Two Etchings Rembrandt Bartsch 119 Bartsch 253

Lot of two (2) etchings on paper. First featuring Rembrandt van Rijn - Straatmuzikanten (The strolling musicians) -1635. Bartsch 119. The second featuring Het stiertje (The young bull) 1650. Bartsch 2

Rembrandt Van Rijn Etciching Christ Driving the Money Changers From the Temple. Verso has label from Kennedy and Co Rare Prints, states original etching by Rembrandt Bartsch #69. . Frame 11.5 x 13 inc

Rembrandt Van Rijn (Dutch 1606-1669) Etching, Bartsch 349, "Rembrandt\'s Mother with Hands on Chest, Signed and Dated R.L. 1631, State 2 of 7,Provenance Stakenborg-Greenberg Fine Art, Sarasota, Florid

Rembrandt Van Rijn, said Rembrandt (After)La descente de croix aux flambeaux, c. 1870Heliogravure on Verge paper, after 1654 Rembrandt's etching (referenced in Bartsch #83 ; Claussin #87 ; Wilson #88

Rembrandt Van Rijn, said Rembrandt (After)La Medee, ou le Mariage de Jason et de Creuse, c. 1870Heliogravure on Verge paper, after 1648 Rembrandt's etching (referenced in Bartsch #116 ; Claussin #114

TWO ETCHINGS1) “Marsyas Teaching Olympus the Various Musical Modes” by Giovanni Benedetto Castiglione (Italy, 1609-1664), 1642. Bartsch 15; Percy 11. 8.5” x 4.5” (215mm x 112mm

Four etchings after Rembrandt van Rijn (Dutch, 1606-1669) issued by Rembrandthuis / Rembrandt House, comprising three self portraits and a study of Saskia and others, Bartsch 320, 019, 021, 365, unfra

Rembrandt (Dutch 1606-1669) Landscape with A Cow Drinking (Bartsch 237) etching on laid paper, ca. 1650.  3 7/8 x 5 1/16" Provenance: Private collection- Menoriva, MD

Rembrandt (Dutch 1606-1669) The Pancake Woman (Bartsch 124) etching and drypoint, 1635,  4 1/4 x 3" Provenance: Private collection- Menorvia, MD

Rembrandt (Dutch 1606-1669) Old Man with Beard, Fur Cap and Velvet Cloak (Bartsch 262) etching and engraving, 1631-32.   5 7/8 x 5 1/8"

Rembrandt etching of Beggar Seated Warming His Hands At A Chafing Dish about 1630, Rembrandt Harmensz. van Rijn (Dutch, 1606–1669), Bartsch 173 ii; Hind 8 ii, DIMENSIONS - Sheet: 8.2 x 5.1 cm (3 1/4

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Rembrandt Van Rijn, "Pharisees in the Temple" etching and drypoint on laid paper. Partial watermark; Haewood 1366. Signed and dated in the plate upper center Rembrandt.f. 1648. Catalog: Bartsch, Holls

Rembrandt Van Rijn Etching, "La Negress Couche, " 1658, etching, drypoint and engraving on laid paper, signed in the plate. Catalogue Raisonne: Bartsch 205. Matted and framed. Dimensions: 3.2

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Rembrandt Van Rign (1609-1669) Etching Signed in the plate upper left corner. "The Artist's Mother Seated, in Widow's Dress" Edition State I/II 1632; Reference: Hind 91, Bartsch 344, Sized: 6" x 5".

Rembrandt van Rijn (Dutch, 1606-1669), etching, "The Angel Departing From the Family of Tobias", 1641, Bartsch 43; Birklund 41-G; Hollstein (White and Boon) 43, probably 4th state, image size 4" x 6",

Rembrandt van Rijn (Dutch 1606-1669) etching “Cornelis Claez Anslo, Mennonite Preacherâ€, Bartsch 271, later impression, bears collectors mark,

VAN RIJN, Rembrandt, (Dutch, 1606-1669): "The Death of the Virgin", 1639, Etching and Drypoint on laid paper with a watermark, reference Bartsch 99, White and Boon 99, 3rd state of three, image size 1

DESCRIPTION: Rembrandt Van Rijn (Netherlands, 1606 - 1669). Etching. Beggar Man and Beggar Woman Conversing, 1630. Bartsch 164 second state. Lettered in plate lower left with artist's monogram. In sim

After Rembrandt van Rijn (Netherlands, 1606-1669) etching on laid paper, "Man in a Coat and Fur Cap Leaning against a Bank," [Bartsch-Hollstein 151; Hind 14], 1630. Plate measures 4-1/2" x 3-1/8". In

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

Rembrandt Harmensz van Rijn (1606-1669) The Raising of Lazarus: Small Plate (Bartsch 72; New Hollstein 206) Etching, 1642, on laid, New Hollstein's final second state, with thread margins, 150 x 114mm

Rembrandt van Rijn (Dutch, 1606-1669) "The Old Bearded Man in a High Fur Cap, with Eyes Closed," etching, circa 1635, Bartsch 290, signed in image in upper left quadrant, FM stamp along right, bearing