Matthew Thomas (b. 1943, American)

"The voice of one who perceives the world," 2006 Drawing on wood Alternately signed, dated and titled verso 5" H x 5" W Notes: Brochures, writings by the artist and newspaper articles about the a

Matthew Thomas (Maniursi Buddhasena) (American, b. 1943) Time-Form, 1983 mixed media on canvas signed Matthew Thomas aka Maniursi Buddhasena, titled and dated (verso) 49 1/2 x 36 inches. Property from

LARRY THOMAS (American, b. 1943), "Hook #1", 1992, charcoal, shellac and oil on paper. Image size: 29 x 23 inches, overall: 36 x 30 inches. Provenance: The Estate of Gertrude Parker, founder of The Sa

TORSO BY AULDWIN. THOMAS SCHOMBERG (AMERICAN, B. 1943) THE ATHLETE PAINTED BRONZE 10 X 3 OVER ALL DIMENSIONS H 19 X W 4 H 19 X W 4 X D 4

Carol Anthony (American, b. 1943) Inner Room Columned Myth oil pastel and enamel on board signed Carol Anthony (lower right) 22 x 22 3/4 inches. Property from the Estate of Thomas J. Klutznick, Chicag

Paul Stankard (b.1943 American) ''Bouquet Compound'' 1999 Cube Sculpture 3.75''x2.5''. Exceptional lamp worked and cased glass sculptural paperweight. Intricate blue, pink, and white flora with ants a

Paul Stankard (b.1943 American) Dragonfly & Flower 1998 Lamp Worked and Cased Glass 2.25''x3''. Exceptional studio glass paperweight with figural dragonfly, berries, pink flower, and roots. Signed and

Paul Stankard (b.1943 American) "Pineland Pickerel Weed" 1998 Paperweight 2.5"x3.5". Lamp worked glass with flowers, bee, ant, and roots. Etched saying on side reads, "A Morning Glory at my Window Sat

Bruce Barnbaum (b.1943 American) ''Wall Curves, Lower Antelope Canyon'' 1983 Silver Gelatin Photograph 19''x15.5'' Image. Pencil signed lower margin with rubber stamp on verso. Framed 28''x22''. Excel

Charger, 2006 Concrete and engobe Signed and dated to the underside: Laddie John Dill / 2006 2.375" H x 17.75" Dia.

STUDIO, 1992, watercolor on paper, signed and dated lower center, image 3 ½ x 4 ¼”, frame 12 x 12” with Plexiglas.

WHEN TWO SPACES EXPAND, 1985, acrylic painting on canvas, signed and dated on verso, 48 x 84”. Provenance: Rosemond Felson Gallery, Los Angeles.

2pc Biron Valier (b.1943 American) Pop Arts Serigraphs. Includes ''Streamliner'' 1976 artist proof numbered 7 of 10 edition 10''x13'' sheet. Also ''Route 133'' 1974 numbered 47 of 100 edition 26''x20'

WHEN TWO SPACES EXPAND, 1985, acrylic painting on canvas, signed and dated on verso, 48 x 84”. Provenance: Rosemond Felson Gallery, Los Angeles.

TWO SPACES, ONE CENTER, 1984, acrylic painting on paper, faintly signed lower right, 19 x 24”, frame 21 ¼ x 26 ¼” with Plexiglas. Provenance: Rosamund Felsen, Los Angeles. Fr

CENTRAL PARK, SPRING, 1979, gouache on paper, signed and dated on verso, 9 x 12”, frame 10 ¾ x 13 ¾” with Plexiglas. Provenance: Rosamund Felsen Gallery, Los Angeles. From th

DRUNK & CANCER from Dangerous Drawings, 1990, each an ink drawing with collage on paper, sheets 10 ¼ x 8”, frames 14 x 11 ½”, both with tinted Plexiglas. Provenance: Rosamund

APPEAL TO THE GREAT SPIRIT, cast bronze sculpture with dark patina, signed with copyright and inscribed 88 FM, 17 x 11 x 5”, weight 12 lbs. From the collection of Chevalier Tony Clark.

Dennis Mukai BEAUTIFUL WOMAN, four color screenprints, each signed in pencil, each from a numbered edition or an artist’s proof, all published by Mirage Editions with blind stamps, sheets avera

CARTOON SURREALISM, 1993, portfolio of twelve color prints, three signed in gold ink, cover sheet signed and numbered 735/4000, in gold ink, published by Robert Bane Editions, sheets 16 x 20” &

"Sunlight, Capitol Park, Sacrament," 1979. Gelatin Silver Print, signed and dated in pencil. Overall size: 23 x 26 1/2 in. Sight size: 16 1/2 x 20 1/4 in.

Three framed mixed media works on paper by Sandra Bowden, titled, " Volume I & II", "Reading II", and "Word" each signed and dated '95. Condition AS IS, some scratches and cracks to plexi shadow boxes

TREI MONTANA, 1999, oil painting on wood construction, signed and dated lower right, titled upper center, signed and dated on verso, 18 x 24 ½ x 1 ¾”.

Baltimore Museum of Art stamp on back. 23 x 17 1/2 in (sight), 31 x 25 in (framed)