Etching signed Ernest George within plate, 17 3/4" x

Etching signed Ernest George within plate, 17 3/4" x 14", "Manresa".

THE COSMIC MOUNTAIN (N.62), 1981, color etching, signed, dated, titled and numbered 21/100 in pencil, published by LACMA Graphic Arts Council, plate 17 ¾ x 11 ¾”, full margins, fra

METRO MUSEUM CENTRAL PARK, 1979, color etching, signed and dated and titled and numbered 29/56 in pencil, plate 17 ¾ x 35 ½”, sheet 24 x 41 ½”, frame 28 ½ x 46” w

Sue Jester WAITING, circa 2001, color etching, signed and titled in pencil, plate 23 ½ x 17 ¾”, full margins, frame 40 x 34” with glass; Leslie Snipes BEFORE WE GO INTO THE PAST,

Salvador Dali (Spanish, 1904-1989). A colored etching on paper, signed within plate, and also signed and numbered 263/300 in graphite to margin. Sheet size 17.75" x 12.5", framed 28" x 22".

THE GENERAL, aquatint and etching, signed in pencil, numbered 19/100, plate 14 ¾ x 17 ½”, full margins, framed with glass.

George Elbert Burr (american, 1859-1939) Evening, aquatint and etching, signed George Elbert Burr (lower left) Plate: 11 3/4 x 9 3/4 inches Estimate $500-700 Property from a Private Colorado Collectio

POWER OF THOUGHT (Field 80-1G), 1980, color etching, signed and numbered 291/300 in pencil, published by Levine & Levine for DalArt, plate 15 ¾ x 17 ½”, full margins, frame 37 x 35

PREHISTORIC FIGURES, 1980, color etching, signed and numbered 5/50 in pencil, published by L.A. Louver, printed by Robert Aull with blind stamp lower right, plate 1 ¼ x 17 ¾”, shee

SADDLE, 1970, soft-ground color etching, signed and dated and titled in pencil, numbered 33/100, plate 17 ¼ x 21 ¾”, sheet 22 x 29 ¾”.

THE GENERAL, aquatint and etching, signed in pencil, was numbered 80/100 (erased), plate 14 ¾ x 17 ½”, full margins, framed with glass.

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

UNTITLED (Sonet 218), 1970, color etching, signed and numbered 33/150 in pencil, printed and published Georges Visat, plate 16 x 21 ¾”, full margins, frame 25 x 30” with glass.

NOCTURNE, etching, signed and titled and numbered 31/150 by Esther Davis in pencil, plate 9 ¾ x 7 ¾”, full margin, frame 17 ¾ x 14 ½” with glass.

HOMMERE (Sonet 361), color etching, signed and numbered 98/100 in pencil, printed and published by Georges Visat, plate 19 ¼ x 14 ¾”, sheet 25 ¾ x 19 ¾”, frame

ARIZONA ROUND-UP, 1922, etching, signed and dated in plate lower left, plate 6 ½ x 14 ¼”, full margins, frame 17 ¼ x 21 ¾” with glass.

Title: Tragenna Wood. Artist: Donald Shaw MacLaughlan (1876 -1938) Medium: Drypoint, 1919. Edition not noted. Signed in pencil. Also signed within the plate. Image size 7 1/8 x 9 1/2" (17.6 x 23.5

SOUTINE, etching, signed in pencil, numbered 47/50, plate 8 ¾ x 7 ½”, sheet 17 ¼ x 15”, framed with glass.

Raoul Dufy AMPHITRITE, etching, signed in the plate lower left, plate 7 ¾ x 5 ½:”, full margins, frame 17 x 14” with glass; Bernard Buffet FLOWER, two of the same, each a col

George Zachary Constant (1892 - 1978) original etching. Signed in pencil "Constant" lower right. Stated in pencil "Trial Proof 3" lower left. Measures 15.25" x 17.5" plate size and 19" x 22.25" sheet

LE MARTEAU SANS MAITRE (C.216), 1976, plate 11, color aquatint etching on wove paper, a rare impression signed in pencil and inscribed as some type of a proof, plate 11 ¾ x 8”, sheet 17 ¾ x 13 ¼�

INNOCENCE, mezzotint etching, signed and titled and numbered 8/90 in pencil, plate 4 ½ x 4 ¾”, sheet 11 x 15 ¾”, frame 17 ½ x 17 ½” with glass. Pro

Frans Proost (1866-1941) original etching. Signed and dated in plate 'Frans Proost 1893' lower left. Measures 17.5 cm x 24 cm (plate size) and measures 34.25 cm x 47.25 cm (sheet size). Etching is in

BIBLE SERIES (S.248; S.255; S.278; S.299) (1939-1952), four etchings, each signed in the plate, from the edition of 275, sheets 17 ½ x 13 ¼”, frames 19 x 14 ¾”. (4)