FELICIANO, Francesco - Alphabetum Romanum. Verona:

FELICIANO, Francesco - Alphabetum Romanum. Verona: Officina Bodoni, 1960. A treatise on the geometrical construction of the capital alphabet by Felice Feliciano from Codice Vat. Lat. 6852 with the let

Hermann Nitsch "Reliktmontage" (chasuble) 1972 blood on chasuble; framed 100 x 70 cm signed and dated on the inside: hermann nitsch 1972 New York collection Francesco Conz, Verona; private collection,

1965 Gelatin silver print 48,8 x 59,6 cm Titled, dated and signed lower right PROVENANCE: Archivio Francesco Conz, Verona (stamp on the reverse) Private collection, Genoa EXHIBITED: February 19th - Fe

MAFFEI, Francesco Scipione (1675-1755). Arte Magica Annichilata Libri Tre Con Un’Appendice. Verona: Antonio Andreoni, 1754. 4to. Illustration on title page, head and tail pieces. Carta rustica b

Arduini Francesco - Senza titoloLithograph 50x70 cm; signature lower right, PA edition lower left.Provenance: Toni De Rossi Collection (Verona).

Petrarca Francesco, Ascensus montis Ventosi & Jean-Henri Fabre, Une ascension au mont Ventoux. Verona: [Officina Bodoni], 1965. In-8° (mm 250x165). Pagine 83, [3], 2 carte bianche iniziali e final

olio su tela, W. 52 - H. 65 Cm, Chiaramente ispirato alle celeberrime teste composte di Giuseppe Arcimboldo, realizzate attraverso l’accostamento di ortaggi, frutti e oggetti d’uso comun

FILIPPINI FRANCESCO (1853-1895) Francesco Filippini 1853/1895 olio su tela "riposo di contadine" firmato in basso a destra Acquistato dalla Società per le Belle Arti ed Esposizione Permanente in MI

Giovanni Francesco Barbieri, better known as Guercino oil on canvas 39 1/4" x 28 3/4" Frame: 50 1/2" x 39 7/8" portrait of May Magdalena Signed lower right 'Guercino'.

FRANCESCO CLEMENTE 1952 Da remi per rane, 1980 Olio su tela cm. 61x91 Firma, titolo e anno al retro PUBBLICAZIONI Artforum, dicembre 1981 R.Ricard, "The radiant child" pag. 39 PROVENIENZA Sperone West

XVII 17th century old master oil on canvas depicting the Stoning of Saint Stephen. This work, like one of Rembrandt's, is inspired by the martyrdom of Saint Stephen, as recounted in Acts 7. It demonst

Francesco Somaini (1926-2005): Ordalia Bronze, 1964, unmarked, on a black steel stand. 45 in. (height without stand), 82 in. (height with stand). Galleria Odyssia, NY.Property from a Prominent Collect

Francesco Guardi (1712 –1793), The Holy Family and Saints Domenico and FrancescoThe present painting, probably destined for private devotion, depicts in the upper left the Madonna Assunta, Jesu

Francesco Ballesio (Italian, 1860-1923) The carpet seller signed and inscribed 'FBallesio/Roma-Tivoli' (lower left) watercolour 74 x 52cm (29 1/8 x 20 1/2in). This lot is subject to the following lot

(Napoli, 1696 - 1782) Erminia tra i pastori Olio su tela, cm 43,9X54,7 Provenienza: Collezione privata Bibliografia: Fondazione Famiglia Terruzzi. Villa Regina Margherita, guida al Museo, a cura di A.

olio su tela, W. 97 - H. 176 Cm, Expertise Prof. Egidio Martini, "Ospiti al Museo. Maestri veneti dal XV al XVIII secolo tra conservazione pubblica e privata “, Musei Civici di Padova, 2012 (sch

olio su tela, W. 124 - H. 70 Cm, Catalogo della mostra “Francesco Maffei”, Neri Pozza Editore, Venezia, 1956, p. 28, fig. 14, P. Rossi, Francesco Maffei, Berenice Editore, Milano, 1991, p.

Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) "The Descent of Christ" Oil on canvas. Relined. 128 x 75 cm. Prince Eugene of Savoy commissioned various paintings by Soli

(Italian, 1822-1883) La Sala di Giove in the Palazzo Pitti, signed lower right "F. Maestosi", oil on linen, 35 x 47-1/8 in.; gilt wood and composition Regency style frame, 47-3/4 x 61 x 4 in. Provenan

olio su tela, W. 73 - H. 87 Cm, Bibliografia di riferimento:, S. Bellesi, Vincenzo Dandini e la pittura a Firenze alla metà del Seicento, Pisa 2003, pp. 60 e 5gg., 141- 143, , "II ritratto, firmato

FRANCESCO SOMAINI (Italian 1926-2005) Proposta per un Monumento Iron sculpture on metal base Including base: 30 1/4 x 9 x 9 inches / 76.83 x 22.86 x 22.86 cm Signed and numbered on lower section: Soma

AMBIT OF PIER FRANCESCO MOLA (Coldrerio, 1612 - Rome, 1666) Saint Jerome Oil on canvas, cm. 76,5x62,2. Framed

Circle of Francesco Renaldi (British, 1755-1798) Two noblewomen, perhaps of Lucknow, seated together on a pillared terrace, North India, circa 1792-95 oil on canvas 43.9 x 33.8 cm. Footnotes: Renaldi,

Heading: One of 49 Author: Montblanc Artisan Edition Title: Arena di Verona 18K White Gold Limited Edition Fountain Pen Place Published: Germany Publisher: Date Published: 2006 Descript