Regency-style commode tops prices realized at Morton Kuehnert

Régence style commode sold for $24,000
Régence style commode sold for $24,000
Régence style commode sold for $24,000

HOUSTON – Beautiful furniture, paintings, rugs and porcelain found new homes with international buyers at Morton Kuehnert’s June 24 evening sale. Internet live bidding was provided by LiveAuctioneers.com

A phone bid provided the highlight of the evening as a $24,000 price was paid for a Régence-style commode that had been entered in the sale with an estimate of $10,000 to $12,000. All prices quoted include a 20% buyer’s premium.

The 120-lot sale included a marble fireplace mantel that sold for $4,800 (pre-auction estimate $2,500 to $3,000), a pair of European cut-crystal gilt-bronze candelabra selling for $1,800 (est. $500 to $700) and an 18th-century French chestnut server that sold for $3,480 (est. $1,200 to $1,500).

An exquisite gilded bronze rectangular velvet-lined chest realized $5,200 (est. $2,500 to $2,750), and a 19th-century Continental walnut and satinwood marquetry writing desk closed at $1,560 (est. $750 to $1,300).

Morton Kuehnert is now inviting consignments for a Sept. 23 catalog auctions. Photos and descriptions of items may be e-mailed to consignments@mortonkuehnert.com. To contact Morton Kuehnert’s staff, call 713-827-7835.

View the fully illustrated catalog from the June 24 auction, complete with prices realized, online at www.LiveAuctioneers.com.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Exquisite gilded bronze rectangular velvet-lined chest sold for $5,200
Exquisite gilded bronze rectangular velvet-lined chest sold for $5,200

Lost art sells for $4.3 million at Paris auction

PARIS — The stash was hidden away in a Paris bank vault at the start of World War II and forgotten for decades. On Tuesday, the long-lost treasure trove of Renoirs, Cezannes, Degas, Gauguins and Picassos brought in euro3.5 million ($4.3 million) at auction in Paris. At today’s exchange rate, 1 euro = $1.218.

Sotheby’s offering of 139 works amassed by visionary Paris art dealer Ambroise Vollard, who turned unknown artists into stars, was a sale art lovers had awaited for years, partly because of the collection’s history and mystique.

An Edgar Degas brothel scene — a monotype of prostitutes popping Champagne and wearing little besides their stockings — sold for euro516,750. A Pablo Picasso print of an emaciated couple drinking wine and eating bread brought the highest price of the night, euro720,750.

Many of the works sold are prints and drawings. They are in pristine condition, kept safe from light and damage in the bank vault, said Andrew Strauss, vice president of Sotheby’s Paris.

“In a way, people are buying directly from Vollard, one of the greatest dealers,” he said.

The tale leading up to the auction contains many twists and turns — and unsolved mysteries.

Vollard died in a car crash in 1939, two months before World War II broke out. Some of his collection came into the hands of a young Yugoslav acquaintance named Erich Slomovic, in circumstances still unclear.

Slomovic sent some of the collection home to Yugoslavia in diplomatic suitcases, and many of those works are held today by the National Museum in Belgrade. He put others in a vault at Societe Generale bank in Paris.

Then, Slomovic, a Jew, was killed by the Nazis in 1942. The bank vault was forgotten until 1979, when clerks opened it up, hoping to sell some of the contents off to recoup unpaid storage fees.

A sale was planned at Paris’ Drouot auction house in 1981 but was canceled by court order once Vollard’s heirs contested the sale. After a lengthy legal battle, a French court granted a small fraction of the works to Slomovic’s heirs and gave most to Vollard’s heirs. The dealer’s family handed their collection to Sotheby’s for sale.

The highest-profile piece was already sold in London last week. The 1905 painting “Arbres a Collioure” (Trees in Collioure) by French artist Andre Derain went for nearly 16.3 million pounds (nearly euro20 million.)

One of the highlights of Tuesday’s sale was a Paul Cezanne oil portrait of his childhood friend, the writer Emile Zola. But because of an error in the bidding process, it didn’t actually sell, Sotheby’s said.

The portrait is rare. Cezanne destroyed most of his portraits of Zola “because he didn’t think they were good enough,” said Samuel Valette, Sotheby’s head of Impressionist and modern art in Paris.

Zola, whose friendship with Cezanne later soured, complained in a letter about the painter’s perfectionism: “Maybe Paul has the genius of a great painter, but he’ll never have the ability to become one. The slightest obstacle drives him to despair.”

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Associated Press writer Rachid Aouli in Paris contributed to this report.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 

 

 

Alabama judge says former mayor, not city, owns painting

FOLEY, Ala. (AP) – A judge’s decision June 11 quietly ended a long-running fight here among former and current city officials over a painting of the biggest naval battle of a war that pitted neighbor against neighbor.

Baldwin County Circuit Court Judge Charles Partin ruled that former Mayor Arthur Holk loaned – but did not give – the 1941 painting of the Battle of Mobile Bay to the city.

The painting, created by John McCrady for the Grand Hotel at Point Clear, was appraised at $200,000 in 2008 by New Orleans art dealers. “I said all along that I’d never given up ownership,” Holk said. “I hated to take the stand that I did, but when they said they were going to sell it, I had to do something.”

Now, Holk said, “I’d like to put it where people can see it, but I’m not sure where that could be.”

Foley Mayor John Koniar said that after learning of Partin’s ruling, city officials canceled the insurance policy on the painting and municipal crews delivered it to Holk.

“We’re not going to appeal,” Koniar said. “We’re not going to spend any more money on it.”

Holk, who was mayor from 1976 until 1996, acquired the painting in the 1980s. The Grand Hotel’s new owners were remodeling and had taken down the framed picture, which is about 7 feet long, from the Bird Cage Lounge, he said.

“I’d seen it there and when my wife and I went by, we noticed it was gone,” Holk said. “I asked what had happened to it and the manager said he’d been told to get rid of it. He asked if I wanted it and I said I did. I went over the next day and got it.”

At that time, Foley had remodeled the library but had no money left to decorate it. Holk said he loaned the painting to the library.

The painting hung in the library for about 10 years, until 1998, when it was moved to the Foley Senior Center.

After Hurricane Ivan damaged the Senior Center in 2004, the painting was taken out and eventually placed in the break room of the Foley Public Works Department, according to court testimony.

The artwork had hung in the conference room of Foley City Hall from 2008 until the ruling.

In his ruling, Partin wrote, “It appears to the court that neither party was particularly interested in the painting other than as decoration until people began making inquiries about buying the painting and it was determined that it had a value of $200,000 or more.”

In 2008, City Council members said a $200,000 painting would cost $3,600 a year to insure. Rather than spend city funds on insurance, the council voted to sell the work and devote the proceeds to municipal projects.”

The painting was commissioned in the 1930s by Capt. Edward A. Roberts, the owner of the Grand Hotel at the time. Roberts hired McCrady who was already famous as a Southern artist.

In 1937, Time Magazine described McCrady as “a star risen from the bayous who will do for painting in the South what Faulkner is doing for literature.”

Despite the artist’s national reputation, Roberts did not hesitate to have McCrady revise his painting, according to a 1947 Press-Register story. When McCrady asked the reason, he was told to do a version in which the Confederates were winning.

The painting shows the Union fleet entering Mobile Bay on Aug. 5, 1864, at the moment that the Union ironclad Tecumseh strikes an underwater mine and begins to sink. Also shown are the two lines of Union warships steaming past Fort Morgan and the four ships of the Confederate squadron moving to intercept them.

A total of 18 Union and Confederate ships, along with Southern shore batteries, took part in the battle, which the Confederates lost.

___

Information from: Press-Register, http://www.al.com/mobileregister

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-CS-06-28-10 1311EDT

 

Detroit Children’s Museum reopening with facelift

Detroit Children's Museum, 2008 photo by Andrew Jameson at en.wikipedia, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported License.

Detroit Children's Museum, 2008 photo by Andrew Jameson at en.wikipedia, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported License.
Detroit Children’s Museum, 2008 photo by Andrew Jameson at en.wikipedia, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported License.
DETROIT (AP) – The Detroit Children’s Museum, which was shuttered last year amid cost-cutting by the city’s school district, has reopened with revamped exhibits, a new preschool area and more of its thousands of artifacts on display.

Hands-on components are now incorporated into all exhibits, museum director Julie Johnson said. Newly displayed items include the skull of an extinct mammal Andrewsarchus, masks and Civil War artifacts.

The museum previously was run by the cash-strapped Detroit Public Schools, which closed it last August. It’s now being operated by the Detroit Science Center under a 10-year agreement that is expected to save the state’s largest district $11.9 million. The museum reopened June 26.

“We didn’t lose this gem,” Johnson said. “It’s been here since 1917. This is a very important part of Detroit.”

The district still owns the museum, which has more than 100,000 artifacts. New acquisitions will belong to the Science Center, which has brought in some if its displays such as a towering model Tyrannosaurus rex.

“The Detroit Children’s Museum was not a core part of our operations,” Robert Bobb, the district’s state-appointed emergency financial manager, said in statement. “The museum needed to be given the stability of not being in the annual school budget cycle.”

The 93-year-old museum houses dinosaur bones, dioramas, costumes and dolls from around the world. It also has an extensive collection of rocks, fossils and crystals, some of which are being presented in new displays.

The new preschool area will include a puppet theater and live turtles. And some of the museum’s mainstays remain, including a stuffed Bengal tiger named Champ in an expanded animal exhibit and the horse sculpture “Silverbolt” outside.

In the main exhibit hall, more than 500 items are on display – about twice as many as a year ago, Johnson said. In one display, a large doll house that sits behind glass is paired with another where children can play with dolls.

The museum mostly had been used for field trips, Johnson said. Those will continue, with programs available for schools, daycare groups and community centers, but the Science Center also plans to promote the museum for family visits.

___

If You Go…

DETROIT CHILDREN’S MUSEUM: 6134 Second Ave., Detroit; http://www.detroitsciencecenter.org/DCM.html or 313-873-8100. Monday-Friday, 9 a.m.-4 p.m.; Saturday, 10 a.m.-4 p.m. Closed Sundays. Adults, $4; children, $2. Admission includes one planetarium show; additional shows are $1 per person.

Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-06-28-10 1111EDT

 

Syed Raza painting at Rago’s sells online for $51,850

Sayed Haider Raza (Indian, b. 1922-), La Nuit, acrylic on canvas, 1967, signed, titled and dated; 25 3/4 inches by 21 1/4 inches. Sold through LiveAuctioneers.com for $51,850. Image courtesy LiveAuctioneers.com Archive and Rago.

Sayed Haider Raza (Indian, b. 1922-), La Nuit, acrylic on canvas, 1967, signed, titled and dated; 25 3/4 inches by 21 1/4 inches. Sold through LiveAuctioneers.com for $51,850. Image courtesy LiveAuctioneers.com Archive and Rago.
Sayed Haider Raza (Indian, b. 1922-), La Nuit, acrylic on canvas, 1967, signed, titled and dated; 25 3/4 inches by 21 1/4 inches. Sold through LiveAuctioneers.com for $51,850. Image courtesy LiveAuctioneers.com Archive and Rago.
LAMBERTVILLE, N.J. – The June 19, 2010 Estate Auction at the Rago Arts and Auction Center brought in $442,464; a triumph for an end of auction season sale. The session was coupled with the 950+ lot June 18 Discovery Auction. Internet live bidding was provided by LiveAuctioneers.com.

The most exciting lot of the day was an acrylic on canvas painting titled La Nuit by Syed Haider Raza, which sold to an online bidder through LiveAuctioneers for $51,850, surpassing the modest estimate of $2,500-$3,500.

Raza is a well-known Indian artist who lived and worked in France for much of his life.  His works are mostly abstracts done in oil or acrylic and have fetched as much as $3.4 million at auction.

Another highlight in the sale was a baseball autographed by Babe Ruth, which reached $6,710. The official American League ball (stamped “William Harridge”) was inscribed To Billy from Babe Ruth. “Billy” was the nephew of Armond Van Pelt, the editor of Sporting News, Armond Van Pelt, who asked Babe Ruth sign this baseball during a radio interview in the 1930s.

“Auction result were better than adequate for an end of auction season grouping of more than 1,300 lots over two days,” said Tom Martin, the Rago Estates specialist. “Consecutively strong results were achieved for the rare and unusual, and there were a few bargains for the savvy buyer who was paying attention during the course of two sessions – perfect match for buyer and seller.”

Sale statistics:

  • Sale total inclusive of 22% buyer’s premium: $442,464
  • Number of lots: 450
  • Percentage sold: 87%
  • Bidders in house: 125
  • Bidders on phone: 114
  • Bidders online: 475
  • Internet bidders by continent: North America: 84.4%; Europe: 8.4%; Asia: 5.4%; Australia: 1%; Other: 0.8%.
  • Rago will hold its next Discovery Auction on Sept. 10, 2010 and Great Estates/Jewelry on Dec. 4/5, 2010. Consignments are now being accepted for these (and all other) auctions. To contact Rago’s, call 609-397-9374 or e-mail info@ragoarts.com.

    Click here to view the fully illustrated catalogs for Rago’s June 18 and 19 auctions, complete with prices realized.

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    Tucson museum has large collection of tiny collectibles

    Among the many custom-made homes is this manufactured home made by Bliss around the turn of the 20th century. Image courtesy of The Mini-Time Machine Museum of Miniatures.

    Among the many custom-made homes is this manufactured home made by Bliss around the turn of the 20th century. Image courtesy of The Mini-Time Machine Museum of Miniatures.
    Among the many custom-made homes is this manufactured home made by Bliss around the turn of the 20th century. Image courtesy of The Mini-Time Machine Museum of Miniatures.
    TUCSON, Ariz. (AP) – The towering front door dwarfs visitors, making them feel as if they’re smaller versions of themselves. It seems like the proper beginning for a tour through Tucson’s Mini-Time Machine Museum of Miniatures.

    The self-guided tour starts in a magnificent rotunda where visitors can read about the museum’s founder, Pat Arnell, who received her first set of miniatures in the 1930s.

    The miniatures enthusiast didn’t seriously start collecting them until 1979 and since has accumulated one of the finest collections in the country, making her well-known in the miniature community, which includes local, national and international organizations.

    Arnell’s museum is said to be the first built in the United States specifically to showcase miniatures.

    The Mini-Time Machine is separated into three galleries – Exploring the World, History Gallery and the Enchanted Realm. Each has a different theme.

    “People should plan on spending a couple of hours here,” said Lisa Hastreiter-Lamb, the museum’s associate director and director of education.

    A grand tree beckons you to the Enchanted Realm gallery. It’s the only one where sounds transport museum guests to far off places where fairies, wizards, pocket dragons, witches, frog princes, mermaids and unicorns reside.

    The castle’s every nook and cranny tells a different story. Arnell commissioned the castle from a couple in 1998 and more than 40 other artisans contributed to the work.

    The Yellow Rose of Texas house is in the Exploring the World gallery. The mansion is the work of Brooke Tucker, a popular artist in the miniature world and the daughter of the late actor Forrest Tucker.

    Another highlight in the Exploring the World gallery is Chateau Meno, an elaborate 14-room palace in the Rococo style of French architecture purchased by Arnell in 2006. It had been owned by a Georgia woman who constructed the chateau in her basement over 30 years.

    Arnell obtained the collection’s oldest room box at an auction in January and fittingly, it’s found in the History Gallery. The 1742 Nuremberg Kitchen was produced in great detail by artisans in Germany.

    “It’s amazing something like this has lasted so long,” Arnell said. “It has all the original furnishings.”

    Another kitchen in the gallery, called the Nuremberg Turn-of-the-Century Kitchen, was manufactured by a German toy company in the late 19th and early 20th centuries. The kitchen is operational and features a working meat grinder, which is better suited for oatmeal than meat, and an oven that can heat up mixtures with candles.

    Arnell and her husband, Walter, opened the Mini-Time Machine Museum of Miniatures last Sept. 1 to showcase her vast collection of antique and contemporary miniatures.

    More than 26,000 people have walked through its three galleries since the approximately 16,000-square-foot museum opened.

    ___

    Information from: Arizona Daily Star, http://www.azstarnet.com

    Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

    AP-WS-06-27-10 1441EDT


    ADDITIONAL IMAGES OF NOTE


    The museum collection includes approximately 275 houses and room boxes. Image courtesy of The Mini-Time Machine Museum of Miniatures.
    The museum collection includes approximately 275 houses and room boxes. Image courtesy of The Mini-Time Machine Museum of Miniatures.

    Ringo Starr’s gold drum on view at the Met, starting July 7

    Ringo Starr accepting the gold snare drum in 1964 from William F. Ludwig, Jr., president of Ludwig Drum Company (second from left), as his daughter Brooke, Ludwig's director of marketing R. L. Schory (far right), and the other Beatles (John Lennon, George Harrison, and Paul McCartney) look on. Photo: Ludwig Industries.

    Ringo Starr accepting the gold snare drum in 1964 from William F. Ludwig, Jr., president of Ludwig Drum Company (second from left), as his daughter Brooke, Ludwig's director of marketing R. L. Schory (far right), and the other Beatles (John Lennon, George Harrison, and Paul McCartney) look on. Photo: Ludwig Industries.
    Ringo Starr accepting the gold snare drum in 1964 from William F. Ludwig, Jr., president of Ludwig Drum Company (second from left), as his daughter Brooke, Ludwig’s director of marketing R. L. Schory (far right), and the other Beatles (John Lennon, George Harrison, and Paul McCartney) look on. Photo: Ludwig Industries.
    NEW YORK – On Wednesday, July 7, Ringo Starr’s 70th birthday, The Metropolitan Museum of Art will inaugurate a special display of his gold-plated snare drum that will remain on view to the public through December 2010 in the Museum’s second-floor Musical Instruments Galleries. On loan from Ringo Starr, it was originally presented to him by the Ludwig Drum Company during The Beatles’ 1964 visit to Chicago when the legendary rock group, in which Starr was the drummer, was on its first tour of the United States.

    “This special presentation drum—made for the most influential drummer of a generation and representing the highest-end production of the most important drum manufacturer of the 20th century—holds iconic stature,” stated Jayson Kerr Dobney, Associate Curator in the Metropolitan Museum’s Department of Musical Instruments. “We are so pleased to be able to display in our galleries this spectacular loan from Ringo himself, who has owned it since it was first presented to him in September 1964, for thousands of visitors to see during this landmark birthday year.”

    Following the appearance of The Beatles on The Ed Sullivan Show in early 1964, on which Ringo Starr appeared playing a Ludwig oyster black pearl drum set with the name “Ludwig” prominently displayed, the manufacturer experienced an enormous surge in sales and had to schedule round-the-clock production to accommodate orders. That September, The Beatles performed their first concert in Chicago, home to the Ludwig Drum Company. To thank Ringo for using their instruments, company president William F. Ludwig, Jr., presented him with the specially made, one-of-a-kind gold snare drum (“Super-Sensitive” model) before the concert. It bears a plaque reading: “Ringo Starr, The Beatles.” At the presentation, Mr. Ludwig said, “I have never known a drummer more widely acclaimed and publicized than you, Ringo Starr. Your millions of fans have honored you and the other members of The Beatles by their overwhelming acceptance of your recordings and concert appearances. On behalf of the employees and management of the Ludwig Drum Company, I would like to thank you for choosing our instruments and for the major role you are playing in the music world today.”

    The snare drum, which measures 14 inches in diameter and 5-1/2 inches high, will be on view in a special display within the Metropolitan Museum’s newly renovated Musical Instruments Galleries, which house its renowned collection of instruments from six continents and the Pacific Islands, dating from about 300 B.C. to the present. Unsurpassed in its comprehensive scope, the collection illustrates the development of musical instruments from all cultures and eras.

    Also in celebration of Ringo Starr’s 70th birthday in July, public television stations throughout the United States will broadcast Live from the Artists Den: Ringo Starr with Ben Harper and Relentless7. This one-hour second-season premiere of the popular contemporary music series features Mr. Starr, folk-funk star Ben Harper and Relentless7, and singer Joan Osborne in an intimate concert on the stage of the Metropolitan Museum’s Grace Rainey Rogers Auditorium. Ringo Starr and Ben Harper are also interviewed in the Museum’s Musical Instruments Galleries. The initial New York-area broadcast of Live from the Artists Den will take place Friday, July 9, at 9:30 p.m. on WNET/Channel 13, and Saturday, July 10, at 10 p.m. on WLIW/Channel 21; check local listings and www.TheArtistsDen.com for dates and times in other areas.

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    Police seize stolen Caravaggio, make arrests

    Michelangelo Merisi da Caravaggio (Italian, 1573-1610), The Taking of Christ, circa 1602, oil on canvas.

    Michelangelo Merisi da Caravaggio (Italian, 1573-1610), The Taking of Christ, circa 1602, oil on canvas.
    Michelangelo Merisi da Caravaggio (Italian, 1573-1610), The Taking of Christ, circa 1602, oil on canvas.
    BERLIN (AP) – A Caravaggio painting stolen from a museum in Ukraine two years ago was recovered by police as four men tried to sell it in Berlin, official said Monday.

    Police confiscated the circa-1602 painting – known as The Taking of Christ, or The Kiss of Judas – and arrested the three Ukrainians and a Russian on Friday, Germany’s Federal Criminal Police Office said.

    They are believed to be members of an international gang of art thieves, and 20 other suspected members of it were arrested in Ukraine, the police said.

    The painting, worth several million euros, was stolen from the Museum of Western and Eastern Art in Odessa, Ukraine, in July 2008 by thieves who entered the museum at night and cut the painting out of its frame.

    Anke Spriestersbach, a police spokeswoman, declined to release any information about the potential buyer, saying the investigation is still under way.

    The arrests in Berlin were made in cooperation with Germany’s special GSG 9 forces and Ukrainian police.

    Caravaggio, a Baroque master from Italy, was known for his dramatic use of light, novel perspective and the use of ordinary people in religious and mythological scenes.

    Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

    AP-ES-06-28-10 1032EDT

     

    Historical society’s Presidential collection lacks only one signature

    Official White House portrait of Pres. Ronald Reagan, 40th President of the United States, painted by Everett Raymond Kinstler.
    Official White House portrait of Pres. Ronald Reagan, 40th President of the United States, painted by Everett Raymond Kinstler.
    Official White House portrait of Pres. Ronald Reagan, 40th President of the United States, painted by Everett Raymond Kinstler.

    VINCENNES, Ind. (AP) – When the Vincennes Historical and Antiquarian Society received an original signature from Barack Obama late last year, it nearly completed its collection of signatures from all of the 44 U.S. presidents with one exception – Ronald Reagan.

    “The greatest rarity of the signatures is the Reagan signature because 99 percent of the letters that came out of the White House in Reagan’s administration were signed with electric pen,” said Dennis Latta, a society member. “Reagan was averse to signing letters and so he let the secretaries do it.”

    Latta said society members have been in contact with U.S. Sen. Richard Lugar about getting a Reagan signature to complete the collection.

    “The danger and difficulty is getting the original signature because so many documents are signed by facsimile,” he said. “They use the electronic pen over and over again. If you get a letter from the White House, chances are it’s not signed by the president. Chances are the secretary has gotten the pen out and signed it.”

    The collection began as a hobby of Judge Curtis Shake, a Knox County resident who was an Indiana Supreme Court Justice and who served as a judge during the Nuremberg Trials in Germany following World War II.

    Shake’s collection began when he received a personal letter in 1930 from President Herbert Hoover, commending him for his role in a Vincennes celebration of the 100th anniversary of the migration of Abraham Lincoln’s family from Indiana and Illinois.

    Shake later received personal correspondence from Franklin Delano Roosevelt, Harry S. Truman and Dwight Eisenhower.

    From the beginning Shake traded for and purchased the rest of the original signatures for 40 years, getting every signature up to and including Richard Nixon’s. One of the documents had both George Washington and Thomas Jefferson’s autographs.

    In 1973, Shake donated his collection, which included personal letters, land purchase documents and letters of appointment, to the society.

    “(The Historical and Antiquarian Society) was revived in 1965 and Curt Shake was one of the founding fathers and he was interested in it,” Latta said. “And that’s why he donated the collection to the Vincennes Historical and Antiquarian Society.”

    Since then, the society has continued the effort.

    “I think it became a challenge for every Historical Society administration to get the new president, and some more difficult than others,” Latta said.

    The key to obtaining the signatures is having a personal connection that can get in touch with the president, Latta said.

    It was Jim Corridon, former county Republican Party chairman and now the State Archivist, who helped get the George H. W. Bush and George W. Bush autographs. It was former speaker of the Indiana House of Representatives John R. Gregg of Sandborn, who was responsible for getting Bill Clinton’s signature when he visited Vincennes University during a campaign rally for his wife, Hillary Clinton, in April 2008.

    And it was Dale Phillips, superintendent of the George Rogers Clark National Historical Park and also a member of the Historical and Antiquarian Society, who wrote a letter to U.S. Sen. Evan Bayh asking about Obama’s signature.

    A member of Bayh’s Evansville office brought the autograph, which was on a White House stationary, to Phillips during the re-dedication ceremony last October of the Clark Memorial following it’s renovation.

    The collection was originally held at the Lewis Library at VU, but was later moved to a bank vault after society members became concerned about its rising value of the signatures.

    A copy of the display can be seen at Tecumseh-Harrison Elementary School.

    ___

    Information from: Vincennes Sun-Commercial, http://www.vincennes.com

    Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

    AP-CS-06-26-10 0103EDT

     

    First ‘wheels’ inspire nostalgia among Wisconsin car owners

    Harrison Ford drove a similar 1955 Chevy in ‘American Graffiti.’ Image courtesy of RM Auctions and LiveAuctioneers archives.

    Harrison Ford drove a similar 1955 Chevy in ‘American Graffiti.’ Image courtesy of RM Auctions and LiveAuctioneers archives.
    Harrison Ford drove a similar 1955 Chevy in ‘American Graffiti.’ Image courtesy of RM Auctions and LiveAuctioneers archives.
    EAU CLAIRE, Wis. (AP) – Carl Parker traded a cow for his, igniting a lifelong passion.

    It was love at first sight when Greg Hageness spotted his while deer hunting near Eleva.

    Everett Blakeley let his get away but was lucky enough to be reunited years later. Now he wouldn’t consider parting with it.

    The object of these Chippewa Valley residents’ affection: their first cars.

    Apparently, there’s something about a first automobile that, like a first love, is hard to put in the rearview mirror forever.

    “It’s a matter of tying yourself to your youth,” said Blakeley, an Eau Claire developer and car collector. “First cars are historical and help us remember a part of our lives that was so happy and carefree. There are a lot of people who still want a piece of that.”

    The strong connection many people forge with their first set of wheels became abundantly clear when more than 50 Chippewa Valley residents responded to a recent Leader-Telegram call for stories about first-car experiences. The tales, focusing on everything from rusty clunkers to dreamy sports cars, were published in a special section called “Memory Lane.”

    The fascination with cars goes far beyond just polishing fenders, kicking tires and revving engines. It extends to the natural desire of people – especially teenagers and young adults who’ve never had the ability before – to hit the open road and go wherever they want.

    “Cars provide the basic fundamental called freedom,” said longtime local car dealer Ken Vance. “Transportation is freedom and independence.”

    Vance, owner of Ken Vance Motors, has witnessed that special connection time and time again since first coming to Eau Claire 37 years ago and working for car dealer Lee Markquart.

    While some buyers are merely looking for a way to get from point A to point B, others develop a real infatuation with what they drive, Vance said.

    “There is a lot of nostalgia involved with cars, and there aren’t many products like that,” said Vance, who keeps an enlarged photo of his own first car, a 1952 Chevrolet hardtop, in his office.

    “It was a chick magnet from way back,” Vance quipped, adding that he bought the car for $325 and sold it a year later for $475, perhaps planting the first seed for what would become his life’s work.

    While some people keep a special spot in their heart for their first car, others prefer a more tangible reminder and keep it in their garage.

    Hageness, for one, never has been able to part with his first car since he managed, at age 16, to acquire a version of an automobile he had dreamed of owning since first admiring it in the movie American Graffiti. The vehicle was a 1955 Chevrolet two-door post car just like the one driven by actor Harrison Ford in the 1973

    “After watching that movie, I said, ‘someday I’m going to get me a ’55 Chevy,’” said Hageness, 49, of rural Fall Creek. “So when I saw one out behind a barn south of Eleva while deer hunting, I had to have it.”

    The year was 1976. The price: $200.

    After towing the car, which had been sitting outside for some time, back to his father’s shop, Hageness wanted to see if it would run. He made sure it had oil and created a gas line by extending a hose to a can of gasoline.

    “I turned the key, and by golly the thing started,” he said.

    He since has replaced the motor twice and given it two new paint jobs, changing it from the original green to a maroon and white two-tone to red. It clearly is a labor of love for Hageness, who still drives the car fairly often every summer, including in a few car shows, and allowed his daughter Anna to take it to prom two years ago.

    Though he has had opportunities to sell the Chevy, Hageness has resisted, in part because of all the people who have told him over the years how much they wish they still had their first car.

    “It’s Americana. It’s a connection to the past,” Hageness said. “Generally, when you think about the past, you think of the good times, and it brings a smile to your face.”

    Blakeley, 65, bought his first car, a 1948 Nash, in 1963. He sold it a year later because, he recalled, “It wasn’t enough of a hot rod for me.”

    After years of regrets about the one that got away, Blakeley couldn’t believe his good fortune when he was driving around town and spotted his first car, looking pretty neglected, with a “For Sale” sign on it 20 years after he’d sold it.

    Blakeley bought the car back and restored it to its original two-tone color – tannish gray on the bottom and green on the top.

    “It’s a very nice car” and one of a half-dozen he has collected, said Blakeley, who still enjoys going for an occasional spin in the Nash. “I wouldn’t sell it again. It has a good, safe home now.”

    A photo album in Parker’s town of Seymour home is a testament to the love affair many Americans have with their cars.

    The treasured album is devoted to photos of automobiles Parker, 75, has owned over the past 62 years. It catalogs 51 vehicles, including campers, lawn tractors and boats that have been a part of his fleet.

    It begins with a 1940 Studebaker and progresses through the 2008 Audi A4 and 2007 Jeep Grand Cherokee parked in his garage today.

    Each page has a story that goes along with it, but none can top the tale of how Parker acquired his first car, in 1948.

    Parker’s brother, who worked at Madison Street Auto Body at the time, took ownership of the badly damaged Studebaker four-door sedan after it was rear-ended and the owners decided not to even bother with repairs.

    Parker was intrigued by the car but, as a 14-year-old, didn’t have a lot of assets to his name. So he milked his only cash cow – literally.

    In exchange for the car, Parker offered to give his brother, a farmer, the cow he had been raising for 4-H and FFA.

    The deal was struck – cow power for horsepower – and Parker became a car owner.

    “The back end was caved in, and we just left that. It definitely was not a fancy buggy,” Parker said. “It burned oil like mad, and it was a big, old tank, but I didn’t care. To me, it was fantastic. I had a car, and it gave me freedom.”

    The unusual transaction marked the starting line for more than just a photo album.

    “I’ve been a car buff all my life,” said Parker, who has owned cheap and fancy cars and even dabbled in restoration. “It’s a way of life. It’s just an interesting thing to keep you occupied and busy.”

    Though he may have used cash for his first car purchase, Glenn Haukeness of Strum didn’t need too much.

    Haukeness paid a mere $5 for a 1919 Ford Model T in 1939. Remarkably, a driver’s license at the time would have set him back more than the car.

    However, the 14-year-old avoided that cost because he wasn’t old enough to drive legally but got permission from the guy who enforced the law in Osseo, where Haukeness worked at a gas station.

    “The local police officer said if I behaved myself and did not drive after dark it was OK,” said Haukeness, 85.

    Jim Paulson, 52, a member of the Indianhead Old Car Club and an organizer of the upcoming 36th annual Indianhead Car Show on Aug. 1 in Chippewa Falls, certainly had one of the most unusual introductions to the world of auto ownership in 1975.

    His first car, acquired at age 16, was a Cadillac. But before anyone jumps to conclusions about him living the high life at such a young age, it should be noted that the car was 26 years old and designed for purposes less uplifting than cruising the parking lot at North High School.

    The vehicle was a 1949 Cadillac hearse that he recalled refusing to buy unless it came with a casket, which made a marvelous prop at Halloween parties.

    As for the car, Paulson said, “I used to drive it to school quite a bit. I think kids just thought, ‘There goes another goofball with a really big car.’”

    He still owns his next vehicle, a 1969 Oldsmobile Cutlass convertible, which he considers his first “legitimate” car. The Eau Claire resident said some people have questioned why he has kept that old car along with a few others and spent more money restoring some of them than they’re worth.

    “That’s not the point,” Paulson said. “They mean something to me.”

    Just after finishing his military service in World War II, Gene Rineck of Wheaton ordered a brand new car for $1,344.

    Since new cars were scarce in the postwar era, he had to wait a year before his 1947 Plymouth four-door arrived. But it was worth the wait, coming with such bells and whistles as a heater, radio and outside sun visor. In addition, he recalled fondly, it could go 80 mph and offered a smoother ride than he was used to.

    “It was a lot easier than riding on the back of a tank,” said Rineck, now 85, noting that as an infantryman serving in Italy he was assigned to follow a line of advancing tanks and occasionally would hop on the back of a tank and ride for a while.

    As a student at Eau Claire High School in the 1950s, Fritz Bushendorf knew just what to do after someone crashed into his first car, a blue 1937 Ford 85 he had purchased for $50, and discolored the bumper.

    He and a friend planned to show their spirit by painting the vehicle in school colors – white with purple polka dots.

    But when their preferred colors were unavailable, they settled on using brushes to apply John Deere yellow and International Harvester red in a unique design created by Bushendorf.

    One day he asked a friend if she could make a stencil so he could add his girlfriend’s name to the side of the car. The friend made the stencil but told Bushendorf he’d never follow through.

    “Back then you didn’t dare people from my side of town,” said Bushendorf, now 71, noting that for the next year or so he drove the brightly colored car around town with the name “Marilyn” painted on the side.

    Fritz and Marilyn Bushendorf, now of New Auburn, celebrated their 50th wedding anniversary in January.

    As for the car, Bushendorf said, “My mother finally made me sell it so she didn’t have to have that red and yellow thing sitting in her yard.”

    Like many other senior citizens, George Stanek, 85, of Augusta recalled that motorists in the 1940s often went to great lengths to drive a car.

    His first car, a 1936 Chevy he bought in 1943 at age 18, wasn’t in terrible shape except for its bald tires, which were difficult to find replacements for because the nation’s resources were devoted to supporting World War II.

    To get around, Stanek said he pealed the rubber off his original tires and replaced it with rubber he cut off another old set of damaged tires. He endured the “not quite balanced” ride for seven months until he finally was able to buy a set of reground tires, which he enjoyed for only two months before selling the car when he joined the military.

    Still, Stanek said all the extra effort seemed worth it at the time.

    “I was the only one in the neighborhood of that age who had a car,” he said, grinning at the memory of squeezing nine people in the car and hauling them to the local dance hall.

    As a nurse working in Lansing, Mich., for $11 a day, Jeanette Baumgartner scraped up enough cash to pay $2,163 for her first car, a 1951 Pontiac Silver Streak convertible, in 1953.

    The convertible was a hit with Baumgartner’s friends, as evidenced by an old black-and-white photo of Baumgartner and a friend lying on the hood holding their hands by their heads as if they had antlers. She labeled the photo “nurses dear hunting.”

    The fire engine red car also seems like a perfect fit for a woman who six years ago, at age 74, sent Christmas cards adorned with a photo of her at the wheel of her first car. Baumgartner, now of Eau Claire, attached a caption that captures some of the mystique that many Americans associate with the automobile:

    “Life’s journey is not to arrive at the grave safely in a well-preserved body, but rather to skid in sideways, totally worn out, shouting, ‘Holy (expletive)! What a ride!’”

    ___

    Information from: Leader-Telegram,

    http://www.leadertelegram.com/

    Copyright 2010 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

    AP-CS-06-27-10 0100EDT