Whistler etching, street at Saverne

"Street at Saverne, Alsace", unsigned. With Frederick Keppel and Co. tag affixed verso. Dimensions: Sight is 9" x 7", the frame 17" x 14". 

Etching By Whistler. Marked on backside Original etching in Whistler, Street in Saverne, 56. Depicting a street view with a line of houses within a vanishing point. Framed in black wooden frame with o

JAMES ABBOTT MCNEILL WHISTLER (active/lived in Massachusetts/England, France), AN ETCHING, AFTER 1910, "STREET AT SAVERNE," FROM TWELVE ETCHINGS FROM NATURE, THE FRENCH SET, ORIGINALLY PRINTED IN 1858

James Abbott McNeil Whistler (1834-1903, MA/UK/FR) framed and matted etching titled "St. James Street, June 1878" with Newman's Gallery, Philadelphia label. 12" x 6.25" ss / 22.5" x 16" oa

James A. M. Whistler (American 1834-1903)- ''Aldcrney Street'' (Kennedy 238)- etching, 1881 as published in Gazette des Beaux Arts, good condition. 7 x 4 3/8''

Alderney Street" Etching" - printed in margin: Gazette des Beaux-Arts, Imp Cadart; Plate: 7" high x 4.25" wide; Good with mat burn, framed behind glass, not examined out of frame. "Savoy Pigeons" Lith

Artist: James Abbott McNeill Whistler Title: Alderney Street Year: 1881 Dimensions: 7 1/4in. by 10 3/4in. Edition: From the rare limited edition Medium: Origina

J.M WHISTLER (1834-1903), ST JAMES' STREET LONDON, signed and dated June 1878, etching on buff paper, framed. 29cm by 15cm

James Whistler, American (1834-1903). Black and white etching of his mother sleeping titled 'Whistler's Mother' mounted in chrome frame and signed 'W 56' lower right corner. Measures 15 3/8"H x 17.75"

James A.M. Whistler, etching, 1879, James Abbott McNeill Whistler (American, 1834-1903), "Upright Venice" from the Twenty-six Etchings of the Second Venice Set (Kennedy 16), on laid paper, likely four

Fine early impression with artist butterfly mark upper left, titled "The Balcony Venice", image size 11.75" x 7.75", matted and framed under glass, remnants of original label on reverse. Condition app

James Abbott McNeill Whistler (American, 1884-1903) "Long Lagoon". Etching and drypoint, printed in brown ink on paper. From the "Second Venice Set" published in 1886. With Whistler's emblematic butte

"ANNIE" ORIGINAL WHISTLER ETCHING FROM THE VINCENT PRICE COLLECTION 5.5"X4.25" SIGHT 23X"X17.5 FRAMED

Etching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. Later state restrike. Signed in the plate, lower right. The sitter is Deborah Haden (1825-1

(American, 1834-1903) etching and drypoint, 1858, unsigned. Overall: 13-3/4"h x 17-1/4"d Sight: 6-1/4"h x 9-1/4"w

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching on laid paper titled "Adam & Eve Tavern/Old Chelsea London" depicting the Old Feary Wharf. Frederick Keppel & Co., New Yo

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "The Unsafe Tenement" (Kennedy 17), on brown wove paper, fourth state with faint sky lines, signed in plate low

James Abbott McNeill Whistler (American 1834-1903). Fifth state etching, titled "Little Rag Gatherers". Signed and dated 1858 within the plate. Framed under glass. Matte opening: 6-1/4 x 3-3/4 in.

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

James Abbott McNeil Whistler (Massachusetts/England/France, 1834-1903) etching and drypoint titled "The Music Room". Kennedy 33, II/IIe. Pencil signature lower left, pencil titled lower center and pen

James A.M. Whistler, etching, 1858, James Abbott McNeill Whistler (American, 1834-1903), "Liverdun" from Twelve Etchings from Nature (Kennedy 16), on laid paper, second of two states, with "Whistler"

James McNeil Whistler, etching and drypoint, James Abbott McNeil Whistler (American, 1834-1903), "Annie Seated", c. 1858-59, signed in the plate lower left, likely the 3rd state (of 3), 5.125"h x 3.75

JAMES WHISTLER (1834-1903) Annie Seated, 1858 Etching on paper Signed, inscribed within print 5 1/2" x 4" Label to verso from Vincent Price Collection

The Lime House, from A Series of Sixteen Etchings of Scenes on the Thames, depicting a harbor scene with boat workers and onlookers. Signed, original proof etching, date inscribed. Plate 4.75”H