James Giles, "Girl In Hallway"

James Giles (American, 20th century), oil on canvas, signed "Giles '02" l.l., 30" x 40" canvas, 32 1/2" x 42 1/2" framed.

James Giles, oil on canvas, signed l.l. "Giles '02" 30" x 40" canvas, 32 1/2" x 42 1/2" framed.

A GOLD MOUNTED AND BLUE GLASS HINGED BOX PROBABLY DECORATED IN THE ATELIER OF JAMES GILES, CIRCA 1770The cover painted with a flower and butterflies within a gilt scroll border, the body with lattice

A RARE 18TH CENTURY BRISTOL OPAQUE WHITE GLASS SCENT BOTTLE IN THE STYLE OF JAMES GILES, CIRCA 1760 A RARE 18TH CENTURY BRISTOL OPAQUE WHITE GLASS SCENT BOTTLE IN THE STYLE OF JAMES GILES, CIRCA 1760

--VERY GOOD PRE-OWNED CONDITION THIS ITEM IS LOCATED OFF-SITE. All items must be picked up by confirmed appointment on Friday, May 6th  or  Saturday, May 7th. Off-site items are located in a

A Giles gilded opaque twist ale glass, circa 1765-70 The tall round funnel bowl gilt with crossed ears of barley in the London workshop of James Giles, the reverse with two insects in flight, on a dou

A good Worcester custard cup and cover, circa 1770-75 Of bell shape with a scrolled handle, the cover with a fine flower finial, decorated in the workshop of James Giles with flower sprays and scatter

A GOOD SMALL 18TH CENTURY ENGLISH COBALT BLUE PERFUME BOTTLE AND STOPPER, with Chinese inspired decoration by James Giles 1770/1775. 5cms. See Lambert, No. 303, Page 184 and Page 70. Provenance: GOULD

A Worcester plate, circa 1770 Of attractive small size and lobed form, decorated in the workshop of James Giles with two vibrant exotic birds, one standing on rockwork and the other perched on a leafy

A Worcester plate, circa 1770 Of lobed form, decorated in the workshop of James Giles with two vibrant exotic birds, one standing on rockwork gazing upwards at his companion perched on a leafy branch,

A Diminutive Jeweled Bristol Blue Glass and 18K Gold-Capped Scent Bottle in the Manner of James Giles<

Four 18th Century Chelsea Porcelain Dishes and Platter. Comprising: A Red Anchor Period silver-shaped oval platter painted in polychrome enamels in the atelier of James Giles in vivid fashion with bir

A Worcester leaf dish, circa 1770-75 Of cabbage leaf shape with the stalk forming the handle, veins delicately moulded, decorated in the workshop of James Giles with flower sprays and scattered sprigs

A Worcester large coffee or chocolate cup, circa 1770 Decorated in the workshop of James Giles with a pair of exotic colourful birds on rocks and leafy branches, another bird in flight to the reverse,

A Worcester plate, circa 1765-70 Of lobed form in the Meissen style, decorated in the workshop of James Giles in two tones of green monochrome with a flower spray and scattered sprigs including a 'div

(lot of 15) Austrian porcelain partial dinner service, 19th-20th c., assembled, decorated in the manner of James Giles, Chelsea porcelain birds, each having parcel gilt ribbed rim, foliate band framin

Two Worcester teacups and a coffee cup, circa 1768-75 Decorated in the London workshop of James Giles, one teacup painted with spiralling flower festoons and insects, the other and the large coffee cu

A Worcester plate, circa 1770 Of lobed form, decorated in the workshop of James Giles with a spray of fruit including three strawberries and a cut apple, the border with two butterflies and three frui

Green and white glazed body with hand painted with a bouquet of fruit, vegetables, and butterflies, probably in the studio of James Giles, underside bearing spurious Meissen marks. H: 19cm (7 1/2 in.)

Chelsea Porcelain Silver Shape Navette Dish Circa 1758, brown anchor mark, the decoration attributed to the workshop of James Giles, London The center brightly painted with an exotic bird standing ato

English sparrow beak form with ribbed body and lid, yellow ground with roundels of painted floral bouquets in the manner of early Meissen, probably James Giles Worcester. Unmarked, circa 1770.H 14cm (

Likely executed by Thomas Frye or James Giles. An exquisitely constructed allegorical figure of Father Time seated atop the world with scithe in hand. Curiously, the map depicts Madagascar prominently

Seven 18th Century English Plates by Chelsea Derby and Two Decorated by James Giles. Comprising four fluted Crown Derby plates painted with blue-scale grounds, and floral garlands in polychrome enamel

18th century Worcester teapot and cover painted in the factory with oriental style flowers, the dry blue border added outside the factory perhaps in the london workshop of James Giles. 12.5cm high.