McKenney and Hall (19th Century), Ky-On-Twog-Ky, or Cornplanter / Tah, Col-O-Quoit (Two Works)

McKenney and Hall (19th Century), Ky-On-Twog-Ky, or Cornplanter / Tah, Col-O-Quoit (Two Works)hand-colored lithographs, 19th century, from History of the Indian Tribes of North America by Thomas McKen

(19th century) Six large folio prints from History of the Indian Tribes of North America: Chittee Yoholo, Ma-Ka-Tai-Me-She-Kia-Kiah, Tah-Col-O-Quoit, Shau-Hau-Napo-Tinia, Petalesharoo, Chon-Man-I-Case

McKenney and Hall (19th Century), Kee-Shes-Wa: A Fox Chief / Ne-Sou-A Quoit: A Fox Chief (Two Works)hand-colored lithographs, 19th century, from History of the Indian Tribes of North America by Thomas

Thomas L. McKenney (American, 1785-1859) & James Hall (American, 1793-1868). "Stum-Ma-Nu, A Flat-head Boy" published in Philadelphia by Frederick W. Greenough in 1838 AND "O-Hya-Wa-Mince-Kee, A Chippe

"Personnages" - ink wash on paper, not visibly signed but according to gallery records and inscription verso, this is a work by John Flaxman (English, 1755 - 1826), purchased for $4,500, exhibited in

American Gothic Carved Oak Hall Suite , mid-19th c., by the "Stanton Hall Maker", possibly New Orleans, incl. settee and two armchairs, the triple back sette with crocketed spires, pierce carved crest

Eight American Gothic Revival Carved White Oak Dining Chairs, mid-19th c., possibly "Stanton Hall Maker" or John Henry Siever, San Antonio, Texas, incl. two arm and six side chairs, arched crocketed c

4 Asian Hand-color and ink on Paper Works,19th C., 2 of hunting,attack scenes, two of ships at port and a palace, each with verso description(DMAS7146/4)(MM) Measurements:10 1/2" x 14", framed 14 x 18

19th century, oval form with pointed end, scalloped handle with cabochon amethyst and two carnelian, gadrooned border, bird on flowering branch plique-à-jour decoration, marks for O. Konig

(19th century) Two girls, in white summer dresses with blue ribbons, gathering flowers in a landscape, circa 1830, not apparently signed, oil on canvas, 57-7/8 x 44-7/8 in.; early wood frame, 64-1/2 x

Late 19th century, two-train movement stamped ''2349'', the circular glazed white-enameled face with black Roman numeral hour markers within a ship's wheel surround, raised on ship's rigging, the step

Greenwing teal hen, John Blair, Sr., Philadelphia, Pennsylvania, 2nd half 19th century. Two piece hollow body with tack eyes and raised neck seat. Branded "JE" in underside. 13" long. Provenance Bruce

A PAIR OF LARGE AND IMPORTANT PORCELAIN VASES WITH POLYCHROME DECORATIONChina, Qing dynasty, 19th century The two vases with a circular base supporting an ovoid body surmounted by a long cylindrical n

A French gilt bronze Bacchic figural group, late 19th century, with two dancing nymphs and a satyr, with impressed mark for Jules Graux Foundry to the socle, presented on a later fluted variegated gre

late 19th Century with two porcelain-inset panels, signed 'Yu Ziming' 50 inches wide; 86 1/2 inches high

Rare American Rococo Revival Laminated Rosewood Bedstead, Bearing the Patent Stamp of J. H. Belter, New York mid-19th century, in two-part form with a serpentine headboard, footboard and sides, the ce

ANONYMOUS (19TH CENTURY) A Parcel-gilt Bronze Model of Su Shi (So Tōba) on His Mule Edo period (1615-1868)-Meiji era (1868-1912), 19th century, A two-piece model in patinated and parcel-gilt bron

18th / 19th century; having two drawers 34 x 55 x 21 in. (86.4 x 139.7 x 53.3 cm.) Provenance: Property from The Estate of Charles Hackett of Charles and Charles, San Jose, California

Y SIX CASED VICTORIAN BUTTERFLY AND MOTH DISPLAYS 19TH CENTURY comprising two rectangular and four square cases, mounted with symmetrical displays of specimens (the largest 46cm high, 107cm wide) Qty:

Chinese hand painted porcelain Famille Rose double gourd dragon vase, 19th Century. The two red lingzhi head or rui scepter handles. Very finely painted with enamel decoration. 6 character Qianlong ma

PAUL GARNIER NAPOLEON III VENUS URANIA BRONZE CYLINDER CLOCKFrench, mid-19th century, interior works marked "Paul Garnier - Paris". The white marble, urn form vertical dial flanked by dark g

probably British, 19th century, including two double arm lights and two single arm lights, each with circular disk back plates supporting S-scrolled candle arms ending in drip pans hung with prisms, f

A smaller group with two boys, and a larger maitreya with archaistic texts on back. W. of largest 13.8cm (5.5 in.)

19th century Chinese carved zitan scholar table, the rectangular top surmounting the fret-work apron and spandrels, raised on straight squared legs. The spandrels decorated with open work carving of l