JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching and drypoint, 1866. 284x210 mm; 11¼

JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching and drypoint, 1866. 284x210 mm; 11¼x8¼ inches, full margins. Third state (of 3). A very good, dark, richly-inked impression. Delteil 6;

JEAN-BAPTISTE-CAMILLE COROT Environs de Rome. Etching, 1866. 284x210 mm; 11¼x8¼ inches, wide margins. Second state (of 3), with the lettering lower margin masked out and before the retouchin

Jean Baptiste Camille Corot (French, 1796-1875), "Environs de Rome," 1866, etching, state III/III, image: 11.25" h x 8.5" w, overall (with mat): 20"h x 16"w. Provenance: Purchased from Swan Galleries,

Titled "Environs de Rome" 1866. Third state. Unsigned. Dimensions: (Frame) H 27.5" x W 21.75", (Sight) H 14" x W 11" Condition: Paper with age toning. Unexamined out of frame.

Jean Baptiste Camille Corot (1796-1875 French) ''Souvenir d'Italie'' 1866 Etching on Tissue Paper 11.75''x8.75'' Impression. An early landscape etching by this famous impressionist painter. Unsigned.

JEAN-BAPTISTE CAMILLE COROT LE BOISE DE L'ERMITE CLICHÉ-VERRE 1858 6.25" X 8 11/16" (HERMIT'S WOODS)

Camille Jean-Baptiste Corot (French, 1796-1875) - Campagne Boisee, Etching, 1866. Singed in the plate. 3rd state. 10x13cm.

(1796-1875 French), "Souvenir de Ville D'Avray", framed watercolor & gouache painting on paper, circa 1870, signed lower left, has a wax seal stamp verso, reading Vente Corot. this piece also has a fr

JEAN-BAPTISTE-CAMILLE COROT Une Famille à Terracine. Lithograph printed in reddish brown on light tan Chine appliqué, 1871. 261x405 mm; 10x16 inches, full margins. Edition of approximately 5

DESCRIPTION: Jean Baptiste Camille Corot (French, 1796-1875) Oil on panel painting depicting a landscape with body of water surrounded by grassy terrain and distant architectural detail, mounted in gi

River Landscape with Figure of a Woman, signed lower right, in original deep cove gilt frame, OS: 28 1/2" x 32", SS: 18" x 21 1/2". Cleaned but not relined, one small repaired puncture, appears to be

Oil painting on canvas of a landscape with a figure, signed lower right. [Art: 10 3/4" H x 14" W; Frame: 20 1/2" H x 17 1/2" W]. In good condition.

Landscape Oil on canvas Signed "Verte Corot" bottom left H. 25 1/4" W. 47" Provenance: Private Collection (Toronto)

Manner of Jean-Baptiste-Camille Corot Ruisseau et Saulaie (River and Willow Grove) Bears added inscription Corot (ll) Oil on canvas 16 x 21 1/4 inches (40.7 x 54 cm) Provenance: Newhouse Galleries, Ne

Jean-Baptiste-Camille Corot (Fr 1796-1875) W/C Study of burled walnut trees; signed Corot lower right; image: 12" x 8.5".

BVLGARI ornée d'un motif végétal serti de diamants taille baguette, émeraude et brillant et au centre d'une perle, diamètre à partir de mm. 11,75 environ Poids 26,00 g environ, diam�

SIGNÉES BVLGARI au centre ornées de perles fines à partir de mm.13,50-14,10 x 11.30-11.50 environ, dans un double entourage de diamants taille ancienne, avec une pochette marron Bvlgari

Exposed area measures approx. 10"h x 14 1/2"w. It is titled "A Lake in the Woods" and marked "Jean Baptiste C. Corot 1796 - 1875" on brass plate. Back of stretcher has a wax stamp and a darkened paper

PERLES DE CULTURE ET DIAMANTS chacune en forme d'une fleur pavée de diamants, au centre sertie d'une perle blanche et grise d'un diamètre d'environ de 10,5 mm, avec une monture sépar&#2

JOHN MARIN Woolworth Building, No. 2. Etching and drypoint, 1913. 330x265 mm; 13x10½ inches, full margins. Second state (of 2). Edition of approximately only 10. Signed in pencil, lower right. Pu

MJOHN MARIN Woolworth Building (The Dance) Etching and drypoint, 1913. 327x262 mm; 12x10 inches, full margins. Second state (of 2). Artist's proof, aside from the edition of 30. Inscribed "Artist's Pr

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

Salvador Dali (Spanish, 1904-1989), "Our Historical Heritage," 1975, the complete set of 11 color drypoint etchings with pochoir in colors on Arches, France, each pencil signed lower right, edition 14

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the