Samuel V. Chamberlain, American (1895-1975), Drizzly Morning in Chicago, 1929, drypoint etching, 3

Samuel V. Chamberlain American (1895-1975) Drizzly Morning in Chicago, 1929 drypoint etching pencil signed, titled and numbered 34/100 lower margin. Biography from Whistler House Museum of Art: Samuel

Samuel V. Chamberlain (American 1895-1975)- ''Curving Canyon, New York'' (Chamberlain 86)- drypoint, 1929, signed and numbered 93/100, very good condition. 8 1/2 x 5 3/4''

Samuel V. Chamberlain American (1895-1975) "Soaring Steel", 1929 silver point etching pencil signed and numbered 45/100. Biography from Whistler House Museum of Art: Samuel V. Chamberlain was born in

The Harborside- Friendship, Maine" signed in pencil (Samuel V Chamberlain 1895- 1975 Marblehead, Me) Chicago Society of Etchers drypoint etching with original cover sheet, plate size 8.5" x 12.5

Samuel Chamberlain (American, 1895-1975) Untitled (Harbor Scene) drypoint etching signed in pencil (lower right) 9 x 12 inches. Estimate $100-150 Wellin Gardiner Fine Arts, Portland, ME No c

Samuel Chamberlain (American 1895-1975) Verdant Village, 1931, drypoint etching, signed in pencil lower right margin, numbered 49/100 in pencil lower right margin, matted and framed. Dimensions: 6 1

Samuel Chamberlain (American 1895-1975) Early Morning Market, Senlis, drypoint, 1939, signed in pencil lower right, from an edition of 300 for the Society of American Graphic Artists. Matted and frame

Samuel Chamberlain (American (1895-1975) Silhouette of Senlis, 1931, drypoint etching, signed in pencil lower right, numbered 50/100. Matted and framed. The print captures the skyscape of the French c

Samuel Chamberlain (American, 1895-1975) etching "Toulouse France", drypoint on paper, pencil signed "Samuel Chamberlain", this etching is featured on the cover of Chamberlain's catalogue raisonne, ed

Samuel V. Chamberlain (American, 1895-1975) Church of St. Ayoul, Provins, France, etching; no. 27 in an edition of 100. Signed in pencil lower right, numbered lower left. American artist, writer and t

Samuel Chamberlain (American 1895-1975) Espalion Medieval Bridge situated in the French Pyrenees, drypoint etching, signed in pencil lower right margin and numbered 14/75 in. lower left margin, matted

Samuel Chamberlain (American 1895-1975) The City Cross Winchester, England, also known as Butter Cross, 1928, drypoint etching, signed in pencil lower right corner margin and marked in pencil 'ed.

Samuel Chamberlain (American, 1895-1975) etching on paper of city buildings, signed lower right. From the Collection of Jeffrey M. Kaplan. [Art: 10" H x 7 3/4" W; Frame: 20" H x 17 1/4" W]. Minor wear

Samuel Chamberlain (American 1895-1975) Old Menton, etching, signed in pencil lower right in margin and numbered in pencil 50/75 lower left margin, matted and framed. Dimensions: 6 3/4" x 4 7/8

Samuel Chamberlain (American 1895-1975) Untitled Arch, etching, signed in pencil lower right in margin and numbered in pencil 15/16 lower left margin, matted and framed. Dimensions: 7 3/8" x 5 1

Samuel Chamberlain (American 1895-1975) Dentelles Gothiques, Clamecy, 1930, signed in pencil in lower right and numbered 33/100 in lower left, matted and framed. Dimensions: 9 3/4" 14 11/16" plate si

Samuel Chamberlain (American 1895-1975) Butcher Row, Coventry, 1941, etching, signed in oencil lower right, numbered Ed.300 lower left, matted and framed. The artist lived and worked in Europe for man

Samuel Chamberlain (American 1895-1975) The Fish Market Chartres, 1925, soft ground etching, signed in pencil lower right margin and numbered 3/100 in pencil lower left margin, matted and framed.Dimen

Samuel Chamberlain (American 1895-1975) The Town of Chartres, 1940, Signed in pencil lower right, inscibed Second State IV/V in pencil in lower left. A working proof. Chamberlain worked and lived in E

Samuel Margolies (American 1897-1974) Men of Steel, c.1940, drypoint etching, signed in pencil lower right, from an edition of 250, published by Associated American Artists, matted and framed. Dimens

Very good sight condition, as shown. 1929 drypoint on paper by American artist Peggy Bacon (1895-1987) titled "Vanity", apparently one of thirty from this edition. Pencil signed and dated 1929. Bacon

JOHN MARIN (AMERICAN, 1870-1953), ETCHING AND DRYPOINT, 1913, PLATE SIZE: H 12 3/4", W 10 1/4", "WOOLWORTH BUILDING #2:Pencil signed (within the plate mark); signed, titles and dated in the plate; ins

RICHARD DIEBENKORN (American 1922-1993) "#38 from 41 Etchings Drypoints 1965" Drypoint etching. Image: 8 1/4 x 7 1/4 inches; Frame: 18 3/8 x 15 1/2 inches. Pencil signed initials and dated lower right

Frank Stella (American, b. 1936) Lunna Wola V, 1975 paper relief, dyed and collaged paper, hand coloring signed and numbered 21/26 26 x 21 1/2 x 1 3/4 inches. Provenance: Provenance: Richard Gray Gall