DANBY James Francis (1816 - 1875)

DANBY James Francis (1816 - 1875)Small oil on board landscape titled on back "County Wicklow Ireland" and signed Danby. Image size 15 x 19 cm. (6 x 7.5 in.) Frame size 24 x 28 cm. (9.5 x 11 in.)

Framed watercolor on paper by Francis John McComas (California, 1875-1938). The Monterey landscape painting depicts a grove of trees. Signed lower right and dated 05 (1905). Sight measurement 9.5" x 1

James Francis Day (American, 1863-1942) "Tangles", oil on canvas, signed Francis Day circa 1900. Mounted in original custom Dutch ripple style gilt frame. Exhibition label from Pennsylvania Academy of

James Francis Barker (American 1871-1950) Oil on Canvas "The Endeavor - Nantucket", signed lower left and titled on verso "The Endeavor, 1947, Nantucket" 18.25 in. x 12.25 in. Framed 21 in. x 13 in.

JAMES FRANCIS GILL (American b. 1934) "The Growing Cult of Marilyn" (image part of a triptych made for Life Magazine January 25, 1963) Mixed media print (watercolor over offset print). Sight: 9 5/8 x

Ca. 1970s, Petite vintage "bow tie" squash blossom necklace made with traditional turquoise and silver. Very good condition. 19" long, naja 1-3/4" x 1-3/4"

PORTRAIT OF WOMAN OIL ON ACADEMY BOARD 12"X19"

James Francis Barker (American 1871 - 1950) Oil on Masonite "Hillers Lane, Nantucket, Mass.", signed lower right J.F. Barker, inscribed on reverse "Hillers Lane, Nantucket, Mass. Eagle Wing Studio, 7

James Francis Gill 1934 Tahoka ''Marilyn in the Sky''. Original serigraph. Numbered at the bottom left and hand-signed at the bottom right. 31 x 49 cm (image size). Framed.

"Red and Grey at Hillyer Place", Washington, DC by James Francis O'Brien 1917-1996. Oil on canvas, signed bottom right, inscribed, and dated 1965 on back. Sight size 20" x 16".

"Purple and Yellow House" Connecticut and I street Washington, DC by James Francis O'Brien 1917-1996. Oil on board mounted to canvas, signed bottom right, inscribed on back,. Sight size 20" x 16".

"Grocery Still Life", oil on canvas, signed bottom right, titled and inscribed on reverse. Sight size 16" x 20".

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875 by John C. Nimmo, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Printed in colours and fin

Woodblocks Published 1875 by John C. Nimmo, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Printed in colours and fin

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Most Plates printed in colours and finished

Woodblocks Published 1875 by John C. Nimmo, London for "A Natural History of the Nests and Eggs of British Birds" By the Rev. Francis Orpen Morris, printed Benjamin Fawcett. Printed in colours and fin