Louise Mandrell's Beaded Gown (Museum Exhibited)

Louise Mandrell's Blue Beaded Gown From the Mike Moon Collection W/Exhibit Photo & COA - This blue beaded gown by Pzazz Designs Costume was worn by country music singer, Louise Mandrell, who had a suc

Attributed to Callot Soeurs. Black net with lace inserts over pale blue chiffon and satin, having high waist and deep V-neck, full, short puffed sleeves of heavy ivory lace, the bodice and upper porti

EDWARDIAN BEADED EVENING GOWN 1912 FORMAL GREEN LAME FABRIC - MUSEUM DEACCESSION This is a truly magnificent Edwardian beaded gown from approx., 1912 era. One piece in construction formal gown The gow

Pershing, Louise (American/Pittsburgh, 1904-1986), Untitled, steel and brass sculpture, 11.5 x 7.75 x 7.25 inches, engraved with signature on base, Exhibited: Southern Alleghenies Museum of Art, 2017

An Early Nez Perce Beaded Hide Toy Cradleboard c. 1875 wood, hide, glass seed beads, muslin, sinew Provenance: John Chung Museum of American Indian Art Exhibited: North by Southwest, The Mary Brogan M

An Apache Coiled Tray Provenance: Property from the M. Louise Beren Revocable Trust Exhibited: Wichita Art Museum, Wichita, KS Diameter: 9 ¾ inches

Anna Eliza Hardy American, 1839-1934 Roses Signed A E Hardy (ll) Oil on canvas 10 x 16 inches Provenance: Collection of Louise and Alan Sellars Exhibited: St. Petersburg, FL, Museum of Fine Arts, Art

Two Moche Style Vessels Provenance: Property from the M. Louise Beren Revocable Trust Exhibited: Wichita Art Museum, Wichita, KS Heights: 5 ½ and 9

A Gila / Tonto Polychrome Bowl c. 1350 AD clay, paint Provenance: Property from the M. Louise Beren Revocable Trust Exhibited: Wichita Art Museum, Wichita&com

An Anasazi Storage Jar Provenance: Property from the M. Louise Beren Revocable Trust Exhibited: Wichita Art Museum, Wichita, KS Diameter: 13 inches 
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A Sioux Man's Beaded Hide Vest c. 1920 hide, metal and glass seed beads, cotton cloth, sinew Exhibited: North by Southwest, The Mary Brogan Museum of Art and Science, Tallahassee, FL, 2010 The People,

A Plains Beaded Hide Doll c. 1920 hide, metal and glass seed beads, pony beads, hair, cotton cloth, sinew, custom metal and wood stand Exhibited: North by Southwest, The Mary Brogan Museum of Art and

A Sioux Beaded Hide Fetish c. 1890 hide, glass seed beads, small metal cones, sinew Exhibited: North by Southwest, The Mary Brogan Museum of Art and Science, Tallahassee, FL, 2010 From the Spirits: Na

A Pair of Assiniboine Beaded Hide Moccasins Fort Belknap or Fort Peck c. 1890 hide, glass seed beads, sinew Exhibited: North by Southwest, The Mary Brogan Museum of Art and Science, Tallahassee, FL, 2

A Sioux Beaded Hide Pouch c. 1890 hide, glass seed beads in classic Sioux bead colors, cotton, cloth, sinew Exhibited: North by Southwest, The Mary Brogan Museum of Art and Science, Tallahassee, FL, 2

Antique watercolor and gouache by Lee Brown Coye (1907 - 1981). Signed. Framed. Image size, 21L x 17H. Exhibited at the Whitney Museum!

Pre-Columbian, Caribbean area, perhaps Dominican Republic, Taino (Arawak) Indians, ca. 14th century CE. A spectacular ceremonial stool known as a duho, impressively hand-carved in the form of an other

Peach satin with an overtunic of grey silk net embroidered with grey beads and smoked pearls, the bodice having a layer of cream chiffon with short sleeve, lace neck insert and wide satin sash. Label

Lanvin Paris couture vintage beaded gown, c. 1920's, in light beige silk tulle with all over silver bugle beading and sequins with blue, green, and yellow jeweled enhancements, with zipper back and hi

Antique American modernist abstract portrait painting by Frederick E. Conway (1900 - 1973). Titled "The Game". Labels on verso from the Denver Museum of Art. Oil on board. Framed. Image size, 19L x 32

Pre-Columbian, West Mexico, Colima, Protoclassic period, ca. 100 BCE to 250 CE. An adorable and highly-burnished pottery dog, finely-molded in lustrous redware and standing proudly on all fours - pres

Pre-Columbian, West Mexico, Colima, 300 BCE to 300 CE. A sweet Colima dog vessel, finely molded in lustrous redware and standing proudly on all fours - presenting an attractive two-tone finish with a

Roman, Imperial Period, ca. 3rd to 4th century CE. A mold-patterned glass pitcher features 3 distinct patterns: latticework, diamonds, and a faint face. The broad body is hexagonal in form with a tape

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