James Tufts Aesthetic Movement Ewer

Silver plated floral pattern. Together with a Derby silver plated sea motif water pitcher. 11"h, 8"h respectively.

JAMES TUFTS Aesthetic Movement Silver-plate Card Tray: Hand Hammered Square Tray with Curled Corners on 4 Ball Feet. Relief Bird and Leafy Branch. 7" Square. Marked James Tufts Quadruple Plate. (150-3

James W. Tufts Aesthetic Movement tray with turned edges and a parrot perched on a branch motif, raised on melon-form feet, #3140 Boston, Massachusetts silverplate applied tag with stamped marks 6 1/8

Silver plated, c.1880, hand incised, comprising teapot, covered sugar bowl and cream jug. Teapot, 4-1/4"h

Silver plated, c.1880, hand incised, comprising teapot, two covered sugar bowls and cream jug. Teapot, 4-1/4"h

Late 19th century JAMES TUFTS Boston brides basket with light pink or cranberry art glass bowl. Assembled basket measuring approx 9"w x 16"t. Normal use and wear as shown, see photos.

Three Piece Victorian Aesthetic Movement Silver Plate Tea Set by James W Tufts, Boston. Fine quality. Size: 4.5 in. h, 5 in. h, 5.5 in. h, 4.25 widths

Silver plated, by Derby, James W. Tufts, and Meriden. Tallest 8-1/4"h

Brass Bronze Victorian Antique Picture Frames. 1800's to 1900's , one signed for signed James W Tufts Boston numbered 3471, one twig form American Aesthetic movement design, one numbered 8611. One Art

Includes pitcher floral lead and vine detail, appears to be from the aesthetic movement. contains head figure detail on top of pitcher handle. Underside is marked JAMES W. TUFTS QUADRUPLE PLATE 2346,

Silver plated, each with under plates, rolled die cast band of flowers and geometric designs. Each pitcher, 9"h

Royal Worcester Aesthetic movement ewer, 9 3/4"

Silver plated. Together with one matching dish. 6"h to top of handle.

Including unmarked marbled glaze, Ironstone China marked underneath, Doulton aesthetic movement style ewer marked underneath, and WBG pitcher marked underneath. Dimensions: (Tallest) H 12.5" x W 5.5"

BRUCE J. TALBERT (1838-1881) FOR JAMES LAMB, MANCHESTER AESTHETIC MOVEMENT DAVENPORT DESK, CIRCA ebonised wood, inset with carved, inset with carved hardwood, tooled leather skiver and brass fittings,

Antique, likely 19th C. mixed metal Islamic Style Ewer by Gorham, hand hammered surface with slender spout, central relief worked band with embossed floral design, hinged ball shaped lid, base engrave

4 Two Royal Worcester Aesthetic Movement Porcelain Bamboo-Handled Ewers One example retailed by Caldwell, Philadelphia, circa 1886 In the Japanesque style, decorated with gilt and oxidized silver cran

CHARLES BEVAN (ATTRIBUTED) FOR JAMES LAMB, MANCHESTER AESTHETIC MOVEMENT SIDE CABINET, CIRCA 1870 ebonised wood and amboyna, gilt highlights, brass fittings and inlaid stringing, stamped LAMB MANCHEST

E W Godwin for James Peddle, an Aesthetic Movement walnut armchair, circa 1881, the shaped back with vertical slats, double rail curved arms and turned baluster front legs, leather overstuffed seat

Harriet E. Wilcox (1869-1943) for Rookwood Pottery Aesthetic Movement earthenware Dull Finish ewer with floral decoration, shape number 101C Cincinnati, Ohio, 1887 matte glazed ceramic impressed facto

Royal Worcester (English, founded 1751) dragon Japonesque ewer, 1880. Aesthetic Movement, intertwined golden 3 toed dragon handle on a cloud molded cream body decorated with Japanese iconography inclu

1 Two Royal Worcester Aesthetic Movement Porcelain Double Gourd Dragon-Handled Ewers Shape no. 1035, date codes U and Y for 1883 and 1887 Height 11 1/2 inches. Provenance: Property from the Estate of

James Hadley for Royal Worcester, an Aesthetic Movement Japanesque cup and saucer, 1876, relief moulded butterfly handle and tooled gilt and silvered decoration of maple leaves and storks, 14cm diamet

Royal Worcester rare porcelain Aesthetic Movement teaset designed by James Hadley C. 1875, diamond shaped bodies deocrated with blue and white Japanese style scenes, all enclosed with black and gilt f