Southern School (Third Quarter 19th Century)

American School (Third Quarter 19th Century), "Portrait of a Lady in a White Silk Gown", oil on canvas, unsigned, 36" x 28-1/4". Framed.

French School (Third Quarter 19th Century), "Portrait of George Sand (1804-1876) in a Camicie Rosse (Garibaldi Jacket)", oil on canvas laid down on paperboard, unsigned, 29-3/8" x 23-3/4". Framed.

British School (Third Quarter 19th Century), "Coastal Landscape with Fisherfolk on the Beach" and "Coastal Landscape with a Fisherman and His Wife" pair of oils on oval canvases both unsigned. Both fr

Continental School (Third/Fourth Quarter 19th Century) "Pair of Floral Still Lifes" oils on canvas each unsigned. Framed alike. 39" x 28", framed 45-1/2" x 31-1/2"

German/Austrian School (Second/Third Quarter 19th Century) "Bridge Before the Falls" oil on canvas indistinctly signed "D. He...burg" lower right. Framed. 21-1/2" x 18-1/4"

French School (Second/Third Quarter 19th Century) "Ottoman Palace Slave Trade" oil on canvas signed indistinctly lower left "Pasalggeria (?)". Framed. 22" x 29-1/4"

British School (Second/Third Quarter 19th Century) "Portrait of a Lady" oil on linen unsigned, a "G. Morrill/Liner" debossed stamp on stretcher and a "Henry Stern [Antiques]" label attached to picture

Continental School (Second/Third Quarter 19th Century) "Hiker Observing Life in a Rural Hollow" oil on canvas unsigned. Framed. 16-3/4" x 22-3/4", framed 23" x 28"

Group of Five British and American Copperplate Engravings of Southern Scenes, third quarter 19th century, including "The Valley of The Shenandoah", after William Henry Bartlett (British, 1809-1854), e

New Orleans Market Rococo Revival Mahogany Half-Tester Bed third quarter 19th century, school of Francois Seignouret and/or Prudent Mallard, the serpentine tester with a floral basket crest, raised on

Two-Gallon Alkaline-Glazed Stoneware Jar, Incised "III", Southern U.S. origin, second or third quarter 19th century, rotund jar with flared collar, semi-squared rim molding, and applied tab handles, t

Monumental British School Interior Scene, Second-Third Quarter of the 19th Century. Depicting a lord with figures bringing him riches in an elegant interior setting. Oil on Canvas laid on Board. Appea

Southern Cheyenne Saddle, with Tack Decorations third quarter 19th century wood framed covered with rawhide and decorated with approximately 133 brass tacks; braided fringe; remnants of red and yellow

Third-quarter 19th Century American School Oil on canvas Monogrammed and dated lower center: SLB / Apr. 1891 12" H x 16" W Provenance: From the Collection of the Dharam Damama's

French School (late 19th century), Carved Marble Bust of a Beautythird quarter 19th century, the life-size maiden with demure gesture, parted hair pulled up in bun with ribbon and flower, unsigned, at

Third quarter 19th century, watercolor on laid ledger paper. Two women by the same hand, both dressed in pink and blue with flowers below. One is standing in front of a fanciful chest, the other has p

AMERICAN OR BRITISH SCHOOL (19TH CENTURY) PORTRAIT OF A WOMAN, oil on canvas, subject wearing black dress and knitted cap, no signature located. Unframed. Third quarter 19th century. 27" x 22".Scatter

Last quarter of the 19th century most likely. The painting on wood is titled on verso Sullivans Island, SC. The piece depicts a home of the mid to late 19th century in the region with figure on the po

Southern country yellow pine hepplewhite table, the top with rounded corners and the base with old blue/green paint. 30" H x 41 1/2" W x 33 1/2" D. Third quarter of the 19th century. (Additional high-

Thomas Creswick (1811-1869) Fisher Boy and Dog at Crossing Third quarter of the 19th Century. The classic British School landscape depicting a pleasant summer day is nicely lit by the sun from left to

AMERICAN SCHOOL (19TH CENTURY) FOLK ART STILL-LIFE PAINTING, oil on canvas, a large and vibrant example, depicting a variety of fruits on a white marble-top table, no signature located. Third quarter

Kazak prayer rug, Caucasus, third quarter 19th century. With minimal, bold ornament the weaver has created a strong statement. The full pile of mountain wool and just a few brilliant colors make a stu

Saryk torba, Turkmenistan, third quarter 19th century.One of the few Saryk pieces in the Marsh Collection, this elegant torba has a classic textbook border around a deep red field of 20 archetypal gul

Yomut mafrash/kap, Turkmenistan, third quarter 19th century. This trapping displays two ivory panels filled with stylized tree forms often seen in tent bands. It is one of several other earlier pieces