Southern Country Classical Birch Breakfast Table

Circa 1830, likely South Carolina Piedmont. The table having a circular top when leaves are raised and resting atop four handsomely turned legs on casters. H27 3/4" W26" (not opened) D46 3/4" Sold fro

Classical Style Birch Breakfast Table, including one leaf.29.5" H x 48.5" L x 37" W. Leaf 20" L.

manner of Duncan Phyfe, likely New York circa 1820, solid cherry top and drop sides, single drawer flanked by inlaid brass and ebony scrollwork, matching false drawer with decorations, four turned and

Circa 1830. Mahogany, having handsomely figured top and leg which swings around to make a fine square breakfast table over a very nicely carved urn and acanthus base emitting four carved paw feet. H28

19th Century Southern Breakfast Table in Pine

Late 19th century oak country breakfast table with turned legs (includes an additional center support leg) and original casters; measures approximately 28-3/4" tall, 44" wide, 53" long (without leaf)

43" round solid cherry country style breakfast table with (2) 20" leaves, structurally sound in good condition with antique distress finish, 30"h x 43"diameter

American Classical Mahogany Drop-Leaf Breakfast Table , early 19th c., New York, frieze drawer with lion and ring pull, foliate carved urn standard, leaf carved saber legs, brass paw, casters, h. 29 1

American Classical Mahogany Breakfast Table second quarter 19th century, the figured single-board top flanked by like-shaped drop leaves, the frieze with a molded drawer, raised on a turned and carved

19th Century, the rectangular two board solid mahogany tilt top with a reeded edge above a reeded quadruped base terminating in finely chased classical S-scroll brass caps. h. 29-1/2 w. 53 d. 46-1/2 i

Early to mid 19th century, America. Having an oval top above the base attached by removable turned wood pins in order to tilt if so desired and create a chair. The top rests nicely above the edged bas

a large table with shaped drop leaves, arched supports and reeded saber legs ending in brass paw footed casters, one working drawer. 29 1/2" high, 47 1/2" long, 24" wide closed, 59" wide open. Some fi

Table is raised on ring-turned, cylindrical swelled legs with ring turned cuffs, ball feet tapering to point. Table retains elements of original brown paint. Top has been scrubbed to show original unp

American Southern country games table, early 20th century, having a mixed wood parquetry checkers/chess board and single shelf, apparently unmarked. Note: Having a family history of being crafted by B

Tilt top. Fruitwood.

NORFOLK, VIRGINIA, ATTRIBUTED, CLASSICAL MAHOGANY FALL-LEAF BREAKFAST TABLE, rectangular top fitted with two fall leaves having reeded edges, shaped and banded apron with projecting stiles, raised on

American Classical Carved Mahogany Breakfast Table , early-to-mid 19th c., likely New York, shaped drop-leaf top, frieze drawer, four pineapple carved supports, stretcher shelf, acanthus carved hairy

18th century. Having a round top which tilts up over the frame having a lower shelf gallery atop nice tall legs. Very nice overall well kept example. H25 1/4" W38" Sold from the collection of a South

BALTIMORE CLASSICAL MAHOGANY FALL-LEAF BREAKFAST TABLE, rectangular one-board top with two one-board hinged fall leaves, raised on a ringed pedestal and four reeded downswept legs terminating in eboni

Mid 19th century, likely South Carolina. The piece is entirely Yellow pine and has a three board top with breadboard freeze and inset hand hewn legs. H29 1/2" W48" D33 1/2"

A Classical Mahogany Drop-Leaf Breakfast Table First Half 19th Century Property from a Midwest Collector

Circa 1820, likely South Carolina Piedmont. Cypress and pine having a tall backsplash with scrolling sides centered by circular cutout for washbasin above lower shelf, all resting atop tapering legs.

Mosaic Breakfast Table Country Kitchen Style, measures in inches 24x24x37, mosaic tiled top depicts flowers and a colorful rooster, white painted metal base, vintage ware some rusting, charming

Circa 1830, likely by John Erhart Rose, workinging in Abingdon, Virginia and Knoxville, Tennessee. The piece has a well grained one board top with a nicely reeded edge which rotates and folds out abov