EMPTY Tri-folds - Washington Head Quarter #1 1932-1945 & #2 1946-1959

EMPTY Tri-folds - Washington Head Quarter #1 1932-1945 & #2 1946-1959

Description française: MONNAIE DES ÉTAT-UNIS / USA COIN Ensemble de coffrets Whitman : - trois (3) cofftets "Washington Head quarter" en argent 0.900, collection 1932-1945, 1946-1959, 1960 -

Two Washington Head quarter collector books with sixty-six silver quarters. Book number one ranges from 1932 to 1945 and book number two ranges from 1946 to 1959. Albums are missing a total of seven c

1 - 1935, 4 - 1939, 3 - 1945, 1 - 1946, 1 - 1951, 2 - 1955, 1- 1956, 1 - 1957 AND 1 - 1959D

***Auction Highlight*** 1911-d Strong D Gold Indian Quarter Eagle $2 1/2 Graded ms65+ By SEGS. The story behind the popularity of Bela Lyon Pratt's sunken relief Indian Head quarter eagle series is tw

***Auction Highlight*** 1850 C Charlotte TOP POP Gold Liberty Quarter Eagle $2 1/2 Graded ms62+ By SEGS. Up For Auction is a 1850-c $2 ½ Liberty Head Gold Quarter Eagle ms62+ SEGS. Struck in li

Large-Scale French Painted Tin Bull's Head fourth quarter 19th century, probably from a French butcher's shop, carefully articulated, with a collar around its neck. h. 20-1/2", w. 21", d. 16-3/4"

***Auction Highlight*** 1849-d Dahlonega TOP POP! Gold Liberty Quarter Eagle $2 1/2 Graded ms62 By SEGS. HIGHLIGHT OF THE ENTIRE AUCTION - Up For Auction is a 1849-d $2 ½ Liberty Head Gold Quar

George Washington (1789-97)Signed Military Discharge(Newburgh, New York): Head-quarter's, June 7, 1783. Partially printed military discharge, 8 1/4 x 8 in. (209 x 203 mm). Signed by Washington ("Go. W

Otto Dix, 1891-1969 Young Woman Head & Shoulders Silver Point on a prepared ground signed and dated 1932. L.R.(RANDJ1506)(WT) Measurements: 22.5" x 18.25", frame 29 1/2" x 23 1/2" Condition: vertical

Frank Lloyd Wright (1867-1959) & George Mann Niedecken (1878-1945) for the Edward P. Irving House tabouret Decatur, Illinois, 1908 oak 14 3/8"w x 14 1/2"d x 16 1/8"h Provenance: Philips, New York, New

Indian Head $2 1/2 Gold Set (15) coins including: 1908, 1909, 1910, 1911, 1911-D, 1912, 1913, 1914, 1914-D, 1915, 1925-D, 1926, 1927, 1928, and 1929 Property from: an Estate, Madison, Wisconsin Catego

***Auction Highlight*** 1839-c Charlotte Classic Head $2 1/2 Gold Graded au58 Details By SEGS. Up for Auction is one of the few surviving near mint state examples of the 1839-c $2 ½ Classic Hea

Antique incised decorated head. [7 1/2" H x 7" L]. Abrasions, losses.

the cockatiel and the parrot each on a granite column with silver base and applique; with hinged wings and a removable head 10 1/2 inches high

French Black Forest carved wall shelf with wolf head. 10 1/2"h x 14"w Weight 2lbs

Deer Head 25 1/2"H X 21"W X 14"D

PRE-COLUMBIAN POTTERY VESSEL - Nazca, Peru, painted terra cotta with two spouts and bridge handle, decorated with sinuous axe god and rows of decapitated heads. 9 1/2" tall, 8 1/2" diam. Reassembled,

***Auction Highlight*** 1852-d Delanga Gold Liberty Quarter Eagle $2 1/2 Graded Select Unc By USCG. The sole die pair for the year, used to strike just 4,078 pieces. The strike is excellent, showing o

***Auction Highlight*** 1841-c Charlotte Near TOP POP! Gold Liberty Quarter Eagle $2 1/2 Graded ms61 By SEGS. A Corey's Pick, Bid to Win, Don't let it get Away, you might not find its equal Coin. I gi

***Auction Highlight*** 1847-o Gold Liberty Quarter Eagle $2 1/2 Graded ms63 By SEGS. A Corey's Pick, Bid to Win, Don't let it get Away, you might not find its equal Coin. I give this coin my highest

***Auction Highlight*** 1860 c Charlotte Near TOP POP! Gold Liberty Quarter Eagle $2 1/2 Graded ms61 By SEGS. Uo for Auction is a Near TOP POP, 1860-c Charlotte Gold Quarter Eagle. Both sides of this

***Auction Highlight*** 1909-p TOP POP Gold Indian Quarter Eagle $2 1/2 Graded ms66+ By SEGS. HIGHLIGHT OF THE ENTIRE AUCTION - Up for Auction is a TOP POP Tied for Finest Known ms66+ 1909 $2 ½

Frame: 63 in L x 44 in L- Painting: 51 1/2 x 31 1/2 ****** 1932-2018Simply put, Walt Johnston was a contemporary realist. He looked at everything in the most modern way, saw the underlying abstract fo