Fans promote comic books as reading aid

The Amazing Spider-Man No. 23 (April 1965), featuring the Green Goblin. Cover art by co-creator Steve Ditko. Image courtesy of Wikimedia Commons. Spider-Man All Marvel characters and the distinctive likeness(es) thereof are Trademarks & Copyright © 1965 Marvel Characters, Inc. All rights reserved.

The Amazing Spider-Man No. 23 (April 1965), featuring the Green Goblin. Cover art by co-creator Steve Ditko. Image courtesy of Wikimedia Commons. Spider-Man All Marvel characters and the distinctive likeness(es) thereof are Trademarks & Copyright © 1965 Marvel Characters, Inc. All rights reserved.
The Amazing Spider-Man No. 23 (April 1965), featuring the Green Goblin. Cover art by co-creator Steve Ditko. Image courtesy of Wikimedia Commons. Spider-Man All Marvel characters and the distinctive likeness(es) thereof are Trademarks & Copyright © 1965 Marvel Characters, Inc. All rights reserved.
JACKSON, Miss. (AP) – Shayla Patton isn’t bothered by her husband’s collection of 55,000 comic books stored in a makeshift office at their home in Florence, Miss.

“I read some of them, too,” she said, laughing. “But, seriously, I’m glad Charles has them to come home to. He works in the emergency room at (the University of Mississippi Medical Center). These comic books are a good stress reliever. They help get his mind off things he has to witness every day that most people don’t have to deal with.”

And there is another reason she doesn’t complain: The Pattons are certain that reading comic books has increased their two daughters’ vocabulary, comprehension and love of books.

“I remember when (11-year-old) Amiyah was in third or fourth grade, and she brought home these vocabulary tests she had taken,” Shayla Patton says. “One of the words she had defined correctly was ‘comrade.’ I was pretty impressed. I said, ‘How did you know that?’ She said, ‘I remember seeing that word in a Batman comic book and asking Daddy what it meant. He explained that Batman and Robin were comrades.’ There is no doubt comic books have opened up the world of reading for them.”

Jay Long, owner of Heroes and Dreams: Comics and Collectibles in Flowood, Miss., says he frequently hears similar stories.

“Comic books offer one of the best ways for a child to learn to read because one half of the brain grabs the artwork and the other half grabs the words and story. It’s a full reading experience.”

Flowood library includes graphic novels – a series of stories from previously published comic books – and Japanese-style comic books in its children’s section.

“It makes reading fun for a lot of youngsters who have never liked to read before,” said Antoinette Giamalva, children’s service librarian in Flowood. “And the teenagers really like the Japanese comics that are read back to front and from right to left.”

Comic books, which first appeared in the 1930s, remain a hot collectible.

“Our clientele includes kids who are in elementary school all the way up to people who are retired and have been collecting all their lives,” Long said. “Many of them are in here every Wednesday to pick up the new releases.”

“The movies have really helped,” said Van Peeples, owner of Van’s Comics and Cards in Ridgeland, Miss. “People will see a Batman movie or a Spider-Man movie, and then want to come check out the comic books about them.”

Prices are still reasonable from the two largest publishers – $2.99 for new single copies by DC, and $3.99 for those issued by Marvel.

Visually, comic books have come a long way over the past few decades.

“They used to be printed in four-color on paper that was much like a newspaper,” Long said. “Today, the art quality is just incredible. They use multi-colors and the pages are slick. And the art really draws the reader in.”

Some things haven’t changed: Superman, Batman, Spider-Man, X-Men and Wonder Woman are among the top sellers.

“But DC and Marvel will come out with something special for the summer,” Long said. “This year, DC has The War of the Green Lanterns, because there is a Green Lantern movie coming out. DC also has The Return of Doomsday, the character who killed Superman in 1992.”

Have no fear – Superman is alive and well.

“Death doesn’t seem to be a big sticking point in comic books,” said Clark Lee, 38, a media specialist at Mississippi Public Broadcasting and an avid collector, particularly of Batman and X-Men. “They even killed Batman off in a way … sent him back to the beginning of time. But they always find a way of reviving them. And it makes for some pretty good collectibles.”

Like most hobbies, collecting can be as expensive as one wants to make it.

“The most I’ve ever paid for one was $370,” Lee said. “It was The Incredible Hulk, No. 181. I bought it because it was the first full comic appearance of Wolverine. I got that in 1999.”

Giamalva, 24, has been collecting about two years.

“We were setting up for a comic day here at the library and I picked one up and started reading,” she said. “I found it really interesting. Now, I’m into mostly the graphic novels of Lois Lane, Batman, Mockingbird, Hawkeye, Black Canary and Green Arrow. I’m buying something every month.”

Everyone collects differently, Long said.

“When people ask me how to get started, I encourage people to read what they like,” he said. “So many people back in the 1990s were buying comic books on a speculative basis, trying to figure out what comics would gain value and be worth a lot of money about the time their kids were starting college. That’s a pretty unrealistic way to look at it.

“So I suggest people find a character that touches them, that they love reading about and if it becomes worth a lot of money one day, great. If not, they still have something they love.”

And, in some cases, a guide to life lessons.

“Our oldest daughter, MiKayla, is 12 and nearly 6 feet tall,” Shayla Patton said. “She doesn’t like being in the spotlight, but it’s sort of hard for her to walk around and not be noticed. So we always tell her, ‘With great power comes great responsibility.’ She first heard that when we were reading her a Spider-Man comic book. And that’s a saying we use throughout this house today.”

___

Information from: The Clarion-Ledger, www.clarionledger.com

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-25-11 1818GMT

 

Archaeologists unearth giant statue of pharaoh at Luxor

Temple of Amenhotep III, Luxor, Egypt, circa 1860-1889. Image courtesy of Wikimedia Commons.

Temple of Amenhotep III, Luxor, Egypt, circa 1860-1889. Image courtesy of Wikimedia Commons.
Temple of Amenhotep III, Luxor, Egypt, circa 1860-1889. Image courtesy of Wikimedia Commons.
CAIRO (AP) – Archaeologists unearthed one of the largest statues found to date of a powerful ancient Egyptian pharaoh at his mortuary temple in the southern city of Luxor, the country’s antiquities authority announced Tuesday.

The 42-foot-tall statue of Amenhotep III was one of a pair that flanked the northern entrance to the grand funerary temple on the west bank of the Nile that is currently the focus of a major excavation.

The statue consists of seven large quartzite blocks and still lacks a head and was actually first discovered in the 1928 and then rehidden, according to the press release from the country’s antiquities authority. Archaeologists expect to find its twin in the next digging season.

Excavation supervisor Abdel-Ghaffar Wagdi said two other statues were also unearthed, one of the god Thoth with a baboon’s head and a six-foot-tall one of the lion-headed goddess Sekhmet.

Archaeologists working on the temple over the past few years have issued a flood of announcements about new discoveries of statues. The 3,400-year-old temple is one of the largest on the west bank of the Nile in Luxor, where the powerful pharaohs of Egypt’s New Kingdom built their tombs.

Amenhotep III, who was the grandfather of the famed boy-pharaoh Tutankhamun, ruled in the 14th century B.C. at the height of Egypt’s New Kingdom and presided over a vast empire stretching from Nubia in the south to Syria in the north.

The pharaoh’s temple was largely destroyed, possibly by floods, and little remains of its walls. It was also devastated by an earthquake in 27 B.C. But archaeologists have been able to unearth a wealth of artifacts and statuary in the buried ruins, including two statues of Amenhotep made of black granite found at the site in March 2009.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-26-11 1249GMT

 

 

 


ADDITIONAL IMAGE OF NOTE


Temple of Amenhotep III, Luxor, Egypt, circa 1860-1889. Image courtesy of Wikimedia Commons.
Temple of Amenhotep III, Luxor, Egypt, circa 1860-1889. Image courtesy of Wikimedia Commons.

Elgin collection brushes $800K at Pook & Pook

Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.

DOWNINGTOWN, Pa. – Wallpaper boxes and rye straw baskets were the order of the evening at Pook & Pook, Inc. on Friday, April 15 for the sale of the Elgin collection. With 600 registered bidders, many in the audience, the gallery was hoping. After a dinner of gourmet sandwiches and salads, buyers settled in for the 208-lot sale, with Internet live bidding provided by LiveAuctioneers.com. The total achieved was well over double the high estimate, fetching a whopping $799,778. All prices quoted are inclusive of 18.5% buyer’s premium.

Eugene and Dorothy Elgin were well-known, discerning collectors of Pennsylvania German folk art. Most everything in their collection came from country auctions or private homes in York, Adams and Cumberland counties. They bought excellent examples in exceptional condition. Their interests included furniture, redware, decorated tole, rye straw baskets and a variety of other folk art items.

The sale started off on good footing with some solid prices including two chip carved house banks for $3,318, a nest of 3 rye straw baskets for $5688, a rare Chester County diminutive walnut linen cupboard for $28,440 and a colorful hooked rug with hearts and potted flowers for $10,072. A bright American hooked rug with two stags beneath a stylized floral tree soared over the estimate to reach $6,517. Several appealing rugs with a cat theme brought $4,740 and $5,925 respectively.

If you were a cat person, two fine seated chalkware cats by the same hand might well have proved appealing, the taller bringing $20,145 and the smaller, $7,702. Most of the baskets were in perfect or near-perfect condition. A massive rye straw example with a domed lid did well at $8,887, and a openwork basket achieved $5,214.

“Cora’s Bank”, a fine stoneware bank dated 1874 attributed to Peter Hermann of Baltimore, with double-sided cobalt floral decoration was bid competitively to $20,145. A stunning group of small Pennsylvania wallpaper boxes were offered having various rich blue and orange designs in sizes from 1½” to 4¼” high. To the amazement of the crowd they soared to prices ranging from $592 to $10,665, with many in the over-$5,000 range.

A Simmons parrot with polychrome decorated surface was estimated at $4,000-$6,000 and ended up at $26,070; a Schimmel painted rooster brought almost three times the high estimate for $14,220; and an Albert Abelt rooster illustrated in “Just for Nice” by Machmer did well at $3,792.

One of the highlights of the sale was an excellent tole decorated tray with an octagonal crystallized center panel in pristine condition which after much active bidding ended up for $42,660. A rare red tin tole lighthouse coffee pot with bold foliate and fruit decoration brought $18,960. A very clean walnut Dutch cupboard interested many bidders to $22,515; and a Lancaster County painted poplar seed box achieved $23,700.

Interest in works on paper was high. A vibrant fraktur by Adam Wertz brought $18,960; a small Jacob Maentel portrait of a young woman for $15,405; and a watercolor of a peacock by the Engraver Artist for $14,220. Other items included an Anthony Bacher sugar bowl for $6,517; a cast-iron giraffe form doorstop for an amazing $15,405; a miniature pine firkin for $4266.00 and a slip-decorated redware creamer for $5,925.

To contact Pook & Pook, call 610-269-4040.

View the fully illustrated catalog, complete with prices realized, for Pook & Pook’s April 15 auction online at www.LiveAuctioneers.com.

#   #   #

 

altClick here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.
Image courtesy of Pook & Pook.

Intense bidding expected at Skinner’s May 7 carpet auction

Beshir prayer rug, West Turkestan, second half 19th century, minor moth damage in one corner, small rewoven spot, 5 feet 2 inches x 3 feet 6 inches. Estimate $10,000-$12,000. Image courtesy of Skinner Inc.

Beshir prayer rug, West Turkestan, second half 19th century, minor moth damage in one corner, small rewoven spot, 5 feet 2 inches x 3 feet 6 inches. Estimate $10,000-$12,000. Image courtesy of Skinner Inc.
Beshir prayer rug, West Turkestan, second half 19th century, minor moth damage in one corner, small rewoven spot, 5 feet 2 inches x 3 feet 6 inches. Estimate $10,000-$12,000. Image courtesy of Skinner Inc.
BOSTON – Skinner Inc. will auction over 300 lots of fine Oriental rugs and carpets – including more than 50 room-sized carpets – at its Boston gallery on Saturday, May 7. The diverse and active collection includes Anatolian, Caucasian, Chinese, French, Indian and Persian rugs and carpets.

LiveAuctioneers will provide Internet live bidding.

The Beshir prayer rug, lot 117, featured on the front cover of the auction catalog, was made in West Turkestan in the last half of the 19th century. The estimated value of this rare piece is $10,000-$12,000. Other gems from West Turkestan include two Tekke Torbas both from the second half of the 19th century, one estimated at $2,000-$3,000, the other $800-$1,000.

The back cover of the printed auction catalog is lot 109, an East Anatolian Rug from the early 19th century. The estimated value of $12,000-$15,000 reflects the rug’s age and rarity. Also from the East is a Yuruk Rug, third quarter 19th century, valued at $6,000-$8,000. Representing Central Anatolia is lot 110, a Konya Prayer Rug, estimated at $3,500-$4,500. Southwest Anatolia highlights include lot 108, a Dazkiri Rug estimated at $4,000-$5,000 and lot 53, a Melas Rug estimated at $2,500-$3,500.

The largest carpet at auction will be lot 90, a 26 by 15 foot 4 inch Bidjar carpet from the late 19th century, northwest Persia. Its estimated value is $20,000-$25,000. Other offerings from the region include a runner, lot 133, from the last quarter 19th century, estimated at $4,000-$6,000; lot 136, a Bidjar carpet, last quarter 19th century, valued at $7,000-$9,000; and a Serapi carpet, late 19th/early 20th century, lot 114, estimated at $10,000-$12,000. Featured from West Persia is lot 138, a Fereghan-Sarouk carpet, estimated at $8,000-$10,000 and lot 140, a Fereghan Carpet, late 19th/early 20th century, valued at $10,000-$12,000. Finally from the southeast is lot 139, a Lavar Kerman carpet, second half 19th century, estimated at $8,000-$12,000.

Caucasian rugs are represented with several beautiful works coming from the southwest including lot 93, a Kazak rug, third quarter 19th century, estimated at $3,000-$4,000; a Sewan Kazak rug, lot 123, estimated at $6,000-$8,000; and lot 129, a Kazak prayer rug, last quarter 19th century, valued at $6,000-$8,000. Weavings from the East include the first lot in the sale, a Marasali prayer rug from the last quarter 19th century, valued at $2,500-$3,500; another Marasali prayer rug from the same time period, lot 121, estimated at $5,000-$7,000; and lot 99, an Akstafa prayer rug, from the last quarter 19th century, estimated at $2,500-$3,500.

In addition to rugs and carpets, the auction also includes a few lots of other textiles such as a shawl, some embroidery samplers, a saddle cover, and several central Asian Suzanis. There are also a few bags, including a Shahsavan Soumak Bag, lot 101, estimated at $1,500-$2,000, and several collections of books related to rugs and textiles.

Previews will be held at Skinner Inc.’s Boston gallery, located at 63 Park Plaza, on Thursday, May 5, 2-5 p.m.; Friday, May 6, 2-7 p.m.; and Saturday, May 7, 9-11 a.m.

For more information call 508-970-3000.

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Marasali prayer rug, East Caucasus, last quarter 19th century, reovercast, 4 feet 10 inches x 3 feet 6 inches. Estimate: $2,500-$3,500. Image courtesy of Skinner Inc.
Marasali prayer rug, East Caucasus, last quarter 19th century, reovercast, 4 feet 10 inches x 3 feet 6 inches. Estimate: $2,500-$3,500. Image courtesy of Skinner Inc.
Bidjar carpet, northwest Persia, late 19th century, small areas of minor wear, several small repairs, 26 feet x 15 feet 4 inches. Estimate $20,000-$25,000. Image courtesy of Skinner Inc.
Bidjar carpet, northwest Persia, late 19th century, small areas of minor wear, several small repairs, 26 feet x 15 feet 4 inches. Estimate $20,000-$25,000. Image courtesy of Skinner Inc.
Bidjar carpet, northwest Persia, late 19th century, small areas of minor wear, several small repairs, 26 feet x 15 feet 4 inches. Estimate $20,000-$25,000. Image courtesy of Skinner Inc.
Bidjar carpet, northwest Persia, late 19th century, small areas of minor wear, several small repairs, 26 feet x 15 feet 4 inches. Estimate $20,000-$25,000. Image courtesy of Skinner Inc.
Shahsavan Soumak bag, northwest Persia, last quarter 19th century, two small holes, corner wear, slight moth damage, 2 feet 2 inches x 1 feet 10 inches. Estimate $1,500-$2,000. Image courtesy of Skinner Inc.
Shahsavan Soumak bag, northwest Persia, last quarter 19th century, two small holes, corner wear, slight moth damage, 2 feet 2 inches x 1 feet 10 inches. Estimate $1,500-$2,000. Image courtesy of Skinner Inc.

From junkers to top decorators, all converged at busy Marburger show

Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.

ROUND TOP, Texas – From design guru Eddie Ross to expectant moms who just couldn’t stay away, customers at the spring Marburger Farm Antique Show in Round Top set a new standard for a shopping stampede. From March 29 to April 2, they quickly relieved the 43-acre mega-show of antiques and vintage items of all types. Plenty of tacos, “Marburitas,” cold beer and lemonade also disappeared.

“When our family bought the Marburger Farm show in 2007, we already had the best mix of quality antiques of any show in the country – plus a glorious location,” said the show’s co-owner Rick McConn. “Our goal was to [attract] the best quality of customers of any show anywhere. Based on this spring show, I say: mission accomplished. When I walked the aisles Saturday, dealer after dealer told me that this was their best show ever. On behalf of over 350 vendors and all of us in the Marburger Farm family, we say thank you to the best customers in the country.”

Who are these shoppers who come twice a year to tiny Round Top? Many come long distances, arriving in the central Texas countryside in vehicles rented at airports in Houston or Austin or San Antonio. The Texans tend to come in groups for never to be missed reunions. Some arrive in SUVs and pick-ups, with packing blankets ready; others in limos with a lunch spread. Some turn up on horseback; others alight by helicopter. Many are young adults and college students who have just discovered the verve of the vintage. Many others are interior designers and storeowners expecting to find fresh ideas as well as inventory.

Marburger Farm also drew a media blitz. “In our second year of reaching out to bloggers across the nation, we were delighted to host top blogger Eddie Ross and other bloggers from coast to coast,” said show co-owner Ashley Ferguson. “I’m a big fan. Eddie Ross gets it about using antiques and vintage items for the way we want to live today.”

In addition to regional and national media on the scene, design authors Sue Whitney, Mary Emmerling and Rachel Ashwell toured the show. Whitney, of JunkMarket in Minneapolis, served as a host for a new video about her experience of shopping the Marburger Farm Antique Show. Marburger Farm also hosted editors from Southern Living Magazine, multiple TV and video crews, one live radio broadcast into central Texas and another across the Midwest with Kansas City’s “Junk Mafia – Junk in my Trunk” radio program.

In terms of trends, everything was selling: furniture, smalls, garden antiques, French, English, American, mid-century modern, jewelry and industrial – from mid range to high end. Many exhibitors noted the ambitious shopping that customers did for others – for their children, family members and friends; or for wedding, graduation and baby gifts. One generous shopper bought her son-in-law a 1969 Paul Evans CityScape cocktail table, possibly the first one ever sold on this particular cow pasture.

Another trend was the hefty buying done by shopowners and out-of-state dealers, especially from the West Coast. Buyer Mardi Schma of St. Helena, Calif., said, “I found really unusual pieces – lighting, industrial antiques, interesting and unique items that are hard to find and that I can re-sell. That’s why I come.”

And the Marburger vendors, of course, come to sell. From nearly 40 states and several countries, the exhibitors spill over in 10 huge airy tents and 12 historic buildings. Exhibitor Adele Kerr sold a chinoiserie desk, a Gothic architectural railing made into a headboard, framed Swedish botanicals and a pair of French Deco chairs. “It was a good mix of retail and trade,” Kerr said. “I sold to a store in Nashville, to designers and to some very hip young housewives. I couldn’t be happier.”

Exhibitor Sherry Stevenson was also happy because of her own superb sales and because the spring Marburger Farm Antique Show donated a portion of its proceeds to the Texas Children’s Hospital, one of the top pediatric research and treatment facilities in the world. “In 1953, I became the first outpatient at the brand new Texas Children’s Hospital,” Stevenson said. “I am appreciative of this great hospital and of Marburger Farm for lending its support.” Stevenson had even more to be grateful for: her newborn grandson received state of the art treatment from Texas Children’s Hospital just last month, and all is well.

The fall 2011 Marburger Farm Antique Show will run from Tuesday, Sept. 27 through Saturday Oct. 1, with a portion of show proceeds benefiting the Houston affiliate of Susan G. Komen for the Cure. For information on vendors, travel, maps, lodging, shipping and special events, visit www.roundtop-marburger.com or call Rick McConn at 800-999-2148 or Ashley Ferguson at 800-947-5799.

# # #


ADDITIONAL LOTS OF NOTE


Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.
cImage courtesy of Marburger Farm Antique Show.
Image courtesy of Marburger Farm Antique Show.

Morton Kuehnert to open 2-session sale with jewelry, April 28

1.60-carat natural Kashmir sapphire, transparent faceted oval cut. Estimate: $18,000-$22,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
1.60-carat natural Kashmir sapphire, transparent faceted oval cut. Estimate: $18,000-$22,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
1.60-carat natural Kashmir sapphire, transparent faceted oval cut. Estimate: $18,000-$22,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.

HOUSTON – Morton Kuehnert Auctioneers & Appraisers will present two auctions Thursday evening, April 28. Beginning at 7 p.m. Central more than 100 lots of fine jewelry will be on the block. Following Lot 114, a Fine Art, Decorative Art and Antique auction will begin.

LiveAuctioneers will provide Internet live bidding.

Beautiful loose gemstones, Riviera diamond necklaces, diamond bracelets, Rolex and other designer watches for men and women, pearl and diamond rings, sapphire and diamond bracelets and earrings, are just the tip of the “iceberg.” Money clips, cigarette cases, pendants and pins round out the jewelry offerings.

Lot 40, the evening’s showstopper, is an18K white gold diamond Riviera necklace, sporting 174 stones weighing in at 56.50 carats. The estimate is $100,000-$125,000. Lot 50, an 18K white gold diamond bracelet with 27 full-cut diamonds at 19.40 carats, is estimated at $37,000-$40,000. Lot 32, a 1.21-carat fancy yellow diamond ring with 18K white gold and yellow gold accents, is estimated at $8,000-$12,000. Lot 83 is an 18K white gold bracelet with 72 blue sapphires, 16.37 carats and 270 full-cut diamonds, 2.36 carats, is estimated at $7,000-$9,000.

Lot 27, an 18K yellow gold men’s Rolex President watch with a 3-carat diamond bezel is estimated at $12,000-$15,000. Lot 54, a vintage 18K yellow gold ladies Rolex President with a 1-carat diamond bezel, is estimated at $9,500-$13,000.

Gemstones include Lot 18, a 1.60-carat natural Kashmir sapphire, estimated at $18,000-$22,000. Lot 19 is a 1.17-carat gem Columbian emerald estimated at $16,000-$20,000. Lot 20 is a 1.10-carat gem Tanzanian emerald estimated at $7,000-9,000. Lot 21, is an 8.49-carat oval-faceted Tanzanite, estimated at $4,000-7,000. The final gemstone is Lot 22, a 1.63-carat Padparadscha sapphire, estimated at $7,000-$9,000.

Eight antique and vintage writing instruments are featured in the sale. Lot 1 is an interesting vintage orange Mont Blanc Generation Rollerball, with box and papers, estimated at $100-150.

In the area of coins and silver bars, some 14 lots are featured, highlighted with Lot 106, a Harco book of 75 coins, 1878-1904 U.S. Morgan Silver Dollars, for an estimate of $11,000-$15,000.

Three lots of vintage baseball cards will be auctioned, with a near-complete set of 1960 Topps Baseball Cards, missing seven of 572, for an estimate of $3,500-$4,500.

The antique highlight of our second auction of the evening is Lot 147, an 1863 Steinway grand piano, signed by John Steinway, estimated at $55,000-$70,000. Lot 145 is a Louis XV-style carved mahogany and gold leaf table vitrine, 19th century, estimated at $1,000-$2,000. Decorative arts of note include Lot 118, a T&J Creswick, 1811 Sheffield, England, silverplate kettle-on-stand, estimated at $1,200-1,800. Lot 123, a Rene Lalique Courges vase, is estimated at $600-$800.

In the area of Fine Art, Lot 157, a Dutch painting from the 17th century School of Melchior, D’Hondecoeter, is estimated at $40,000-50,000. Lot 164, A Paradise Away, 1990, watercolor by contemporary Indian artist Rekha Rodwhttiya, is estimated at $12,000-$16,000.

A series of illustrations by John Cullen Murphy (1919-2004) based on the Biblical story of Noah and the Ark, include Lots 171-189, ranging in estimates from $250 to $800. Murphy was a magazine and comic strip illustrator best known for his work on the comic strip “Prince Valiant.” For more information on Murphy, click on http://en.wikipedia.org/wiki/John_Cullen_Murphy.

Participation in the auction is open to the public and all the lots may be previewed at www.mortonkuehnert.com. Also available are absentee bids, phone bids and online bidding. For details call 713-827-7835.

Previews are held the week of the beginning at 10 a.m. Eastern at Morton Kuehnert auction house, 4901 Richmond Ave., Houston, TX 77027.

 

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Steinway Model D concert grand piano of East India rosewood, 1863. Estimate: $55,000-$70,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Steinway Model D concert grand piano of East India rosewood, 1863. Estimate: $55,000-$70,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Platinum and 14K white gold diamond earrings. Estimate: $6,000-$8,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Platinum and 14K white gold diamond earrings. Estimate: $6,000-$8,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
18K white gold diamond Riviera necklace, 9.03 carats, 16 inches long. Estimate: $13,000-$16,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
18K white gold diamond Riviera necklace, 9.03 carats, 16 inches long. Estimate: $13,000-$16,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Rene Lalique Courges vase, circa 1914, 7 1/2 inches high, 8 inches wide. Estimate: $600-$800. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Rene Lalique Courges vase, circa 1914, 7 1/2 inches high, 8 inches wide. Estimate: $600-$800. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Pierced bone carved ship under glass dome, China, 19th century, 14 1/2 inches x 20 inches x 12 inches. Estimate: $4,000-$5,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Pierced bone carved ship under glass dome, China, 19th century, 14 1/2 inches x 20 inches x 12 inches. Estimate: $4,000-$5,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Rekha Rodwittiya  (Bangalore, India, b. 1958) ‘A Paradise Away,’ 1990 watercolor on heavy paper, 71 x 48 inches. Estimate: $12,000-$18,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.
Rekha Rodwittiya (Bangalore, India, b. 1958) ‘A Paradise Away,’ 1990 watercolor on heavy paper, 71 x 48 inches. Estimate: $12,000-$18,000. Image courtesy of Morton Kuehnert Auctioneers & Appraisers.

Minute Man porcelain gas sign pumps top price at Apr. 16 Matthews sale

The top lot was this Union “Minute Man” double-sided porcelain sign with graphics, $12,938. Matthews Auctions image.
The top lot was this Union “Minute Man” double-sided porcelain sign with graphics, $12,938. Matthews Auctions image.
The top lot was this Union “Minute Man” double-sided porcelain sign with graphics, $12,938. Matthews Auctions image.

REDLANDS, Calif. – A round Union “Minute Man Service” double-sided porcelain sign with graphics, 30 inches in diameter and boasting great gloss and color, sold for $12,938 – a new record price for that sign – at an auction held April 16 by Matthews Auctions, LLC. The sale was held in the modern facilities of Redlands Antique Auction in Redlands, Calif., with Internet live bidding through LiveAuctioneers.com.

The sign was rated 9 out of 10 for condition on one side and 8.9 on the other (a tiny chip in the field center was the only flaw). It was the top lot at a sale Matthews Auctions, LLC billed as the Spring 2011 Petroliana & Advertising Auction. Headlining the event was the collection of Sally Parks of Thousand Oaks, Calif., nicknamed ‘Gas Pump Sally’ for her many rare gas pumps.

One of Sally’s gas pumps was the second top lot of the auction. It was a Wayne Roman column ten-gallon visible gas pump, complete and in very good condition. It climbed to $12,650 (all prices quoted are inclusive of 15 percent buyer’s premium). The fully complete gas pump was primed and ready to paint, with a good cylinder and all of its original pieces. Of the 430 lots that changed hands, only the pump and the sign topped $10,000.

“Overall, it was a great sale,” said Dan Matthews of Matthews Auctions, based in Nokomis, Ill. “Globes, especially, did very well, and bidding was spirited all day long. The important thing is, the consignors were happy, because most lots met or exceeded their high estimates. That told me the merchandise was quality, and the economy is finally turning around.”

Attendance drove the auction’s success. Over 200 people attended in person (accounting for 55 percent of the total lots sold), while Internet bidding drew about 400 registered bidders. Phone and absentee bids combined for a total of 5 percent of sales.

Following are additional highlights from the sale:

A Signal Gas double-sided porcelain sign with a black stoplight graphic, 45 inches in diameter and with both sides rated 8 out of 10, with good gloss and color (its only blemish being a few small chips in the field) topped out at $4,600; and a Union Service Stations bench with a porcelain back rest, rated 8.9 and measuring 32 inches by 50 inches by 29 inches, rose to $4,312.

A Hi-Power Gasoline globe with ethyl logo lenses in an original red ripple glass globe body, with the lens rated 8.5 and the body in good condition, went to a determined bidder for $2,760; and a very rare Union Oil Company single-sided porcelain sign with red, white and blue logo, measuring 7 inches by 7 inches and rated near-mint at 9+, changed hands for $2,300.

A Union Ethyl Gasoline double-sided tin die-cut tombstone sign, with logo graphic and measuring 12 ½ inches by 10 inches, both sides showing minor wear and rated 8.9, marked “Donaldson Art Sign,” garnered $2,300; and an Eco Model 224 air meter with water dispensers, 57 inches, in very good condition and with the light and meters both working, brought $1,955.

A pair of Phillips pieces sold for identical prices of $1,035. One was a Phillips Unique globe with 13 ½ inch lenses on a glass globe body, featuring a good body and with the lenses rated a respectable 8.5. The other was a Phillips 66 double-bubble clock with red and white logo, 16 inches in diameter and rated 9+ for condition. The clock was functioning and in good shape.

Rounding out the day’s top lots, a Union Products “No Trespassing” single-sided porcelain sign, measuring 8 inches by 24 inches and rated an excellent 9.75 for condition, breezed to $1,035; and a Mobiloil “E” double-sided porcelain paddle sign for Ford cars, with a gargoyle logo, hit $518. The display side was rated 9, while the reverse (with crazing) was 8.5.

On Saturday, June 25, Matthews Auctions, LLC will hold an auction that dovetails into the Check the Oil Show in Dublin, Ohio (at 5100 Upper Metro Place). The auction will feature petroliana, automobilia and more. Then, on Friday, Aug. 5, an auction following the Iowa Gas Show will be held, in Des Moines, Iowa. It is typically Matthews Auctions, LLC’s biggest and best sale of the year. Hundreds of quality lots of petroliana and automobilia will be featured.

To contact Matthews Auctions, call tollfree 877-968-8880 or e-mail Dan Matthews, at danm@matthewsauctions.com.

# # #

 

 

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Eco model 224 air meter with water dispensers, in good condition with working meter, $1,955. Matthews Auctions image.
Eco model 224 air meter with water dispensers, in good condition with working meter, $1,955. Matthews Auctions image.
Union Oil Company single-sided porcelain die-cut sign with tri-color logo, rated 9+, $2,300. Matthews Auctions image.
Union Oil Company single-sided porcelain die-cut sign with tri-color logo, rated 9+, $2,300. Matthews Auctions image.
Wayne Roman column 10-gallon visible gas pump, complete, with all original pieces, $12,650. Matthews Auctions image.
Wayne Roman column 10-gallon visible gas pump, complete, with all original pieces, $12,650. Matthews Auctions image.
Hi-Power Gasoline globe with ethyl logo lenses in the original red ripple glass body, $2,760. Matthews Auctions image.
Hi-Power Gasoline globe with ethyl logo lenses in the original red ripple glass body, $2,760. Matthews Auctions image.
Signal Gas double-sided porcelain sign with holder, black stoplight graphic, rated 8, $4,600. Matthews Auctions image.
Signal Gas double-sided porcelain sign with holder, black stoplight graphic, rated 8, $4,600. Matthews Auctions image.

Castle keep: Nostalgic Poles rebuilding medieval fortresses

Reconstruction continues at the Bobolice castle, which King Casmir III the Great built in the 14th century. Image courtesy of Wikimedia Commons.

Reconstruction continues at the Bobolice castle, which King Casmir III the Great built in the 14th century. Image courtesy of Wikimedia Commons.
Reconstruction continues at the Bobolice castle, which King Casmir III the Great built in the 14th century. Image courtesy of Wikimedia Commons.
TYKOCIN, Poland (AP) – Fanciful turrets flank the thick fortress walls. A cannon sits in the courtyard.

Inside the castle in the eastern Polish town of Tykocin, there are brand-new electric ovens, modern radiators and sleek bathroom fixtures.

A handful of Polish developers are completely rebuilding medieval castles to house museums, hotels or conference centers that they hope will recapture the enchantment of a time when Poland was a great European power, before centuries of occupation, warfare and foreign rule.

“Why should the Germans have their castles on the Rhine, the French their castles on the Loire, why should the Czechs have so many castles open to the visitors and why should the Poles have only ruins?” said Dariusz Lasecki, a businessman and one of two brothers rebuilding a medieval castle in Bobolice, a town near Czestochowa.

Poland ruled a swathe of Europe stretching from the Baltic Sea in the north almost down to the Black Sea in the 16th and 17th centuries. Many of the castles being rebuilt today fell into ruin around the time of the notorious Swedish invasions of the 17th century. Medieval structures decayed further during the communist era due to a lack of investments and building materials. They weren’t helped by Marxist ideology, which rejected any glorification of feudalism, whose class structure was built on lords exploiting their serfs.

The medieval and Renaissance periods were “a golden age for Poland,” said Jacek Nazarko, a real-estate developer who has just completed the rebuilding of the 16th-century red-brick castle in Tykocin.

“It was a time when Poland was known in Europe, when Poland mattered.”

His castle had been in ruins since 1755. With a well and a cannon in the courtyard, it now dominates marshy land on the edge of Tykocin. It is to open soon as a hotel, restaurant and reception center for weddings and other events.

The thick limestone walls and turrets of the recently rebuilt castle in Bobolice jut up from a rocky hill. Local legend says it is still haunted by the ghost of a girl killed in its dungeon.

Those involved in its rebuilding say they are doing something to preserve Poland’s history. It was built in the 14th century by King Casimir III the Great, a ruler remembered as tolerant and wise. Poles often recite a rhyme recalling that Casimir “found Poland built of wood and left her built of stone.”

That castle is to be completed this year and then house a museum.

In some cases, urgent efforts are being made to preserve ruins before it is too late.

A private investor is planning to build a cultural center within the walls of the ruins of an old castle with medieval and Renaissance elements in Chrzelice, near the Czech border. Only the outer walls remain, and they are to be reinforced and a modern structure placed within them, keeping it clear what is old and what is new.

“There is a drive to save what can be saved,” said Wojciech Poplawski, an architect working on the project with the firm OP Architekten, which is still awaiting European Union financing to proceed. “But we are not reconstructing the castle. We want to preserve what is authentic.”

In the western city of Poznan, there is also a debate going on about whether to recreate a former royal fortress, but it’s not clear yet if the foundations are strong enough for it to be rebuilt.

_____

Associated Press writer Monika Scislowska in Warsaw contributed to this report.

Copyright 2011. Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-04-25-11 1029GMT


ADDITIONAL IMAGE OF NOTE


Reconstruction continues at the Bobolice castle, which King Casmir III the Great built in the 14th century. Image courtesy of Wikimedia Commons.
Reconstruction continues at the Bobolice castle, which King Casmir III the Great built in the 14th century. Image courtesy of Wikimedia Commons.

Amid controversy, Turkey dismantles Armenia friendship statue

ANKARA, Turkey (AFP) – On Tuesday, Turkey commenced demolition of a 100-foot monument near its eastern border dedicated to friendship with Armenia after the prime minister called it a “monstrosity”, Anatolia news agency reported.

Overriding widespread protests, the company tasked with demolition by the local authorities in Kars city took down the first piece, which is one of two heads of the statue, depicting two figures emerging from one human shape, a witness told AFP.

The dismantled piece, weighing 19 tonnes was cut and brought down by a crane, the witness said. The entire demolition process should take 10 days.

“I am really sorry, sorry on behalf of Turkey,” Anatolia quoted sculptor Mehmet Aksoy as saying. “They can demolish it, we will re-make it,” he said.

The statue was commissioned in 2006 to highlight friendship between Turkey and Armenia, two countries with a history of enmity and suspicion.

The Islamist-rooted Prime Minister Recep Tayyip Erdogan unleashed a storm of criticism during a visit to Kars in January when he described the monument as a “monstrosity” and “weird”, bemoaning that it was sited near the tomb of an ancient Islamic scholar.

Critics suggested his remarks may have been aimed at pleasing nationalists ahead of general elections in June. Some also saw in his remarks the undertones of Islamic orthodoxy as statues are often rejected as idolatrous in the Muslim faith.

Sculptor Aksoy had warned the demolition of his work would recall the Taliban’s destruction of ancient Buddhist statues in Afghanistan in 2001 and prove an embarrassment for EU-candidate Turkey.

The local administration, which belongs to Erdogan’s party, has pressed ahead with its decision to dismantle the statue despite a court order in March to suspend the work.

On Sunday when demolition preparations started, Armenians on the other side of the sealed frontier were commemorating the 96th anniversary of the mass killings of their kin under the Ottoman Empire, Turkey’s predecessor, which have for decades poisoned bilateral ties.

Officials have argued the monument was already slated for demolition in 2009 for being erected in an area under a construction ban to preserve surrounding historical and natural monuments.

In 2009, Turkey and Armenia signed landmark accords to end decades of animosity, establish diplomatic relations and re-open their border. But the effort faltered amid ensuing spats and Armenia froze the ratification process of the accords last year.

Armenians say up to 1.5 million of their kin fell victim to genocide during World War I under the Ottoman Empire. Turkey counters that 300,000 to 500,000 Armenians and at least as many Turks died in civil strife when Armenians rose up against their Ottoman rulers and sided with invading Russian forces.

#   #   #

Copyright AFP 2011

Wright’s Apr. 28 Contemp. auction includes Warhol, Arad, Hockney

Ron Arad Paved with Good Intentions, table 38. Image courtesy of Wright.
Ron Arad Paved with Good Intentions, table 38. Image courtesy of Wright.
Ron Arad Paved with Good Intentions, table 38. Image courtesy of Wright.

CHICAGO – On April 28, 2011, the Chicago auction house Wright will present a distinctive curated collection of artworks and designed objects in its Living Contemporary sale. The event will begin at 12 noon Central Time, with Internet live bidding provided by LiveAuctioneers.com.

The Living Contemporary auction combines remarkable works of art and exceptional designs from the past century to fashion a compelling and refined environment for living today. Artistic highlights include a photograph by Cindy Sherman from her landmark series Untitled Film Stills, and a drawing by George Grosz, who is known for his critical depictions of life in Berlin during the 1920s.

Works by other noted artists, including Jörg Immendorf, Andy Warhol, David Hockney and John Chamberlain; as well as modern‐day, international artists such as Zhan Wang and Zhang Huan, will also be sold.

Prominent designs complement the artworks included in this sale. From the organic and natural forms Mathias Bengtsson to the futuristic and colorful work of Marc Newson or the cool and ultramodern designs of Ron Arad, this sale integrates incongruent shapes, materials and modes of construction into a seamless and comprehensive reflection of sophistication. Works by Shiro Kuramata, Gerald Summers, Gilbert Poillerat, Ettore Sottsass, Maison Jansen, Zaha Hadid, Michelangelo Pistoletto and various other essential designers will be presented in this auction, as well.

Living Contemporary is the second sale in a series of auctions dedicated to the integration of important functional andnon‐functional works. The sale is comprised of just over 200 lots. For additional information about this sale, please contact press@wright20.com or call 312-563-0020.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at www.liveauctioneers.com.

#   #   #

 

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Andy Warhol Flowers. Image courtesy of Wright.
Andy Warhol Flowers. Image courtesy of Wright.
Gerald Summers dining table and chairs. Image courtesy of Wright.
Gerald Summers dining table and chairs. Image courtesy of Wright.
Ron Arad Big Easy Volume 2. Image courtesy of Wright.
Ron Arad Big Easy Volume 2. Image courtesy of Wright.
Cindy Sherman Untitled Film Still #29. Image courtesy of Wright.
Cindy Sherman Untitled Film Still #29. Image courtesy of Wright.
Michelangelo Pistoletto Tavolo A Stella. Image courtesy of Wright.
Michelangelo Pistoletto Tavolo A Stella. Image courtesy of Wright.
Marc Newson Komed chairs, set of six. Image courtesy of Wright.
Marc Newson Komed chairs, set of six. Image courtesy of Wright.