Folk art theorem painting on velvet

American (probably Massachusetts), 19th century. 18" x 21 1/4" framed. Toning and slit upper right.

NEW ENGLAND FOLK ART THEOREM PAINTING, watercolor on velvet, depicting a farm scene featuring a woman sitting on a stool and milking a cow, and with a child standing next to her drinking from a bowl,

Folk art 19th century theorem painting on velvet of bird on a branch with roses, 7 1/2" x 9 3/4"not including 2", probably original oak frame

AMERICAN SCHOOL FOLK ART THEOREM PAINTING, watercolor and ink on velvet, Retains old tag attached verso which reads," This picture belongs to Ethel Foote daughter of Mildred Allen". Housed under glass

Ca. late 19th to early 20thC. Possibly earlier. Shows damp stains both upper corners. Sight size approx. 19 1/2" x 15 1/2"Click here for additional high

Sulky with driver pulled by a dapple gray horse, signed W. Rank along edge of road, sight 10 x 12 in..some discoloration to velvet..grain painted folk art frame with wear, overall 13.5H x 15.5W x 1D

Untitled ( landscape with people and a bridge in the back ground.) Velvet on board, not signed. Dimensions: Frame H 24" x W 28", board H 20 1/4" x W24". Condition: good, surface dirt.

Group of (6) 19th century American folk art theorems and still lifes, to include: (3) theorem paintings, comprising: fruit basket, oil on velvet, (cut out and laid down to paper, foxing); flower and f

anonymous American folk art painting "Lady of the Lake", circa 1830. Painting on velvet with additional silk stitching for eyes and on clothes of figures. Frame size: 17 1/2" high, 21 1/2" wide; sight

(4) Theorem, compass and watercolor paintings to include Bill Rank pineapple theorem on velvet, 14-3/4"Hx12-3/4"W, Charlie and Betty Shank acrylic painted German folk art inspired compasses in custom

Circa 1820-30, of sliced melon and other fruit with knife, on linen. 16" x 20" in original paint and gilt frame, 23 1/2" x 19 1/2".

AMERICAN SCHOOL (19TH CENTURY) FOLK ART THEOREM PAINTING, watercolor on paper, overflowing fruit, including watermelon and cherries, in a porcelain basket / bowl with undertray, no signature located.

Lot consisting of David Y. Ellinger (American, 1913-2003) theorem stencil depicting two birds enclosed in a heart, signed verso, 8 1/4" x 9 1/2" framed; and Bill Rank (American, 1921-2000) theorem pai

Theorem painting is signed faintly underneath one of the vines, appears to read "R.B. Fran" however we cannot fully make out the name. Framed in a period style wooden frame, the theorem appears to be

AMERICAN FOLK ART THEOREM PAINTINGS, LOT OF TWO, each by Maggie Keeler, Charles Town, WV, and signed in the lower right corner, one based on a design by "Gina Martin, "No. 111"-from an antique design"

AMERICAN SCHOOL (19TH CENTURY) FOLK ART THEOREM PAINTING, watercolor and pencil on paper, a stenciled depiction of two doves/lovebirds perched on a tree branch, no signature located. Housed in a perio

(1901-2000) Landscape with man in carriage with horse. 15 3/4"h x 19 1/2"w

Early Folk Art Theorem on Velvet. Rare small size. Sight 7" x 8-3/4". Framed size 10" x 11-7/8".

A wonderful and colorful folk art theorem on velvet of various fruits including watermelon, peaches, pear, etc. - appears to be housed in original frame and is untouched. Slight darkening of velvet, b

Folk Art theorem on velvet, "Fruit Still Life", unsigned. Framed, not examined out of frame. Sight size: 18" high, 25" wide. Frame size" 22" high, 29 1/4" high. Condition: stains, toning.

fruit still life painted on tea-stained velvet. Framed, not examined out of frame. Frame size: 19 1/2" high, 21 1/2" wide. Light variations in color, likely intentional. Property of an Old Saybrook es

SLR, ill. Signature is near cat's blanket. Frame measures 30" x 22"

Overall with frames: 5 3/4" to 11 1/4" wide x 4 1/4" to 9 3/4" high. IMPORTANT: Before bidding, please read the terms and conditions. When you registered for the auction you agreed to these terms and

AMERICAN FOLK ART THEOREM-STYLE REVERSE PAINTING ON GLASS, depicting a compote with fruit, no signature. House in early, possibly original, paint-decorated frame. First half 19th century. 13" x 9 1/4"