Crescent City offers fine art, Chinese objects, antique weapons, Dec. 3

Original oil on canvas painting by George Rodrigue (b. 1944), titled 'Blue Dog is Happy,' artist signed. Image courtesy Crescent City Auction Gallery.
Original oil on canvas painting by George Rodrigue (b. 1944), titled 'Blue Dog is Happy,' artist signed. Image courtesy Crescent City Auction Gallery.

Original oil on canvas painting by George Rodrigue (b. 1944), titled ‘Blue Dog is Happy,’ artist signed. Image courtesy Crescent City Auction Gallery.

NEW ORLEANS – More than 1,100 lots of mostly fresh-to-the-market items – culled from prominent local estates and collections and spanning a wide variety of categories – will be sold on Saturday, Dec. 3, by Crescent City Auction Gallery. The all-day event will be held in the firm’s spacious gallery, located at 1015 Julia Street in New Orleans, beginning at 8 a.m. Central Time, with Internet live bidding available through LiveAuctioneers.com.

Offered will be original works of art (mostly by regional artists, but some by national and international artists as well), fine Chinese objects, antique weaponry (to include two rare and highly collectible antique guns), wonderful estate jewelry, silver, period American and European furniture, objets d’art, chandeliers, Persian rugs, Moorcroft pottery and decorative accessories.

“The auction before the holidays is always an exciting one,” said Adam Lambert of Crescent City Auction Gallery. “We are getting an early start to accommodate over 1,100 items, but we’ll probably wrap up around 5 o’clock in the afternoon. This is the last auction of the year, and the quality of the merchandise is truly impressive.”

Two antique guns are expected to generate much bidder interest. The first is a scarce Confederate Civil War Whitworth sharpshooter’s rifle, made circa 1860. What makes this weapon so desirable to collectors is the fact that it is stamped “Natchez” on the underside, below the trigger guard. Also, it is in fine condition. The rifle is expected to realize $15,000-$25,000.

The other is a very rare V.G.W. Libeau New Orleans-made percussion cap derringer gun, manufactured pre-1845 and with the barrel engraved “V.G.W. Libeau New Orleans” (Libeau is listed as a gunsmith in the New Orleans city directories from 1832-1845, at No. 9 Camp Street). The pistol should change hands for $5,000-$7,000. A Japanese Samurai sword is also on the auction roster.

Original works of art will be served up in abundance. Two works expected to wow the crowd are an oil on canvas by David Johnson (1827-1908), titled Forest Landscape with Stream, unframed and signed and dated lower right (est. $5,000-$7,000); and a large (3 feet by 4 feet) oil on canvas work by George Rodrigue (b. 1944), titled Blue Dog is Happy (est. $25,000-$35,000).

Other notable artworks will include an 1858 oil on board rendering by Arthur Fitzwilliam (1819-1905), titled Teepee on the Shore, signed and dated and measuring 7 ¼ inches by 16 inches (est. $7,000-$12,000); and a signed, early 20th-century pastel on board work by Fremont Ellis (1897-1985), titled New Mexico Landscape with Adobe Houses, (est. $5,000-$7,000).

Oriental objects will include a Chinese famille verte wine cup from the 18th century, decorated with a fisherman wading in the water (4½ inches tall by 3½ inches in diameter); and a 7-inch-tall Chinese matte white carved baluster vase made circa 18th century from the Ching Dynasty, under the Emperor Chien Lung (1735-1796), with intricate relief scenic decoration.

Furniture pieces feature a Georgian inlaid mahogany bow-front chest-on-chest, made circa 1800 and standing 79 inches tall (est. $1,200-$1,800); a diminutive French provincial carved cherry double-door armoire, circa 1800, 82 inches tall (est. $1,000-$1,500); and a carved rosewood double-door armoire attributed to Prudence Mallard, circa 1860 (est. $1,500-$2,500).

A marvelous selection of estate jewelry will include sapphires, diamond, rubies, emeralds and pearls. Also offered will be an unusual 18kt white and yellow gold flamingo pendant brooch, made in the 20th century and modeled after the Duchess of Windsor’s example, mounted with diamonds, baguette emeralds, sapphires and rubies and signed “Blanco” (est. $9,000-$12,000).

Also offered will be a Newcomb College pottery vase, made in 1931 by Sadie Irvine in the “Moon and Moss” pattern. The 5¼ inch tall, 6½ inches in diameter vase should hammer for $2,500-$3,500. Bidders will also be treated to a nice collection of 20th-century Moorcroft pottery.

Returning to fine art, examples will include a signed and dated (1925) oil on canvas by William Woodward (1859-1939), titled Oak Lawn Biloxi, 22 inches by 28 inches, titled verso on the original price tag (est. $15,000-$25,000); and a 20th-century unsigned oil painting by Conrad Albrizio (1892-1973), titled Olympia Brass Band, 47 inches by 35¾ inches (est. 4,000-$6,000).

Other original works of art will feature an early 20th century signed oil wash landscape by Alexander J. Drysdale (1870-1934), titled Moss Draped Oak Tree (est. $2,500-$3,500); an oil on board by Gideon Townsend Stanton (1885-1964), titled Woman in a Pink Dress Walking on a Country Road, signed and inscribed (est. $2,000-$4,000); and an oil on canvas by Colette Pope Heldner (1902-1990), titled Swamp Idyll, signed lower left and titled verso (est. $1,200-$2,000).

Rounding out the artwork category is a 19th century signed work by Benjamin William Leader (1831-1923), titled Welsh River Landscape With Fishermen, signed lower left (est. $2,000-$4,000); a 1983 oil on canvas painting by William Tolliver (1951-2000), titled Bare Oak Tree in the Woods, signed and dated (est. $2,000-$4,000); and a signed and dated 19th century oil on canvas painting by Louis C. Girault, titled Cabin and Boat on the Bayou (est. $1,500-$2,500).

Also sold Dec. 3 will be a stunning 70-piece set of sterling flatware, in the “Rhapsody” pattern, weighing 87.73 troy silver ounces (est. $2,500-$3,500); other sets of sterling flatware; and a large, early 20th century cast stone fountain figure of the sea god Poseidon on a conforming cast stone plinth (est. $2,000-$4,000).

Exhibition previews will be held through Friday, Dec. 2, from 10-5. There will also be a late evening preview on Wednesday, Nov. 30, until 8 p.m.

For additional information on any item in the sale, call 504-529-5057 or e-mail info@crescentcityauctiongallery.com.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet through www.LiveAuctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Original oil on canvas painting by George Rodrigue (b. 1944), titled 'Blue Dog is Happy,' artist signed. Image courtesy Crescent City Auction Gallery.

Original oil on canvas painting by George Rodrigue (b. 1944), titled ‘Blue Dog is Happy,’ artist signed. Image courtesy Crescent City Auction Gallery.

18th century Chinese matte white carved baluster vase from the Ching Dynasty, 7½ inches tall. Image courtesy Crescent City Auction Gallery.

18th century Chinese matte white carved baluster vase from the Ching Dynasty, 7½ inches tall. Image courtesy Crescent City Auction Gallery.

Unusual 18Kwhite and yellow gold flamingo brooch, modeled after the Duchess of Windsor's famous brooch. Image courtesy Crescent City Auction Gallery.

Unusual 18Kwhite and yellow gold flamingo brooch, modeled after the Duchess of Windsor’s famous brooch. Image courtesy Crescent City Auction Gallery.

Original oil on canvas by David Johnson (1827-1908), titled 'Forest Landscape With Stream.' Image courtesy Crescent City Auction Gallery.

Original oil on canvas by David Johnson (1827-1908), titled ‘Forest Landscape With Stream.’ Image courtesy Crescent City Auction Gallery.

V.G.W. Libeau New Orleans-made percussion cap derringer, pre-1845, with engraved barrel. Image courtesy Crescent City Auction Gallery.

V.G.W. Libeau New Orleans-made percussion cap derringer, pre-1845, with engraved barrel. Image courtesy Crescent City Auction Gallery.

A marvelous selection of 20th century Moorcroft pottery will change hands Dec. 3rd. Image courtesy Crescent City Auction Gallery.

A marvelous selection of 20th century Moorcroft pottery will change hands Dec. 3rd. Image courtesy Crescent City Auction Gallery.

Newcomb College pottery vase, made in 1931 by Sadie Irvine in the 'Moon and Moss' pattern. Image courtesy Crescent City Auction Gallery.

Newcomb College pottery vase, made in 1931 by Sadie Irvine in the ‘Moon and Moss’ pattern. Image courtesy Crescent City Auction Gallery.

Large cast stone fountain figure of the sea god Poseidon, on a conforming cast stone plinth. Image courtesy Crescent City Auction Gallery.

Large cast stone fountain figure of the sea god Poseidon, on a conforming cast stone plinth. Image courtesy Crescent City Auction Gallery.

Connecticut antique show moving to Massachusetts

HARTFORD, Conn. (AP) – The Connecticut Spring Antiques Show is heading to Massachusetts.

As many as 70 dealers and 15,000 visitors will travel next spring to the Eastern States Exposition in West Springfield, Mass., home of the Big E.

The Hartford Courant reports that organizers were set to gather at the Connecticut Expo Center in Hartford where the 39-year-old show has drawn visitors for a decade.

However, new owners of the Expo Center rejected the event.

The Haddam Historical Society, the host of the antique show, looked at about 30 sites in Connecticut but none was acceptable.

Terry Smith, co-president of the historical society’s board of directors, says the show’s organizers would prefer to stay in Connecticut. But she says being 10 miles over the state line will not hurt the show.

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Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Information from: The Hartford Courant, http://www.courant.com

AP-WF-11-23-11 1238GMT

 

 

 

 

Libyans recover Roman antiquities looted from museum

The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

TRIPOLI, Libya (AP) – Moammar Gadhafi’s forces tried to flee Tripoli with a sack of ancient Roman artifacts in hopes of selling them abroad to help fund their doomed fight, Libya’s new leaders said Saturday as they displayed the recovered objects for the first time.

The director of the state antiquities department, Saleh Algabe, hailed the find of 17 pieces, mostly small stone heads, as an important recovery of national treasures.

The pieces included a female figurine evocative of ancient fertility symbols, several small stone human heads and two ornate terracotta fragments. Algabe said the figurines were likely used in pagan worship and dated back to the second and third centuries, when a swathe of North Africa belonged to the Roman Empire.

Algabe said the pieces were seized from a car on the road to Tripoli’s airport in August as revolutionary forces were sweeping into the capital. It appeared Gadhafi’s forces wanted to smuggle them out of the country and sell them at auction to fund their fight, he said. Officials did not know how much the objects were worth.

The pieces probably do not represent a major component of Libya’s wealth of artifacts from the Roman era. Still, officials played up their recovery as significant.

Khalid Alturjman, a representative from the country’s National Transitional Council, said the anti-Gadhafi’s fighters’ seizure of them stands as “a great example of the sacrifice of these revolutionary men for this country.”

He formally handed them over to the antiquities department Saturday.

Algabe stressed that although they dated to the Roman era, they exhibited clear signs of local influence.

“This confirms the role of Libyans in civilization,” he said.

The conference was held in Tripoli’s main archaeological museum, which boasts a collection of ancient Roman statues and mosaics. The museum is housed within the Red Castle, a medieval fort that faces the Mediterranean Sea.

A museum employee said the recovered objects had once been part of the institution’s collection. However, members of Gadhafi’s regime had taken them, saying they were to be exhibited in European museums—and never returned them.

Libya boasts many ancient Roman structures, including the famed seaside ruins of Leptis Magna, east of Tripoli.

Almost all of Libya’s ancient archaeological sites and museums were spared damage during the recent civil war. NATO made a point of avoiding them during its bombing campaign, and Agabe said that the revolutionaries also made an effort to protect them.

“The Libyan people decided to protect their heritage,” Algabe said.

Copyright 2011 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-26-11 1601GMT


ADDITIONAL IMAGE OF NOTE


The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
The Red Castle and entrance to the National Museum in Tripoli, where the artifacts were removed. This file is licensed under the Creative Commons Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.