Murillo / Chagoyán. Córdoba, Veracruz. Fotografías

After Bartolome Esteban Murillo (Spanish 1617-1682), 'Moses at the Rock of Horeb', 19th century, oil on canvas, Monumental Old Master style Old Testament Biblical figural scene, apparently unsigned wi

A STONE 'TOAD' YOKEMexico, Veracruz classical culture, 550-950 AD The yoke with a horseshoe shape, the stone carved with a stylized representation of a toad.42 x 36 x 13,5 cmProvenance: ancient collec

Veracruz Avian Skull Hacha (300-900 AD) Hachas are a distinctive form associated with art from the Classic Veracruz culture, which flourished along the coast of the Gulf of Mexico between A.D. 300 and

Large Pre-Columbien Veracruz Standing figure from Mexico, ca. 400-650 CE. Large standing pottery figure with arms outstretched, wearing headdress, necklace, earrings, wide backsplash, loin cloth and h

BARTOLOME ESTEBAN MURILLO (1618-1682) OIL ON PANEL Bartolomé Esteban Murillo (Spanish, Seville 1618-1682), oil on oak panel, "Coronación de la Inmaculada" (Coronation of the Immaculate), depicting t

Pre-Columbian, Gulf coast of Mexico, Veracruz, Remojadas, ca. 600 to 800 CE. Tall buff clay pottery effigy figures in an animated posture, with both hands raised. Male figure on left holds a rattle in

Pre-Columbian, Vera Cruz, Mexico, ca. 500 to 800 CE. Exceptional and important stone hacha - implement used in the ballgame - in the form of a warrior inside the head of an eagle. The warrior is shown

A pair of terracotta Veracruz sonrientes, A pair of terracotta Veracruz sonrientes, 450 AD-750 AD, Mexico, Mesoamerica, Veracruz, Remojadas culture, also known as 'smiling face boys', each in a standi

An important Veracruz head from Mexico, ca. 600-900 A.D. This monumental size head would have been part of an incensario figure dedicated to the god Chaac. The realistic expression on the face is stri

Pre-Columbian, Gulf coast of Mexico, Veracruz, Remojadas, ca. 600 to 900 CE. Powerful buff clay pottery standing effigy figures, both androgynous, both hands articulated, hands raised. Both have remai

Dr. (Geraldo Murillo) Atl (Mexico, 1875-1964), "El Paricutin", cinder cone volcano in Michoacan, charcoal and wash on paper, includes Certificate of Authenticity as from The Collection of Vikki Carr

**Originally Listed At $8000** Pre-Columbian, Mexico, Vera Cruz, ca. 400 to 700 CE. A large and finely carved, greenstone yoke replete with tremendous artistry and technique, and therefore likely a ce

KPM Painted Porcelain Plaque Entitled The Flower Girl After Murillo. Height of plaque 13 1/2 inches, width 11 1/4 inches. C

Oil on canvas. Work inspired by the original by Bartolomé Esteban Murillo. Measurements: 65.5 x 89 cm.

Artist: Bartolomé Esteban Murillo (1617-1682), follower of Title: Angel appearing to St. Joseph Medium: Oil on canvas Size: 56†x 32 1/2†inches (142.2 x 82.5 cm) Date: 1700’s probab

**First Time At Auction**Pre-Columbian, Gulf Coast of Mexico, Veracruz culture, ca. 500 to 700 CE. An amazing, tall, hollow, buff ceramic figure with incredible iconography. The figure - who is of ind

Pre-Columbian, Veracruz, Mexico, ca. 600 to 900 CE. Large and quite exceptional terracotta female figure shown seated with crossed legs and arms to sides. She wears an elaborate headdress, necklace, l

* After Bartolome Esteban Murillo (19th Century) Mother and Child Seated Before a Wall oil on canvas 66 x 42 1/2 inches. Estimate $6,000-8,000 Property from the Estate of Marge Ewers, Nashville, Tenne

A Veracruz Stone Yoke Eastern Mexico, c. 400-700 AD Speckled gray stone, the ends carved in relief to depict half of a face with a large headdress. Remains of red cinnabar in

After Bartolome Esteban Murillo, 1618 to 1682, painted oval porcelain plaque of the Madonna of the Rosary. Manufactured by the Konigliche Porzellan Manufaktur, or KPM, Berlin. Circa the late 19th cent

SCHOOL OF BARTALOME ESTEBAN MURILLO (Spain, 1617-1682) - Portrait of a Spanish Gentleman, said to be Don Andres de Andrade y la Cal, oil on canvas, unsigned, identified on old label verso, in gold and

oil on canvas 41 x 49 inches

Pre-Columbian, Mexico, Veracruz culture, also known as Totonac (Totonaca), Remojadas, ca. 600 to 900 CE. A superb, life-size, pottery head of a dignitary coated in stucco and rendered in a highly real

A Veracruz Terracotta FigureCirca 600 A.D.Height 12 1/4 inches (31.1 cm).Property from the Collection of Edith S. Peiser, Boca Raton, Florida Provenance: Merrin Gallery, New York, prior to 1972. Donal