Gelatin Silver Print, Silk Robe Woman, Toned Print

Black and white 11"x14" toned print. Stylized photograph of an eerie scene. Comes in a laminate sleeve. Issued: c. 1970 Artist: Misc Dimensions: 11"W x 14"H Country of Origin: USA

Edward S. Curtis (1868-1952) Untitled portrait (Native American Woman in Plaid Shawl,) c. 1900 Toned gelatin silver print, printed c. 1900, signed in ink on the recto. image/sheet: 7 x 5 7/8in. (17.8

Fu Manchu (David Bamberg). Two Vintage Photos of Fu Manchu, One Inscribed and Signed. Argentina, mid-twentieth century. Including a silver gelatin print portrait of Bamberg in dragon silk robe, inscri

Ted Kuykendall; Untitled; On versa "women's face with legs on right"; Dated 1986; Toned gelatin silver print; Signed "Ted Kuykendall 1986" lower right on matting; Visible area measures H 45.5 inches x

BRASSAI. Jeune Fille de Joie, en Robe Printaniere, Paris, c. 1931 10.9x8.8" gelatin silver print on 11.9x9.2" paper. Printed c. 1970s. Signed in ink on print recto: Brassai. Inscribed in pencil on pri

Street. Signed lower right. David Battel (American, 20th and 21st Centuries). From a Central Park West, NYC collection. - Dimensions: 19" high x 13" wide

Black and white 11"x14" toned print. An odd and eerie chair sits in a dark room. Comes in a laminate sleeve. Issued: c. 1970 Dimensions: 14"W x 11"H Country of Origin: USA

Black and white 11"x14" toned print. Comes in laminate sleeve. Dimensions: 11"W x 14"H Issued: c. 1970 Country of Origin: USA

Black and white 11"x14" print. Toned image of a chair through a doorway underneath a window. Comes inside a laminate sleeve. Issued: c. 1970 Artist: Misc Dimensions: 11"W x 14"H Country of Origin: USA

Edward S. Curtis(1868 - 1952)Untitled/Unpublished (Two Navajo Riders), 1904silver gelatin print - tonedcopyright blind stamp lower left: COPYRIGHTED 1904 BY E.S. CURTISsigned lower right: Curtiscopyri

Signed in margin; gelatin silver selenium toned print; negative 1977, print 1977; #4; matted and mounted; visual image 9 1/2" x 7 1/2", EX

Gelatin silver selenium toned print signed in margin; 1977 negative, printed 1980 - #19; matted and mounted; 8" x 9", EX

Edward S. Curtis(1868 - 1952)Untitled (Hopi Snake Priest)silver gelatin border print - tonedsigned lower right: Curtislower left: ©7 9/16 x 5 1/2 in. (19.21 x 13.97 cm.), Paper: 10 x 7 15/16 in. (25.

Photograph by unknown artist, circa 1960s, depicting the Statue of Liberty in New York Harbor, later gelatin silver printing. Neutral-toned print on double-weight paper, trimmed to edges, hinged to ma

ARTIST: Tomio Seike (Tokyo, Japan, Paris, France, b. 1943) TITLE: Quai d'Orleans (pavee), 1991 SIZE: Image: 7 3/4" x 5", Frame: 18' x 19" MEDIUM: Gelatin Silver Print DESCRIPTION: Up for auction is a

Joel Peter Witkin(b. 1939)"Bound Woman"Gelatin silver print on paperFrom the edition of unknown size and dateSigned, dated, and inscribed indistinctly in pencil, verso: Joel Peter WitkinImag

Kate Breakey (b. 1957), toned gelatin silver print photogram, Seven Finches in a Yucca, in contemporary frame, 14" x 8".

(American, b. 1942), untitled, Japan. RDA#90615 Bin#88 Sight size: 17-1/2"h x 13-1/2"w

FRAMED SELENIUM TONED GELATIN SILVER PRINT, "BLACK CROCS", SGND. DIANNE KORNBERG, 22" X 17.25"

(American, b. 1942), untitled, of a Korean girl with skaters. RDA#72393 Bin#88 Sight size: 17-1/2"h x 13-1/2"w

Joel Glassman(b. 1946)"Morning Becomes Electra," 1996Sepia and toned gelatin silver print on paperUnsigned; inscribed in pencil, verso: GLA 1196-35; titled and dated on a label affixed to th

Joel Glassman(b. 1946)"Morning Becomes Electra," 1996Sepia and toned gelatin silver print on paperEdition: 3/20Signed, dated, numbered, and inscribed in pencil, verso: J. Glassman / GLA-1196

Francis Bruguière (American, 1879-1945), Cut Paper Abstractionwarm-toned gelatin silver print (mounted), negative circa 1927, likely printed circa 1940s, framed. This print is accompanied by a sig

David Hammons Money Tree 1992toned gelatin silver print sight: 16 h × 10 w in (41 × 25 cm) Signed, dated and numbered to verso '7/70 Hammons 92'. This work is number 7 from the edi