CZECH REPRODUCTION CUT-OVERLAY SPIKED QUATREFOILS AND PUNTIES PAIR OF PEG LAMPS

CZECH REPRODUCTION CUT-OVERLAY SPIKED QUATREFOILS AND PUNTIES PAIR OF PEG LAMPS, red application to colorless, each cylindrical form with columns of alternating spiked quatrefoils and punty cut, separ

REPRODUCTION AMERICAN GLASS ARTICLES, LOT OF SEVEN, including a pair of jade green Dolphin candlesticks, a pair of cobalt blue Waisted Ovals stand lamps, and blue to colorless cut overlay peg lamp in

CUT OVERLAY ELONGATED OVALS PEG LAMPS, PAIR, ruby to colorless pyriform font, period brass collars, Pegs with brass sleeves and metal spring tabs. Each fitted with a period Argand-style slip burner, o

CUT-OVERLAY OVAL AND PUNTY GILT-DECORATED KEROSENE STAND LAMPS, PAIR, opaque white to colorless with a medial stenciled gilt Vintage decorated band, large pyriform font with an oval cut band betw

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

CUT OVERLAY PUNTY AND OVAL KEROSENE STAND LAMP, blue to colorless, inverted pyriform font with wafered peg, raised on a tall reeded brass standard and double-step marble base, No. 1 fine-line collar.

Antique oversized peg lamps with cut white glass over clear glass shades and marble bases. 14”H x 5”W x 5”D.

Ruby Overlay Cut to Clear Oil Lamp circa 1860. with quatrefoils, stars and punties. Fluted brass base and marble base. With period burner, engraved shade, prisms and chimney. Ht. 23 1/4 in. The lifelo

American. 1860-1880. Glass, brass. Blue cut to white cut to clear font with two rows of punties and four quatrefoils. Brass connector, white milk glass base. #1 early lip chimney; #1 Jones burner. Thu

ASSORTED CUT GLASS PEG LAMPS, LOT OF FOUR, colorless globular-form fonts, comprising a pair with three bands of punty and cross-bar pattern; and two examples with stars and oval cuttings, period brass

ASSORTED CUT OVERLAY GLASS KEROSENE STAND LAMPS, LOT OF TWO, comprising an English Dietz pink to white to colorless Punty and Panel, and a white to cranberry quatrefoil tall stand lamp with a transluc

A pair of 19th century American Victorian Period fluid lamps. Cobalt Blue overlay cut to clear glass fonts with star and quatrefoil design, on brass column form stems with stepped Marble bases. Minor

CUT-OVERLAY PUNTY KEROSENE STAND LAMP, sapphire blue to colorless pyriform font, five rows of small punty cuts, raised on a brass fluted stem and double-step marble base with stamped brass ornamention

CUT OVERLAY PANEL AND PUNTY KEROSENE BANQUET STAND LAMP, green to colorless pyriform font, raised on a matching cut punty, elongated panels, and vesica stem, and double-step alabaster base with gold-p

CUT OVERLAY PUNTY AND OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching punty-cut stem and double-step marble base with gilt-brass ornamentation, brass co

CUT-OVERLAY PUNTY, OVALS AND PANELS KEOROSENE STAND LAMP, deep olive green to colorless pyriform font, raised on a brass reeded standard and double-step marble base with stamped brass ornamentation, w

CUT-OVERLAY STARS, QUATREFOILS, AND PRISMS PRESENTATION KEROSENE STAND LAMP, opaque white to colorless, large pyriform font with a complex pattern including quatrefoils, ovals, prisms, and stars, rais

American. 1860-1880s. Glass, brass, metal. Cobalt blue cut to colourless font with punties; four-sided base with gold finish decorated with 4 figures of young girls. Figural stem – Dietz catalog

The solid panel-cut cobalt blue glass decanter forms (possibly Czech) each surmounting a two-tiered brass base, mid 20th century. Each with original vintage wiring, still in working condition. Shades

ENGLISH CUT OVERLAY MINIATURE LAMP, cranberry cut to amber, ball-form font with finely detailed cross-hatching pattern under multi-rayed sunburst and swag, scalloped foot, underside with rayed cutting

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. White cut

DORFLINGER "MONTROSE" CUT OVERLAY DECANTER, green to colorless, shouldered form with hobstar patterned base, matching stopper with hobstar top and tiny punties to edge. Dorflinger Glass Co. Circa 1895

In the manner of Max Ingrand Floor lamps, pair Italy, c. 2000brass, enameled aluminum, sand-blasted, cut and polished glass 67.25 h × 12 dia in (171 × 30 cm) This work

Desk Lamp Signed Galle French Cameo Art Glass, 14" x 6.5", Amber Ground With Blue Cameo Cut Back Overlay Featuring Pinecone And Bird Decor, Electric Cord Is Not Currently Attached, This Lamp Is Genuin