cradle base and fabric bikini pad by Charles and Ray Eames for Herman Miller, 1950s. Paper Herman Miller label under pad.

HERMAN MILLER Fiberglass Shell EAMES Lounge Chair. LAR Model with Black Cat's Cradle Base. Charles Eames. Marked. -- Dimensions: H: 24.5 inches: W: 24.5 inches: D: 24 inches ---

Pr HERMAN MILLER Cat's Cradle Tower Chairs. CHARLES & RAY EAMES. Black metal cage form shells on Eiffel Tower Bases. Brown fabric seat. Label with paper tag.-- Dimensions: H: 25.5 inches: W: 18.5 inch

Gray fiberglass arm shell chair on "cat's cradle" base by Charles and Ray Eames for Herman Miller, 1950s. Underside with molded manufacturer's mark and paper label.

LKR-2 lounge chair on cat's cradle base by Charles Eames for Herman Miller, 1950s. 25.5" H x 18.75" W x 22" D.

Early 20th Century Pittsburgh Topographical Etching School, (possibly Charles White or Louise Boyer), Point Bridge and Houseboats at The Point, circa 1920, etching, 2 x 3 inches, signed indistinctly i

Black & white etching of a smiling Charles Lindbergh0, trial proof dated May 27,1927. Dedication reads: 'To the Brooklyn Museum with compliments from the artist', signed: Hoppe (?). Condition commensu

Charles White1918-1979untitled, Head of a Woman III1979 (printed in 1984)etching in brown ink11 7/8 x 12 7/8estate stamped signature, numbered in pencil 48/80An example of this image is in the c

Etching, "Eight Bells", printed from Winslow Homers original etched plate by Charles White in 1941 for the Metropolitan Museum of art, 19.25" by 25" (plate size)

JUDY PFAFF Cat's Cradle. Steel wire, brass, enamel, gold, white gold, yellow gold and copper leaf on glass multiple, 1991. Incised signature, title, date and numbered 12/18 lower recto.

A pair of LKR-1 , 'Cats Cradle', wire chairs with original naugahyde covers. 25.5 x 18.5 x 18. Measurements are in inches. (Height x Width x Depth)

Charles and Ray Eames (USA, 1907-1978) and Ray Eames (USA, 1912-1988) for Herman Miller (USA) for Herman Miller fiberglass low wire base armchair, also known as the cats cradle base, 1960s crimson fib

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller side shell chair on Cat's Cradle base Zeeland, Michigan, circa 1960 fiberglass, chrome-plated steel Herman Miller sticker label to u

Collection of etching includes Middle Alley Philadelphia by Earl Horter, (2) by John Mcgrath (one with small hole) other titled The Harbor St. Tropez, and Notre Dame Cathedral by Charles Meryon.

CHARLES MICHAEL ANGELO LANG (NEW YORK, 1860-1934) PORTRAIT OF A CAT, oil on canvas, depicting a black and white cat laying on a blue-upholstered chair, center lower edge inscribed "SKETCH" and signed

DESCRIPTION: Color etching and aquatint entitled "Le Jardin Japonais" by Louis Icart depicting a woman and child considering a bonsai garden atop a japonisme table under which sits a white cat. Signed

Circa 1960, two indistinctly stamped ''Z / Co???l / 3'' within a circle, designed by Charles and Ray Eames, each with a coral/orange molded fiberglass shell raised on a black ''cat's cradle'' low wire