Art crime seminar to focus on recovery, security, protection

Robert K. Wittman, Founder of the FBI Art Crime Team. Image copyright Donna Wittman.

Robert K. Wittman, Founder of the FBI Art Crime Team. Image copyright Donna Wittman.
Robert K. Wittman, Founder of the FBI Art Crime Team. Image copyright Donna Wittman.
PHILADELPHIA – For the first time ever Robert Wittman Inc. is offering a five-day seminar to the public that will focus on the practical application of investigative techniques to recover stolen art and cultural property. The seminar will be held June 12-17 at Philadelphia’s downtown Pyramid Club.

This seminar will focuses on real industry career opportunities in the fields of national and international investigation, art law, insurance, appraisal, museum security, conservation and art financial services. Presented by professionals, the emphasis is on practical application in careers in the industry.

The course will feature more than 20 hours of instruction spread across five days. Instructors are renowned in their fields, having won numerous national and international awards. Together they have served for more than half a century on the front lines of art security, protection and recovery.

Participants will stay at the luxurious Crowne Plaza Hotel on Market Street in downtown Philadelphia.

Lecturers will be Robert K. Wittman, Robert E. Goldman, James E. McAndrew and Herb Lottier.

Wittman was the founder and Senior Investigator of the FBI National Art Crime Team and was instrumental in the recovery of more than $300 million worth of stolen cultural property. He spent 20 years as an FBI agent, and upon retiring authored the New York Times Best Seller Priceless – How I went Undercover to Rescue the World’s Stolen Treasures. Today, he is the president of the international art security firm Robert Wittman Inc.

Goldman spent 32 years working as a local and federal prosecutor. He prosecuted the first case in the nation under the federal Theft of Major Artwork Statute (18 USC 668) resulting in the first federal convictions under this law. Goldman was appointed by the Department of Justice as the first at large prosecutor in the nation for the FBI Art Crime Team. Today, he is the principle in the law firm of Robert E. Goldman Esq. and practices art law on a private basis.

McAndrew has worked with the U.S. government for more than 27 years, first with the United States Customs Service and then with the Department of Homeland Security. He is an expert on international art and antiquity investigations and on customs and international trade law.

Herb Lottier has been the Director of Protection Services at the Philadelphia Museum of Art, the fourth largest art museum in the United States, since 1996. He manages a security force of 175 contract officers and 35 proprietary supervisors. Prior to his current profession, Lottier served for 21 years in the Philadelphia Police Department. For the last six of those years he held the rank of captain.

Seminar subjects include Civil and Criminal Art Law; Case Studies Focusing on Investigation Techniques; International Art Law and Topics; Museum Personnel and Collection Security; Conservation and Forensic Techniques to Identify Frauds, Fakes and Forgeries; Fine Art Insurance and Art Loss Database; Protection and Recovery Careers in the Insurance Industry and Private Sector; Gallery Issues; Antiquities Protection; Auction Protection Issues; and Fine Art Financial Service Careers.

Deadline for application submission, including a nonrefundable $100 application fee, is due no later than April 15. The application fee will be applied to the all-inclusive course cost with the remaining balance of $2,500 due by May 1.

Participants will receive individual attention and training. Class size is limited, and applications will be considered in the order they are submitted.

For additional information contact 610-361-8929, email info@RobertWittmanInc.com or visit their website at www.robertwittmaninc.com

 


ADDITIONAL IMAGES OF NOTE


Robert K. Wittman, Founder of the FBI Art Crime Team. Image copyright Donna Wittman.
Robert K. Wittman, Founder of the FBI Art Crime Team. Image copyright Donna Wittman.
Course brochure for Art Crime Investigation Seminar. Image courtesy of Robert Wittman Inc.
Course brochure for Art Crime Investigation Seminar. Image courtesy of Robert Wittman Inc.

Skateboard art exhibit gets rolling at Arizona museum

Jeff Koons titled the skateboard deck he did for Supreme in 2006 'Monkey Train.' The work is silkscreen on wood. Image courtesy of LiveAuctioneers Archive and Treadway Gallery.

Jeff Koons titled the skateboard deck he did for Supreme in 2006 'Monkey Train.' The work is silkscreen on wood. Image courtesy of LiveAuctioneers Archive and Treadway Gallery.
Jeff Koons titled the skateboard deck he did for Supreme in 2006 ‘Monkey Train.’ The work is silkscreen on wood. Image courtesy of LiveAuctioneers Archive and Treadway Gallery.
CHANDLER, Ariz. (AP) – As long as skateboards have been around, kids have been covering them in stickers and drawing on them with markers.

Maybe that’s why a Chandler art show full of skate decks seems to strike a chord with all ages.

“People are excited about it. People have fond memories of skateboarding as kids, and it just kind of brings back that childhood joy we’d all like to tap back into,” said Eric Faulhaber, visual arts coordinator at Vision Gallery where patrons dropping by this week have been eager to see the gallery’s next show.

Full Deck: A Short History of Skate Art opened last week at Vision. An anthology of skate art from the 1960s to the present, the show includes almost 300 decks borrowed from pro skaters, skateboarding companies and artists across the country.

Skate art graphics “tend to be extremely vivid and extremely personal, and many of them have some strong social, political or economic component,” Faulhaber told the East Valley Tribune. “(Skateboards) have always been a really good mode of self expression for the person using them.”

Among the decks, you’ll see the usual skulls, dragons and monsters, but there are also some unexpected faces: Johnny Cash, Sitting Bull, Batman and Hillary Clinton. Elmo, with his arm in a sling, the Tin Man from the Wizard of Oz, and a half-octopus pirate baby coddled by a mermaid mother also make appearances.

On other boards, peaceful nature scenes recall vintage national parks posters.

Full Deck also includes a display of about 25 early wood and aluminum boards circa 1960 and a 1920s or 1930s-era rudimentary skateboard prototype.

Lenders to the show include pro skaters Corey Duffel, Mark Gonzales, Obi Kaufman, John Lucero and Lance Mountain, and Skip Engblom, the Zephyr skate shop co-founder profiled in the movie Lords of Dogtown.

The exhibition was curated at the Bedford Gallery at Lesher Center for the Arts in Walnut Creek, Calif. It is traveling to museums, galleries and universities across North America.

___

Information from: East Valley Tribune,

http://www.eastvalleytribune.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WS-01-22-11 1730EST

 


ADDITIONAL IMAGE OF NOTE


Jeff Koons titled the skateboard deck he did for Supreme in 2006 'Monkey Train.' The work is silkscreen on wood. Image courtesy of LiveAuctioneers Archive and Treadway Gallery.
Jeff Koons titled the skateboard deck he did for Supreme in 2006 ‘Monkey Train.’ The work is silkscreen on wood. Image courtesy of LiveAuctioneers Archive and Treadway Gallery.

U.S. hands over stolen Degas painting to France

WASHINGTON (AP) – The United States has returned to French authorities an Edgar Degas painting that was stolen 37 years ago.

The painting was handed over to the acting French ambassador to the United States, Francois Rivasseau, last week.

It was recently rediscovered before it was due to be auctioned in New York City. Court papers said the seller did not know it was stolen.

Authorities said Degas painted Blanchisseuses Souffrant Des Dents in the early 1870s. A collector donated it to the French government and it was registered with the Louvre Museum.

In 1961, the Louvre lent the small painting to the Malraux Museum in Normandy. In late 1973, a still-unknown thief pulled it off the museum wall and slipped away.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-ES-01-21-11 1936EST