Stefek’s auction geared to holiday shopping, Dec. 7

Joseph Herst (Paris, 19th century), ‘The Gamekeeper's Cottage,’ oil on canvas, 26 x 20 inches, signed lower right, dated 1864. Estimate: $4,000-$5,000. Stefek’s Auctioneers & Appraisers.
Joseph Herst (Paris, 19th century), ‘The Gamekeeper's Cottage,’ oil on canvas, 26 x 20 inches, signed lower right, dated 1864. Estimate: $4,000-$5,000. Stefek’s Auctioneers & Appraisers.

Joseph Herst (Paris, 19th century), ‘The Gamekeeper’s Cottage,’ oil on canvas, 26 x 20 inches, signed lower right, dated 1864. Estimate: $4,000-$5,000. Stefek’s Auctioneers & Appraisers.

GROSSE POINTE FARMS, Mich. – It can be difficult to find a unique gift for a loved one, and auctions are a wonderful solution in a search for the perfect present. Stefek’s Auctioneers & Appraisers is pleased to share a beautiful selection of contemporary and antique jewelry, fine porcelain, furniture, and decorative and fine art at their Holiday Jewelry, Fine and Decorative Arts Auction on Wednesday, Dec. 7. The auction will begin at 6 p.m. Eastern.

LiveAuctioneers.com will provide Internet live bidding.

Doors open at 4:30 p.m. and light refreshments will be served.

Lauded Michigan artist and Center for Creative Studies Professor Charles Culver (1908-1967) worked in a wide variety of media but is particularly well known for his stylized sketches of animals. The sketches are formalized yet beautiful, a look that was groundbreaking in his day. He told the Detroit Free Press in 1952 that “when successful, I achieve substance rather than three-dimensional form.” Stefek’s will offer a series of animal sketches by Culver, including a bull, a Siamese cat, antelopes, a warthog, a crow, and a horse head, each estimated at $150-$250.

If more traditional artwork is your style, Stefek’s has beautiful oil paintings in this sale. The Gamekeeper’s Cottage, oil on canvas, by Joseph Herst (France, 19th century) is a beautiful painting of a homecoming. The gamekeeper kisses his son as his dogs and wife gaze at him in adoration (est. $4,000-$5,000). Herst exhibited in the Paris Salon and his paintings are included the Louvre’s collection.

Henry Charles Andrews (British, 1794-1868) painted charming figures, landscapes and country scenes. The painting in the sale depicts a courting couple strolling along a forest path. The maiden is looking off into the distance and blushing as the man affectionately gazes at her (est. $1,000-$1,500).

An oil by G.L. Cameron (Ecuadorian/French, 20th century) purchased from the Joseph L. Hudson mansion on E. Boston Boulevard in Detroit, will also be offered. Hudson was the president of the J.L. Hudson Co., a major department store chain. The painting, titled Swan Inn, depicts a tranquil country farm scene with a horse-drawn covered wagon and a welcoming innkeeper (est. $3,500-$4,500). Cameron was born in Ecuador and traveled to Paris.

Stefek’s will also offer oils by Dutch artist Soren Christiansen (1858-1937), Mathuren Arthur Andrieu (French/American 1830-1896), William Oliver Stone (American, 1830-1875), Charles Marchaud (1843-1901) and others.

A gorgeous birch and ebony Biedermeier-style cabinet will be offered (est. $1,500-$2,500). The clean and simple design of the cabinet, a wonderful example of this pre-art deco aesthetic, showcases the intrinsic beauty of the wood. It is a stark contrast to the baroque revival iron and patinated metal torchieres also offered. Elaborate vines, leaves, and floral blossoms decorate these torchieres, which stand 76 inches tall on leaf feet (est. $1,500-$2,000). They complement the Jacobean-style furniture that will also be offered in the sale.

A gift of a pair of Victorian sterling silver candlesticks will become an instant family heirloom. Stefek’s will offer an elegant pair made by Martin, Hall & Co., which dates to 1884 (est. $800-$1,200). A pair of Empire-style bronze candlesticks will also make an unforgettable addition to a home. A pair in the sale dated from the early 20th century (est. $700-900).

Jewelry always makes a lovely holiday present. This auction will include pieces for every price range. Available are gorgeous diamonds rings, shimmering Mikimoto black pearl earrings and a stunning rose-cut diamond drop necklace. For a more affordable yet still thoughtful present, Stefek’s will offer lots of several rings that can be broken up to become unique presents for sisters, daughters, mothers, and nieces. The sale will also include chic vintage jewelry including cameos, amethyst, topaz, amber, turquoise and pearl items.

A particularly exciting jewelry offering is a Tiffany & Co. 18K yellow gold pocket watch inset with 16 diamonds. The watch dates from 1890-1920, and is decorated with a colorful enameled Polynesian floral design. It is offered together with a pin-fob made of 18K yellow gold in a beautiful Polynesian floral form (est. $1,400-$1,800). Vintage watches including Patek Philippe and Omega will also be featured.

Previews will start Friday, Dec. 2, from 10 a.m. to 4 p.m. For details visit www.stefeksltd.com or phone 313-881-1800

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Joseph Herst (Paris, 19th century), ‘The Gamekeeper's Cottage,’ oil on canvas, 26 x 20 inches, signed lower right, dated 1864. Estimate: $4,000-$5,000. Stefek’s Auctioneers & Appraisers.
 

Joseph Herst (Paris, 19th century), ‘The Gamekeeper’s Cottage,’ oil on canvas, 26 x 20 inches, signed lower right, dated 1864. Estimate: $4,000-$5,000. Stefek’s Auctioneers & Appraisers.

Charles B. Culver (American, 1908-1967), ‘Crow,’ watercolor and chalk on paper,  8 1/2 x 11 inches, initialed lower left 'C.C.' Estimate $150-$200. Stefek’s Auctioneers & Appraisers.

Charles B. Culver (American, 1908-1967), ‘Crow,’ watercolor and chalk on paper, 8 1/2 x 11 inches, initialed lower left ‘C.C.’ Estimate $150-$200. Stefek’s Auctioneers & Appraisers.

Henry Andrews (British, 1794-1868), ‘Courting Couple,’ oil on canvas, 18 1/4 x 14 inches, signed lower left. Estimate: $1,000-$1,500. Stefek’s Auctioneers & Appraisers.

Henry Andrews (British, 1794-1868), ‘Courting Couple,’ oil on canvas, 18 1/4 x 14 inches, signed lower left. Estimate: $1,000-$1,500. Stefek’s Auctioneers & Appraisers.

G.L. Cameron (Ecuador/ Paris, 20th Century), ‘Swan Inn,’ oil on canvas, 36 x 24 inches, signed lower left.  Provenance: Joseph L. Hudson mansion, Detroit. Estimate: $3,500-$4,500. Stefek’s Auctioneers & Appraisers.

G.L. Cameron (Ecuador/ Paris, 20th Century), ‘Swan Inn,’ oil on canvas, 36 x 24 inches, signed lower left. Provenance: Joseph L. Hudson mansion, Detroit. Estimate: $3,500-$4,500. Stefek’s Auctioneers & Appraisers.

Biedermeier-style birch and ebony finished cabinet, Continental, first quarter 20th century. Estimate $1,500-$2,500. Stefek’s Auctioneers & Appraisers.

Biedermeier-style birch and ebony finished cabinet, Continental, first quarter 20th century. Estimate $1,500-$2,500. Stefek’s Auctioneers & Appraisers.

Victorian silver candlesticks. London, 1884, by Martin, Hall & Co. The candle socket of molded leaves above reeded standard on weighted square base, 9 inches. Estimate: $1,500-$1,200. Stefek’s Auctioneers & Appraisers.

Victorian silver candlesticks. London, 1884, by Martin, Hall & Co. The candle socket of molded leaves above reeded standard on weighted square base, 9 inches. Estimate: $1,500-$1,200. Stefek’s Auctioneers & Appraisers.

Rago to handle big-name silver, coins, currency at auction Dec. 2

Russian enameled gilt silver punch set, Moscow, 1892. 88 Lev Oleks assayer. Effaced marks: Ovchinnikov and Imperial warrant. Bulbous punch bowl and 10 hook handled cups on stepped ball footed plateau. Intricate cloisonne in floral, scroll and geometric motifs on stippled ground, matching ladle. Estimate: $25,000-$35,000. Image courtesy of Rago Arts and Auction Center.

Russian enameled gilt silver punch set, Moscow, 1892. 88 Lev Oleks assayer. Effaced marks: Ovchinnikov and Imperial warrant. Bulbous punch bowl and 10 hook handled cups on stepped ball footed plateau. Intricate cloisonne in floral, scroll and geometric motifs on stippled ground, matching ladle. Estimate: $25,000-$35,000. Image courtesy of Rago Arts and Auction Center.

Russian enameled gilt silver punch set, Moscow, 1892. 88 Lev Oleks assayer. Effaced marks: Ovchinnikov and Imperial warrant. Bulbous punch bowl and 10 hook handled cups on stepped ball footed plateau. Intricate cloisonne in floral, scroll and geometric motifs on stippled ground, matching ladle. Estimate: $25,000-$35,000. Image courtesy of Rago Arts and Auction Center.

LAMBERTVILLE, N.J. – Rago Arts and Auction Center will hold an auction of silver, coins and currency on Friday, Dec. 2, beginning at noon Eastern. The silver sale features Russian, American and Continental silver; the coin and currency sale features American and World proof struck coins and sets, a multitude of gold coins, high grade silver dollars and rare foreign and ancient coins.

LiveAuctioneers.com will provide Internet live bidding.

Highlights of the silver sale include: ornamental American Silver from the 19th-20th century; Japanesque silver, including Edo/Elkington and Tiffany & Co.; functional silver in timeless patterns; a 70-piece collection of Continental enameled-silver accessories in 13 lots; Russian silver from the estate of an American diplomat who served in Moscow prior to 1954, which includes pieces by Ovchinnikov & Faberge; and 13 sets of sterling flatware including Renaissance by Tiffany & Co. for the Rothschild family. Two cups from Tiffany & Co.’s Mackay service stand out from a good selection of American art silver. Continental silver includes a large swan-form centerpiece by Buccellati.

Other famous silver makers in the sale include: Gorham, S. Kirk & Son, Storck & Sinsheimer, Hanou, Tompkins & Black, Durgin, Bailey & Co., James Duffel, Black Starr & Frost, Eiler & Marloe, Buccellati, Cartier, Christofle, Bebeer, Elkington, Addie Brothers, William Gibson and John Langman, William Toone, Thomas Northcote and George Smith, Erickson, Eugen Ferher, Reed & Barton, Frank M. Whiting, Georg Jensen, Grosjean & Woodward, Gustav Klingert, International, J.E. Caldwell, Kirk & Son, William B. Meyers, Rredlich & Co., Pavla Mishukov, Carl Scipel, Ivan Khlebnikov, N.B. Bobir, Steiff, William Wilson & Son, Howard & Co., Mauser, Thomas Shaw, Frank Herschede & Co., Erik Magnussen, Wallace, and Whitehall.

Rago’s is hosting an open house on Tuesday, Nov. 29, featuring a discussion on silver in America by Newark Museum curator Ulysses Grant Dietz. The talk is co-sponsored by the Appraisers Association of America. A reception begins at 5 p.m. and Dietz will speak at 6 p.m. All are welcome.

“I think this is the best sale for silver we’ve had in the last four years,” said Sarah Churgin, Rago’s jewelry and silver expert, “It is studded with world-class silver and rarities.”

Coins and currency immediately follow the silver sale, featuring high grade examples of American currency, silver certificates, a large collection of gold coins, proof sets and individual coins, a German half mark pattern, coins from the Netherlands, Sweden, Chile, Switzerland, Cuba, Russia, England, Australia, Africa, Singapore, China and Spain, Morgan silver dollars, Peace silver dollars, commemorative coins and much more.

“This is Rago’s best selection of coins and currency to date, a huge variety spanning over 300 years and seven continents,” said Chris Wise, coin and currency expert.

Previews will be Saturday, Nov. 26, through Wednesday, Nov. 30, noon-5 p.m. and by appointment. Rago Arts and Auction Center Open until 7 p.m. on Thursday, Dec. 1. Doors open at 9 a.m. the day of the sale.

Rago’s is located midway between New York City and Philadelphia. Directions online at ragoarts.com.

For details email info@ragoarts.com or call 609-397-9374.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Russian enameled gilt silver punch set, Moscow, 1892. 88 Lev Oleks assayer. Effaced marks: Ovchinnikov and Imperial warrant. Bulbous punch bowl and 10 hook handled cups on stepped ball footed plateau. Intricate cloisonne in floral, scroll and geometric motifs on stippled ground, matching ladle. Estimate: $25,000-$35,000. Image courtesy of Rago Arts and Auction Center.
 

Russian enameled gilt silver punch set, Moscow, 1892. 88 Lev Oleks assayer. Effaced marks: Ovchinnikov and Imperial warrant. Bulbous punch bowl and 10 hook handled cups on stepped ball footed plateau. Intricate cloisonne in floral, scroll and geometric motifs on stippled ground, matching ladle. Estimate: $25,000-$35,000. Image courtesy of Rago Arts and Auction Center.

Two silver gilt and enameled cups from the Mackay service, Tiffany & Co., 1878. with the monogram 'MLM' for Marie Louise Mackay. Estimate: $5,000-$7,000. Image courtesy of Rago Arts and Auction Center.
 

Two silver gilt and enameled cups from the Mackay service, Tiffany & Co., 1878. with the monogram ‘MLM’ for Marie Louise Mackay. Estimate: $5,000-$7,000. Image courtesy of Rago Arts and Auction Center.

Exceptional after-dinner silver coffee service, circa 1881. Designed by Charles Grosjean, footed pieces with deeply chased repousse in elaborated Chrysanthemum pattern. Estimate: $6,000-$8,000. Image courtesy of Rago Arts and Auction Center.

Exceptional after-dinner silver coffee service, circa 1881. Designed by Charles Grosjean, footed pieces with deeply chased repousse in elaborated Chrysanthemum pattern. Estimate: $6,000-$8,000. Image courtesy of Rago Arts and Auction Center.

Tiffany & Co. Japanesque parcel gilt vase, circa 1874, cylindrical form on bamboo branch and foliage feet, 6.7 inchs x 3.9 inches. Estimate: $1,200-$1,800. Image courtesy of Rago Arts and Auction Center.

Tiffany & Co. Japanesque parcel gilt vase, circa 1874, cylindrical form on bamboo branch and foliage feet, 6.7 inchs x 3.9 inches. Estimate: $1,200-$1,800. Image courtesy of Rago Arts and Auction Center.

Tiffany & Co. Queen Anne silver coffee service, 1947-1956, seven pieces. Estimate: $8,000-$12,000. Image courtesy of Rago Arts and Auction Center.

Tiffany & Co. Queen Anne silver coffee service, 1947-1956, seven pieces. Estimate: $8,000-$12,000. Image courtesy of Rago Arts and Auction Center.

Faberge scenic enameled silver napkin ring, ca.1900.Oval with traditional cloisonné motif, en plein biscuit enamel plaque depicts the Fortress of Saint Peter and Saint Paul. Estimate: $6,000-$8,000. Image courtesy of Rago Arts and Auction Center.

Faberge scenic enameled silver napkin ring, ca.1900.Oval with traditional cloisonné motif, en plein biscuit enamel plaque depicts the Fortress of Saint Peter and Saint Paul. Estimate: $6,000-$8,000. Image courtesy of Rago Arts and Auction Center.

Kovels – Antiques & Collecting: Week of Nov. 21, 2011

This unusual Chinese export dish was made in the 18th century to keep food warm. The dish's Fitzhugh pattern was used for full sets of dishes. The warming dish is 10 inches in diameter and sold for $211 at a recent DuMouchelles auction in Detroit.
This unusual Chinese export dish was made in the 18th century to keep food warm. The dish's Fitzhugh pattern was used for full sets of dishes. The warming dish is 10 inches in diameter and sold for $211 at a recent DuMouchelles auction in Detroit.
This unusual Chinese export dish was made in the 18th century to keep food warm. The dish’s Fitzhugh pattern was used for full sets of dishes. The warming dish is 10 inches in diameter and sold for $211 at a recent DuMouchelles auction in Detroit.

Thanksgiving dinner in America during the 18th and early 19th centuries was far different than it is today. The traditional menu today includes turkey, cranberry sauce, potatoes, corn, fruit and pumpkin pie. But at the first Thanksgiving, potatoes were unavailable. Cranberries were nearby but there was no sugar, so probably the berries were not eaten.

Think about the problems the Pilgrims faced. They had to find and kill meat or fish for dinner. There were no ovens, and records suggest there were about 150 people at the first Thanksgiving dinner and only four women to do the cooking.

Cooking was done over an open fire. Roasting took a long time, so the turkey was probably boiled. The Pilgrims ate lobster, goose, codfish, venison, rabbit, cheese and a pudding made from hominy. Throughout the next century, indoor kitchens and special equipment made cooking easier. But it was still difficult to keep food hot. One solution was the warming dish. It was made of silver or porcelain. The top looked like a normal plate, but it was made in two parts. The bottom section was deep enough to hold hot water that was poured in through a hole near the top. The water warmed the dish and the food. Today we have microwave ovens and electric heating trays, but every Thanksgiving dinner still takes a lot of work done by a few cooks.

Q: We own a beautiful mirror that hung in my parents’ home for many years. The decoration is cut into the glass. On the back side is a label that says “Decorative Art Mirrors, Your Home Should Come First, Torstenson Glass Co., Chicago.” Can you tell us something about this?

A: The Torstenson Glass Co. was established in 1889 and is still in business in Chicago. The company makes and distributes flat glass and mirrors. The design on your mirror suggests that it was made in the 1920s or ’30s.

Q: I have an 11-inch fluted white Vitrock mixing bowl that was given to me at least 35 years ago by my husband’s grandmother. It has a square 3 1/4-inch bottom. Can you tell me something about its age and value?

A: Vitrock is a Depression glass pattern that was made by Hocking Glass Co. from 1934 to 1937. It has a raised flowered rim and often is called “Floral Rim” or “Flower Rim.” Vitrock was made in plain white and sometimes in white with fired-on colors. It also was made in solid red, solid green or with decal decorations. Hocking Glass Co. was founded in Lancaster, Ohio, in 1905. Its name was changed to Anchor Hocking Glass Corp. in 1937. The company is still in business, now operating as Anchor Hocking Co. Your mixing bowl would sell for $15 to $25.

Q: Years ago my dad gave me a bread knife with a wooden handle. The word “bread” is carved on the handle and the blade is marked “George Butler & Co., Sheffield, England.” Can you tell me if it has value?

A: George Butler’s silver company dates back to 1681, but the original company went out of business in 1952. Rights to its name and marks were bought by other companies, so your knife may have been made after 1952. In the 1970s, many wooden boards with the word “bread” carved in the border were imported and sold at U.S. flea markets. You also could find knives with carved wooden handles like yours. A few were old, but most were later copies. The knives were selling for $75 to $100 then, and would sell for about the same now.

Q: We inherited a pair of matching Victorian ewers and wonder where they were made. There are no marks on either one, and they can’t actually hold any liquid because there’s no opening in the top. The central porcelain section of each ewer is painted light green with pink roses. The gold-painted metal base and top are bolted onto the porcelain section. The top is an elaborately designed spout opposite a handle.

A: Your ewers were designed simply to decorate a mantelpiece. They probably were made in Europe at the end of the 19th century or the beginning of the 20th. If they’re in good condition, they would sell as a pair for $100 to $300.

Q: My mother-in-law has a set of Depression glass dishes that includes plates, cups and saucers, bowls, tumblers, candlesticks and sugar and creamer. The pattern is called Iris Iridescent. The dishes were bought at Woolworth’s. She wants to know if they have any value.

A: Iris, also called Iris and Herringbone, was made by Jeannette Glass Co. of Jeannette, Pa., from 1928 through the 1970s. Crystal, green and pink pieces were made between 1928 and 1932. Some pieces with hand-painted flowers were made in the 1940s. Marigold or iridescent pieces were made in the 1950s. Color-flashed pieces were made as florist ware in the 1960s and ’70s, and milk glass vases with color sprayed on were made in the 1970s. Reproductions of some Iris pieces have been made. Thousands of pieces of Iris were sold by Woolworth’s and other stores. They are offered for sale by several shops online, but be aware that some are reproductions. The price for a single genuine Iris iridescent dinner plate is about $20, so a complete set should be treasured.

Tip: If you can’t hang your vintage quilt or coverlet, display it on a guest room bed. The best way to make textiles last is not to fold them. Large textiles should be rolled for storage.

Terry Kovel answers as many questions as possible through the column. By sending a letter with a question, you give full permission for use in the column or any other Kovel forum. Names, addresses or email addresses will not be published. We cannot guarantee the return of any photograph, but if a stamped envelope is included, we will try. The volume of mail makes personal answers or appraisals impossible. Write to Kovels, Auction Central News, King Features Syndicate, 300 W. 57th St., New York, NY 10019.

CURRENT PRICES

Current prices are recorded from antiques shows, flea markets, sales and auctions throughout the United States. Prices vary in different locations because of local economic conditions.

  • Thanksgiving postcard, embossed, “First Thanksgiving Day in Alaska, 1868,” Eskimos walking in snowstorm, John O. Winsch copyright, Stapleton, N.Y., 1912, $15.
  • Palmer Cox Brownies napkin ring, silver-tone white metal, incised full figures of six brownies, 1890s, 1 1/2 inches, $75.
  • Indian Motorcycle matchbook holder, copper luster with Indian logo on front, hinged lid, striker pad, circa 1920, 2 1/8 x 1 5/8 inches, $95.
  • Graniteware teapot, dark and light blues, silver-tone lid, early 1900s, 1 cup, 5 1/2 inches, $115.
  • Pennsbury Pottery Harvest cake stand, Pennsylvania Dutch couple carrying a tray with turkey, pumpkins, fruits and vegetables, pedestal foot, marked, 11 1/2 x 4 1/2 inches, $225.
  • Black Bellhop ashtray caddy, Art Deco, painted wood, full-figure, white uniform and hat, brass buttons down front of jacket, half-moon shelf holds ashtray, 1920s, 35 3/4 inches, $230.
  • Steuben console set, Pomona Green, optic ribbed bowl on yellow aventurine cone-shaped foot with applied fleur-de-lis, matching candlesticks, bowl diameter 12 1/2 inches, candlesticks 12 inches high, $805.
  • Simon & Halbig flapper doll, bisque socket head, blue glass sleep eyes, open mouth, composition and wood ball-jointed body, crepe dress with silk fringe, headband, heels, circa 1915, 13 inches, $1,000.
  • Gobblers “The Latest Smoke” cigar tin, lithograph image of trademark turkey on both sides, white ground, red letters, 50 count, 5 x 5 inches, $1,075.
  • Black Forest carved hall tree, linden wood, bear cub climbing to top of tree, mother bear below, thermometer in center, zinc drip pan, early 1900s, 85 x 32 x 36 inches, $4,180.

Spot great costume jewelry faster than anyone and get the buys of a lifetime. “Kovels’ Buyers’ Guide to Costume Jewelry, Part One” explains how to recognize mid-century costume jewelry, Mexican silver jewelry, modernist jewelry and other European and American pieces. Learn all the names you need to know, from Hobe and Sigi to Ed Wiener and Art Smith, from Coro and Trifari to Los Castillo and Spratling. And we explain how to recognize a good piece of genuine Bakelite. Our exclusive report, 8 1/2 x 5 1/2 inches, is filled with color photos, bios, background and more than 100 marks. It’s accurate and comprehensive and includes all of the information in our 2008 report on 20th-century costume jewelry. But it’s in a new, smaller and more convenient format. Available only from Kovels. Order by phone at 800-303-1996; online at Kovels.com; or send $25 plus $4.95 postage and handling to Kovels, Box 22900, Beachwood, OH 44122.

© 2011 by Cowles Syndicate Inc.

 

 

 

 

 

Prehistoric whale skeletons found in Chilean desert

The desert near Caldera, Chile, where the whale skeletons were found. Image by Hermann Luyken. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The desert near Caldera, Chile, where the whale skeletons were found. Image by Hermann Luyken. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The desert near Caldera, Chile, where the whale skeletons were found. Image by Hermann Luyken. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

SANTIAGO, Chile (AP) – More than 2 million years ago, scores of whales congregating off the Pacific Coast of South America mysteriously met their end.

Maybe they became disoriented and beached themselves. Maybe they were trapped in a lagoon by a landslide or a storm. Maybe they died there over a period of a few millennia. But somehow, they ended up right next to one another, many just meters (yards) apart, entombed as the shallow sea floor was driven upward by geological forces and transformed into the driest place on the planet.

Today, they have emerged again atop a desert hill more than a kilometer (half a mile) from the surf, where researchers have begun to unearth one of the world’s best-preserved graveyards of prehistoric whales.

Chilean scientists together with researchers from the Smithsonian Institution are studying how these whales, many of them the size of buses, wound up in the same corner of the Atacama Desert.

“That’s the top question,” said Mario Suarez, director of the Paleontological Museum in the nearby town of Caldera, about 700 kilometers (440 miles) north of Santiago, the Chilean capital.

Experts say other groups of prehistoric whales have been found together in Peru and Egypt, but the Chilean fossils stand out for their staggering number and beautifully preserved bones. More than 75 whales have been discovered so far—including more than 20 perfectly intact skeletons.

They provide a snapshot of sea life at the time, and even include what might have been a family group: two adult whales with a juvenile between them.

“I think they died more or less at the same time,” said Nicholas Pyenson, curator of fossil marine mammals at the Smithsonian’s National Museum of Natural History. Pyenson and Suarez are jointly leading the research.

As for why such a great number perished in the same place, Pyenson said: “There are many ways that whales could die, and we’re still testing all those different hypotheses.”

The scientists have yet to publish their findings about the fossil bed and the extensive remains, which began to emerge in June last year during a highway-widening project that is now on hold.

So far, the fossils have been found in a roadside strip the length of two football fields—about 260 yards long and 20 yards wide.

Pyenson said the spot was once a “lagoon-like environment” and that the whales probably died between 2 million and 7 million years ago.

Most of the fossils are baleen whales that measured about 25 feet long, Pyenson said.

The researchers also discovered a sperm whale skeleton and remains of a now-extinct dolphin that had two walrus-like tusks and previously had only turned up in Peru, he said.

“We’re very excited about that,” Pyenson said in a telephone interview. “It is a very bizarre animal.”

Other unusual creatures found elsewhere in the fossil-rich Atacama Desert include an extinct aquatic sloth and a seabird with a 17-foot wingspan, bigger than a condor’s.

Erich Fitzgerald, a vertebrate paleontologist at Museum Victoria in Melbourne, Australia, emailed that the latest find is very significant.

“The fossils are exceptionally well preserved and quite complete—a rare combination in paleontology and one that will likely shed light on many facets of the … ecology and evolution of these extinct species,” Fitzgerald said.

He said it’s possible “these fossilized remains may have accumulated over a relatively long period of time.”

Hans Thewissen, an expert on early whales, agreed. Another scenario, he said, is that the whales might have gathered in a lagoon and then an earthquake or storm could have closed off the outlet to the ocean.

“Subsequently the lagoon dries up and the whales die,” said Thewissen, a professor of anatomy at Northeast Ohio Medical University. He said the accumulation of so many complete skeletons is “a very unusual situation.”

“If this were a lagoon that dried up, you might see signs that ocean water evaporated,” such as crystallized salt and gypsum in the rock, said Thewissen, who is not involved in the research. “On the other hand, if a giant wave or storm flung the whales onto shore, it would also have pushed the ocean floor around, and you would see scour marks in the rocks.”

Dating fossils is complicated, experts said, and it will be very hard to distinguish dates precisely enough to determine whether the whales all died simultaneously.

The researchers have been told to finish their onsite studies so that fossils can be moved out of the path of the widened Pan American Highway, or Route 5, which is Chile’s main north-south road.

Many of the fossils have been transported in plaster coverings to the museum in Caldera. Researchers from Chile’s National Museum of Natural History are also studying the fossils.

Pyenson and his team are working quickly under tents to document the intact skeletons. With funding from the National Geographic Society, the Smithsonian team is using sophisticated photography and laser scanners to capture 3D images of the whales that can later be used to make life-sized models of them.

Suarez, the paleontologist, had long known about the whale bones just north of Caldera—they could be seen jutting out of the sandstone ridge alongside the highway at the spot known as Cerro Ballena, or Whale Hill. When the roadwork began last year, the construction company asked him to monitor the job to avoid destroying fossils.

“In the first week, about six or seven whales appeared,” Suarez said. “We realized that it was a truly extraordinary site.”

The Chilean government has declared the site a protected zone, and Pyenson said he hopes a museum will be built to showcase the intact skeletons where they lie, in the same way fossils are displayed at Dinosaur National Monument in Utah and Colorado.

Suarez thinks there are probably fossils of hundreds of whales waiting to be uncovered—enough to keep him working at this one spot for the rest of his life.

“We have a unique opportunity to develop a great scientific project and make a great contribution to science,” he said.

 

Ian James reported from Caracas, Venezuela.

Online:

 

Smithsonian researchers’ blog: http://nmnh.typepad.com/pyenson_lab/

Chile’s National Museum of Natural History (Museo Nacional de Historia Natural): http://www.dibam.cl/historia_natural/

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

 

AP-WF-11-20-11 0502GMT


ADDITIONAL IMAGE OF NOTE


The desert near Caldera, Chile, where the whale skeletons were found. Image by Hermann Luyken. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The desert near Caldera, Chile, where the whale skeletons were found. Image by Hermann Luyken. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

 

 

Utah teacher gets probation in artifacts looting case

SALT LAKE CITY (AP) – A federal judge has ordered a southeastern Utah school teacher to serve one year of probation for illegally selling a Native American turkey feather blanket and a prehistoric women’s apron.

In a deal with federal prosecutors, Blanding resident David A. Lacy pleaded guilty in September to three misdemeanor counts of trafficking stolen artifacts.

Lacy sold the artifacts to an undercover informant in 2007.

His sentencing was held Friday in a Moab courtroom before U.S. District Magistrate Judge Samuel Alba.

Lacy was among 26 people charged with illegally excavating, collecting and dealing artifacts including pottery, stone pipes and jewelry.

Two of the 26 defendants committed suicide after their arrests. Each of the others prosecuted has reached a plea agreement with prosecutors.

None has been sentenced to prison.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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Seldom-displayed Leonardo self-portrait on exhibit in Italy

Self-portrait in red chalk of Leonardo da Vinci, circa 1510-1515, Royal Library, Turin, Italy.  Image courtesy of Wikimedia Commons.
Self-portrait in red chalk of Leonardo da Vinci, circa 1510-1515, Royal Library, Turin, Italy. Image courtesy of Wikimedia Commons.

TURIN, Italy (AFP) – A rare self-portrait by Leonardo da Vinci that has only been publicly shown twice and is insured for 50 million euros ($67 million) has gone on display in the city of Turin in northern Italy.

The self-portrait of the Renaissance master as an elderly man is kept in the Royal Library in Turin where it has only gone on show in 1929 and 2006. It is being displayed under special shock-proof glass case filled with sensors.

It will be on show until Jan. 29 at the Reggia di Venaria, a 17th-century former royal residence near Turin as part of an exhibition titled “Leonardo: The Genius and the Myth” including 30 drawings and writings about the work.

“It’s a sort of introduction to the major exhibition that will be held in Amboise (in central France) from May 2, 2019 for the 500th anniversary of the death of Leonardo,” said the exhibition’s curator, Carlo Pedretti.

Da Vinci lived and died in a manor house in Amboise in 1519.


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Self-portrait in red chalk of Leonardo da Vinci, circa 1510-1515, Royal Library, Turin, Italy. Image courtesy of Wikimedia Commons.
Self-portrait in red chalk of Leonardo da Vinci, circa 1510-1515, Royal Library, Turin, Italy. Image courtesy of Wikimedia Commons.

Beck’s new Civil War book took 2 years to research

CSS Arkansas in a 1904 sepia wash drawing by R.G. Skerrett. From the U.S. Naval Historical Center courtesy of the Navy Art Collection. Image courtesy of Wikimedia Commons.
CSS Arkansas in a 1904 sepia wash drawing by R.G. Skerrett. From the U.S. Naval Historical Center courtesy of the Navy Art Collection. Image courtesy of Wikimedia Commons.
CSS Arkansas in a 1904 sepia wash drawing by R.G. Skerrett. From the U.S. Naval Historical Center courtesy of the Navy Art Collection. Image courtesy of Wikimedia Commons.

COLUMBUS, Miss. (AP) – “You can draw military maps and say this happened here and that happened there, and the result is ‘this’—but that doesn’t tell us what it was like to march 40 miles a day in the dead of winter,” Dr. Brandon Beck said.

“It doesn’t tell us about the pain, the privation, hardship, the worry and agony,” he said.

The Civil War historian writes at a small round antique table in his Columbus home. His spindle-backed chair bears the seal of Shenandoah University in Winchester, Va., where he taught for 23 years and still serves as director of the McCormick Civil War Institute and is emeritus professor of history.

“There’s an old-fashioned word, seldom heard any more outside of church,” he said. “It’s glory. … There were great men, great women and great events … there was glory aplenty in the Civil War. And they were doing it for nothing but home.”

Beck’s ninth book, Holly Springs: Van Dorn, the CSS Arkansas and the Raid that Saved Vicksburg, is the result of more than two years of research.

The result is a compelling, concise account of the colorful Confederate Major Gen. Earl Van Dorn’s raid at Holly Springs in December 1862. That ferocious day hobbled upward of 45,000 Federal troops, and enabled the survival of Vicksburg—a pivotal river and rail hub, the “Confederate Gibraltar.”

Van Dorn’s December onslaught at Holly Springs was preceded by an earlier Union attempt to take Vicksburg, in the summer of that year. Then, a Federal flotilla threatened from the Mississippi River, navy ships coming up from New Orleans and down from Memphis. It’s here, in Mississippi’s story, and in Beck’s book, that the CSS Arkansas makes it appearance.

Beck’s research reveals the record of how an unfinished hull was transformed, under pressure from Van Dorn, into a 165-foot-long vessel clad in railroad iron. With her 10 guns and committed crew, the vastly outnumbered Confederate warship surprised the Union fleet on July 15 beneath Vicksburg’s bluffs (whose defenses were bolstered with heavy guns from Columbus).

Isaac Newton Brown, builder and commander of the Arkansas, wrote later: “I had the most lively realization of having steamed into a volcano.” Brown felt surrounded, which gave him an advantage: He could “fire without fear of hitting a friend or missing an enemy.”

After a weeklong battle and stand-off in extreme summer heat, the Arkansas had evaded destruction and held strategic ground. Spurned Federal ships retreated to New Orleans.

By autumn, Gen. Ulysses S. Grant’s strategy was to come for Vicksburg primarily by ground.

“Holly Springs became an important place; Grant made it important,” Beck said. “It was his forward supply line in his advance to take Vicksburg.”

Grant’s huge Army of the Tennessee planned to move down the Mississippi Central Railroad to its target, right through Holly Springs.

In the book is an account from a Mrs. Carrington Mason of Holly Springs:

“First would come the regimental band … then, marching four abreast, in handsome new uniforms, came the infantry; and as the music of one regiment died away, the next could be heard in the distance. And so, on and on, for three days … a great blue monster … the wagon train was five days long.”

Grant himself established headquarters in Holly Springs, where his wife, son and others took up residence at Walter Place, said to be the last great mansion built in the South before the war.

Van Dorn was greatly outmanned. Beck details how, at the suggestion of a hard-fighting Texan, Col. John S. Griffith, his forces executed a daring and stealthy cavalry raid with 3,000 to 4,000 troops that devastated Grant’s massive commissary stores, from food to medical supplies. The Union force was crippled.

As a military maneuver, it was “perfect,” said Beck. “It could not have worked better than it did.”

For Van Dorn, who earlier had suffered defeat at Corinth, it would be his greatest military moment. Grant retreated with a valuable lesson, however, one that would spell Vicksburg’s eventual doom, Beck writes. The general would never again have so much riding on vulnerable lines of supply. Instead, it would be Vicksburg suffering from such dependency by the summer of 1863.

“There are so many great American stories in the war,” said Beck. “Great stories, but, of course, there’s a lot of frustration and gnashing of teeth to get them,” he added, with a wry smile.

Each book usually begins with the same resource, the U.S. government’s Official Records of Union and Confederate Armies. Historians affectionately refer to the near 130-volume compendium as the “OR.”

“That’s where I start; then it’s a winding trail that will lead you all over the South, to libraries everywhere, to this collection or that,” said Beck, who currently teaches Western Civilization at East Mississippi Community College-Golden Triangle.

He praised the help of historian Dr. Mike Ballard at Mississippi State University.

“He got me through the real deep waters,” Beck said, conceding that this book has been his most difficult because of the sheer amount of activity involving Vicksburg.

Asked why it’s still important to study and try to understand the War Between the States, the writer’s answer is quick.

“It changed everything. Name me something else that has as much to do with how the South is now. The Civil War was the thing that had to happen, and had to turn out the way it did, for all the other things (later) to happen.”

They are, instead, personal stories–like Lt. Col. J.L. Autry, who at Vicksburg answered a Union navy demand to surrender with “I have to state that Mississippians don’t know, and refuse to learn, how to surrender.”

Or like Van Dorn, who was murdered by a jealous husband less than five months after his military triumph.

Beck next plans to research a familiar figure in local history.

“I want to write about Stephen D. Lee and the Battle of Chickasaw Bayou,” he said. “I don’t think anybody’s looked very closely at that. I just want to make a contribution,” he added, emphasizing Mississippi’s “great tradition of historians.” “To be part of that, even in such a small way, is an honor.”

Civil War history, he reminds us, is at our fingertips.

“You don’t have to go to the Smithsonian,” he said. “It’s all around us. It’s all us.”

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

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ADDITIONAL IMAGE OF NOTE


CSS Arkansas in a 1904 sepia wash drawing by R.G. Skerrett. From the U.S. Naval Historical Center courtesy of the Navy Art Collection. Image courtesy of Wikimedia Commons.
CSS Arkansas in a 1904 sepia wash drawing by R.G. Skerrett. From the U.S. Naval Historical Center courtesy of the Navy Art Collection. Image courtesy of Wikimedia Commons.