Rago’s auction features works by Nakashima, Evans, June 8-9

Fulper Vasekraft lamp, circa 1908. Estimate: $12,500-$17,500. Rago Arts and Auction Center image.

Fulper Vasekraft lamp, circa 1908. Estimate: $12,500-$17,500. Rago Arts and Auction Center image.

Fulper Vasekraft lamp, circa 1908. Estimate: $12,500-$17,500. Rago Arts and Auction Center image.

LAMBERTVILLE, N.J. – On Saturday, June 8, and Sunday, June 9, the Rago Arts and Auction Center will hold its auctions of Early 20th Century Decorative Arts and Modern Design. LiveAuctioneers.com will provide Internet Live Bidding.

“The June action Saturday session features 30 works by George Ohr from the Ellison collection plus some extraordinary Martin ware from the same source,” said David Rago. “Additionally, there are strong examples of American decorative ceramics by Rhead, Redlands, Newcomb College and Grueby. There is also a selection of contemporary ceramics by Voulkos, Mason, Toshiko, Natzler and Scheier. The Sunday Modern auction includes a landmark collection of New Hope School contemporary by Paul Evans and George Nakashima including an Evans Sculpture-Front credenza and a second Sculpture Front vertical cabinet, as well as a Nakashima French olive burl scissor leg desk.”

Early 20th Century Decorative Arts: Saturday, June 8, noon EDT

Art pottery, furniture, art glass, metalwork and prints in 300 lots: ceramics by Teco, Saturday Evening Girls and Rookwood, as well as some fine examples of grotesques by the Martin Brothers, an extensive collection of vessels and novelties by the Mad Potter of Biloxi, George Ohr, from author Robert Ellison, and a large collection of Fulper wares, including two rare Vasekraft lamps. There are also exceptional examples by Grueby, Zsolnay, Newcomb College, Redlands and Frederick H. Rhead.

Furniture by Gustav Stickley, Rose Valley, L. & J.G. Stickley, Roycroft, Limbert, includes a few rare and early pieces by the firm of Gustav Stickley: a wide double-door bookcase with mitered mullions, a leather-top desk, and a knockdown settle. Art glass by Tiffany Studios, Lalique, Daum and Galle among others. Hammered copper by Dirk Van Erp, Roycroft, Heinrichs and Harry Dixon, silver by Kalo and Lebolt. Color woodblock prints by Gustave Baumann, Edna Hopkins and William Rice and a fine watercolor painting by Louis C. Tiffany.

Studio Ceramics: Saturday, June 8 (immediately following early 20th century)

Featured will be 100 lots consisting of 100 works from Otto and Gertrud Natzler, Mary and Edwin Scheier ceramics, tapestries and sand paintings. This session will also have  a collection of fine postwar Alfred, N.Y., ceramics by Peter Voulkos, Robert Turner, Wayne Higby, Don Reitz, Ted Randall, Val Cushing and William Parry.

Modern Design: Sunday, June 9, noon EDT

Furniture, ceramics, glass, metalwork from the 20th and 21st century, 600 lots: Spectacular furniture and sculpture by New Hope craftspeople George and Mira Nakashima, Paul Evans and Phil Powell. Also fine examples by American makers Vladimir Kagan, Sam Maloof, Wendell Castle, Judy McKie and Silas Kopf. Designers Kelvin and Phillip LaVerne, Tommi Parzinger, James Mont, Edward Wormley, Paul Frankl, and T.H. Robsjohn-Gibbings. Lighting by Cedric Hartman, Hansen, Von Nessen, Mont, Felix Agostini, Paavo Tynell and Adnet. Scandinavian wares designed by Ejvind Johansson, Preben Fabricius, Poul Kjaerholm, Finn Juhl, Hans Wegner, Greta Grossman, Alvar Aalto and Borge Mogensen. Ceramics by Pablo Picasso at Madoura, sets of plates by Piero Fornasetti and Gio Ponti. Studio glass by Jon Kuhn, Dante Marioni, Klaus Moje, Dale Chihuly, Linda MacNeil, Lino Tagliapietra, Tomas Hlavicka and Vladimir Prochazka, Barovier and Venini.

View a complete catalog with color images at ragoarts.com online. For details email Rago Arts and Auction Center at info@ragoarts.com or phone 609-397-9374.

View the fully illustrated catalog and sign up to bid absentee or live via the Internet at LiveAuctioneers.com.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Fulper Vasekraft lamp, circa 1908. Estimate: $12,500-$17,500. Rago Arts and Auction Center image.

Fulper Vasekraft lamp, circa 1908. Estimate: $12,500-$17,500. Rago Arts and Auction Center image.

Newcomb College portrait charger by H. Joor, circa 1902. Estimate: $10,000-$15,000. Rago Arts and Auction Center image.

Newcomb College portrait charger by H. Joor, circa 1902. Estimate: $10,000-$15,000. Rago Arts and Auction Center image.

George Ohr, fine vase from the Ellison collection, 1897-1900. Estimate: $20,000- $30,000. Rago Arts and Auction Center image.

George Ohr, fine vase from the Ellison collection, 1897-1900. Estimate: $20,000- $30,000. Rago Arts and Auction Center image.

Edna B. Hopkins, ca. 1915-17. Estimate: $8,000-$10,000. Rago Arts and Auction Center image.

Edna B. Hopkins, ca. 1915-17. Estimate: $8,000-$10,000. Rago Arts and Auction Center image.

Gustav Stickley rare and early leather-top desk, circa 1901. Estimate: $15,000-$25,000. Rago Arts and Auction Center image.

Gustav Stickley rare and early leather-top desk, circa 1901. Estimate: $15,000-$25,000. Rago Arts and Auction Center image.

Paul Evans, faceted wall-mounting cabinet, 1970s. Estimate: $30,000-$40,000. Rago Arts and Auction Center image.

Paul Evans, faceted wall-mounting cabinet, 1970s. Estimate: $30,000-$40,000. Rago Arts and Auction Center image.

George Nakashima, Conoid bench, 1983. Estimate: $20,000-$30,000. Rago Arts and Auction Center image.

George Nakashima, Conoid bench, 1983. Estimate: $20,000-$30,000. Rago Arts and Auction Center image.

Picasso/Madoura, ‘Flower Women’ pitcher, 1922, $18,500-$22,500. Rago Arts and Auction Center image.

Picasso/Madoura, ‘Flower Women’ pitcher, 1922, $18,500-$22,500. Rago Arts and Auction Center image.

Stephenson’s May 31 sale boasts 800 lots of fine estate antiques

Silver squash blossom necklace. Stephenson’s image.

Silver squash blossom necklace. Stephenson’s image.

Silver squash blossom necklace. Stephenson’s image.

SOUTHAMPTON, Pa. – Laden with heavy silver, fine timepieces and a regal array of jewelry, Stephenson’s May 31st auction blends a 35-year single-owner collection with additional estate and individual consignments of exceptional quality. The 800-lot Spring Antiques & Decorative Arts Auction also incorporates primitives, art, furniture and clocks. With that much to sell in one day, Stephenson’s usual auction start time has been adjusted to an earlier 10 a.m. All forms of bidding will be available, including live via the Internet through LiveAuctioneers.com.

The Friday sale opens with a fine selection of smalls. Several collections are featured, with the contents including many fine porcelain Boehm figurines and birds; Royal Worcester productions and desirable, larger-size Lladros and Swarovskis.

The centerpiece of the day is the single-owner jewelry collection, which incorporates designs from the turn of the 20th century through modern day. Many of the pieces in the collection are Native American and exhibit a level of skillful hand detailing that only highly accomplished artisans could execute.

A large and heavy circa-1920 sterling silver squash blossom necklace is unusual in its styling, said Stephenson’s fine jewelry expert, Theresa Zaengle, because it does not contain turquoise, coral or other stones, as would be typical of most squash blossom necklaces. “It is all handmade and quintessentially Native American in its appearance, but it is a simpler design with all handmade fluted silver beads, squash blossoms and a central Naja pendant. It’s a heavy piece. The silver content is very high,” Zaengle said. The necklace retains its original patina and has not been cleaned. It is expected to sell in the vicinity of $800.

Many artist-signed Native-American jewelry items will cross the auction block at Stephenson’s, including sand-cast pieces from the 1920s. “These designs stand out because they’re very weighty, and you can almost see where each piece was molded in the sand,” Zaengle said. All of the stones are natural, as opposed to having been dyed or treated.

From a different consignor comes a mini collection of superior-quality Mexican silver jewelry. A highlight is a desirable Hector Aguilar bracelet that has a presciently modern look. A similar example is shown in a leading Mexican jewelry reference book.

Jewelry buyers will have an abundance of choice in this sale. An impressive sapphire and diamond necklace is valued at approximately $1,800; while a “very modern and understated” Italian mesh necklace of white and yellow gold with diamonds is entered with an estimate of $1,000.

A 1920s platinum and diamond bracelet estimated at $2,500 is delicately detailed, which would suggest it is from the period bridging the Edwardian and Art Deco eras. “Some very pretty jewelry was produced during this time of transition. The linear look had not yet come into its own,” Zaengle noted.

Those who enjoy classic timepieces will find an abundance of quality in this auction. A top lot is an 18K gold-cased Vacheron & Constantin man’s wristwatch estimated at $1,500.

Stephenson’s is well established in the Philadelphia area as an estates specialist. Without exception, each of their sales includes at least one exciting discovery, like the Tiffany clock in the May 31 offering that came from a residence in the Philadelphia-area borough of Jenkintown. Standing 43 inches high, the ornate, baroque-style brass clock has an enameled face and dates to the last decade of the 19th century. Its works are marked “Tiffany & Co.”

Stephenson’s owner, Cindy Stephenson, described the beautiful timekeeper as “the largest, most ornate table clock I’ve ever seen.” Among the visuals incorporated in its motif are dolphins, a woman riding Pegasus, and caryatids as the supports. Its finial is a three-dimensional figure of Father Time, seated on a sphere and holding a scythe.

“The woman who owned it is in her 90s and had childhood memories of watching her father wind the clock, but in our research we have not been able to find a comparable example. We’ve estimated it at $3,000 to $5,000, but collectors could prove us wrong and bid well above that range,” said Stephenson.

Three fine English oil-on-canvas portraits were consigned from the same Jenkintown home that produced the clock. The paintings – one of which is dated 1776 – are unsigned, English-school artworks with an interesting backstory.

“The consignor had seen a picture of a small antique shop in a magazine and was attracted to a portrait appearing in the shop’s window. She actually traveled all the way to England to try to find the shop, but knew only the name of the village where it was located,” Stephenson said. “She had to ask many people before she finally bumped into a couple in a tavern who actually knew the shop. Not only did they take her there, where she bought the three portraits in our sale, but she also became lifelong friends with the couple.”

As a further testament to the consignor’s refined taste in antiques, Stephenson’s will offer an 8ft wide breakfront from the Jenkintown home. It was custom made in the 1940s of Georgian-style flame mahogany and would add elegance to any traditional home.

Other furniture in the sale includes mid-century modern designs, such as the Peter Hvidt & O. Molgaard-Nielsen for John Stuart teakwood armchair with loose cushion and cane back. It is entered with a $1,000 estimate.

The selection of stoneware is led by a pair of cobalt-decorated chicken feeders, decorated with a botanical motif and clearly incised with the name “Thos. Haig” and the address “975 N. 2nd St. Phila.” The estimate for the pair is $2,000.

Stephenson’s Friday, May 31 Antiques & Decorative Arts Auction will begin at the earlier-than-usual time of 10 a.m. Eastern Time. The company’s gallery is located at 1005 Industrial Blvd., Southampton, PA 18966. Inspection is on Thursday, May 30, from 1-6 p.m., and on auction day from 9-10 a.m. All forms of bidding will be available, including live via the Internet through LiveAuctioneers.com.

For additional information on any auction lot, call Cindy Stephenson at 215-322-6182 or e-mail info@stephensonsauction.com. Online: www.stephensonsauction.com.

View the fully illustrated online catalog and sign up to bid absentee or live via the Internet at www.liveauctioneers.com.

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View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Silver squash blossom necklace. Stephenson’s image.

Silver squash blossom necklace. Stephenson’s image.

Custom-designed Georgian-style flame mahogany breakfront. Stephenson’s image.

Custom-designed Georgian-style flame mahogany breakfront. Stephenson’s image.

English school oil-on-canvas portrait dated 1776. Stephenson’s image.

English school oil-on-canvas portrait dated 1776. Stephenson’s image.

Pair of stoneware chicken feeders, Thos. Haig, Philadelphia. Stephenson’s image.

Pair of stoneware chicken feeders, Thos. Haig, Philadelphia. Stephenson’s image.

Platinum and diamond bracelet. Stephenson’s image.

John Stuart teak chair designed by Hvidt and Molgaard-Nielsen. Stephenson’s image.

John Stuart teak chair designed by Hvidt and Molgaard-Nielsen. Stephenson’s image.

Tiffany & Co. brass-cased clock. Stephenson’s image.

Tiffany & Co. brass-cased clock. Stephenson’s image.

Soft wood trestle dining table. Stephenson’s image.

Soft wood trestle dining table. Stephenson’s image.

Top ceramic artists have big impact at Cowan’s auction

Peter Voulkos, untitled sculpture, 1957, realized $39,000. Cowan’s Auctions Inc.

Peter Voulkos, untitled sculpture, 1957, realized $39,000. Cowan’s Auctions Inc.

Peter Voulkos, untitled sculpture, 1957, realized $39,000. Cowan’s Auctions Inc.

CINCINNATI – Cowan’s Auctions Inc. Modern and Contemporary Ceramics Auction on May 17 saw high prices for well-known artists such as Lucie Rie, Peter Voulkos, Beatrice Wood and Robert Arneson. Immediately following the ceramics sale was Cowan’s 20th Century Art + Design sale, which highlighted exceptional pieces of mid-century and contemporary design, fine art, works on paper, photography and art glass.

LiveAuctioneers.com provided Internet live bidding.

Masterworks from the Art of Peter Voulkos hit the auction block in the ceramics portion of the sale. The highest-selling lot in the auction was an untitled stoneware sculpture from 1957 which hammered down at $39,000. Another untitled vase from 1957 more than doubled its preauction estimate of $7,000/10,000 and sold for $24,000.

Other piece by Lucie Rie, titled Pink and Grey Bottle/Vase, eventually sold for $24,000. This is a signature form known as the “stamp vase.” A similar work was chosen by the Royal Mail in 1987 adorning one of four stamps to commemorate the achievement of British potters.

Other items that garnered high prices in the auction were pieces by Robert Arneson, Michael Lucero and Ken Ferguson. Michael Lucero’s most famous work, Young Lady with Ohr Hair, realized $23,370. A piece by Robert Arneson, titled Pot Kisser, sold for $7,995, and another Arneson self-portrait shot glass realized $4,059. Ken Ferguson’s Triple Udder Mermaid Vessel smashed its original estimate of $2,500/3,500 and hammered down at $8,610.

The highest-selling lot in the 20th Century Art + Design Auction was an oil on canvas painting by Giuseppe Pino titled Melissa. The painting sold for $17,220 over its preauction estimate of $8,000/12,000.

Other notable lots were a floral woodblock by Edna Boies Hopkins that sold for $5,535, a Louis Vuitton trunk realized $5,227 and a Dunbar rocking chaise by Edward Wormley sold for $6,600.

For more information about the auction or to consign for future auctions, visit www.cowans.com or contact Sam Cowan at sam@cowans.com or call 513-871-1670.

View the fully illustrated catalog for Cowan’s May 17 Modern and Contemporary Ceramics and 20th Century Art + Design Auctions, complete with prices realized, at LiveAuctioneers.com.

Click here to view the fully illustrated catalog for this sale, complete with prices realized.


ADDITIONAL LOTS OF NOTE


Peter Voulkos, untitled sculpture, 1957, realized $39,000. Cowan’s Auctions Inc.

Peter Voulkos, untitled sculpture, 1957, realized $39,000. Cowan’s Auctions Inc.

Lucie Rie, ‘Pink and Grey Bottle Vase,’ realized $24,000. Cowan’s Auctions Inc.

Lucie Rie, ‘Pink and Grey Bottle Vase,’ realized $24,000. Cowan’s Auctions Inc.

‘Melissa’ by Giuseppe Pino realized $17,220. Cowan’s Auctions Inc.

‘Melissa’ by Giuseppe Pino realized $17,220. Cowan’s Auctions Inc.

Bernie Madoff belongings displayed in crime museum

Bernie Madoff's mugshot. Image courtesy of Wikimedia Commons.
Bernie Madoff's mugshot. Image courtesy of Wikimedia Commons.
Bernie Madoff’s mugshot. Image courtesy of Wikimedia Commons.

WASHINGTON (AFP) – Shamed financier Bernie Madoff, serving a 150-year prison sentence, is back in the spotlight as the star of an exhibit in a museum dedicated to gangsters and serial killers.

A baseball bat engraved with the former mogul’s name, a letter in which he seeks forgiveness from his son Andrew and even keys to his old New York office are on display at Washington’s National Museum of Crime & Punishment.

In total, some 15 items that once belonged to the famous fraudster or are in some way linked to him, are on view.

The 75-year-old, who once chaired the Nasdaq stock exchange, was found guilty of being behind a massive Ponzi scheme.

He took in billions from thousands of clients over decades, building a reputation as a shrewd investment manager by paying out fake “profits” to some investors by plundering the new cash from others.

But his pyramid fraud collapsed in 2008, wiping out numerous family fortunes. He was arrested in December that year, and pleaded guilty in 2009.

“The general public thinks of crime as a violent crime, but there are many that are not violent, we make sure that in our museum we focus on everything,” Janine Vaccarello, the museum’s chief operating officer, told AFP.

She said the items were given to the museum by Madoff’s son, liquidator Irving Picard or even victims.

The Madoff display case is placed next to a wall dedicated to Frank Abagnale, a con artist made famous by the film Catch Me If You Can starring Leonardo DiCaprio.

Vaccarello said Madoff is “by far the largest financial criminal, with thousands of victims and in many countries. He is considered the worst of the worst.”

“If it looks too good to be true, it can’t be true and don’t invest your money,” summed up Joe Persichini, the retired assistant director in charge of the FBI’s Washington Field Office, at the exhibit’s opening.

 

 

New carriages give Civil War cannons at Appomattox a lift

An example of a Confederate 12-pound 'Napoleon.' Photographed at Gettysburg National Military Park. Image courtesy of Wikimedia Commons.

An example of a Confederate 12-pound 'Napoleon.' Photographed at Gettysburg National Military Park. Image courtesy of Wikimedia Commons.
An example of a Confederate 12-pound ‘Napoleon.’ Photographed at Gettysburg National Military Park. Image courtesy of Wikimedia Commons.
APPOMATTOX, Va. (AP) – Two Civil War-era cannons in Appomattox Court House Square are the focal point of countless photos of tourists taking turns posing with them.

On Monday, the cannons received attention of a different sort when several workers spent more than an hour replacing the deteriorating wooden carriages with new metal ones—just in time for this weekend’s Memorial Day festivities.

“We felt the cannons needed a lift,” Appomattox County’s Economic Development Director Jeff Taylor said. “It’s the ambiance of Appomattox.”

The guns are Napoleon smoothbore howitzers and were built in Richmond in the early 1860s by Tredegar Iron Works, Taylor said.

Abuse from the elements over 15 years was evident in the old carriages. One of the cannon carriages had collapsed, causing the cannon to point upward and rest on the ground. The other had chunks missing.

Wayne Phelps, the Appomattox museum director who also maintains Court House Square—in the town of Appomattox, not at the surrender grounds—said he had received a lot of complaints about the broken carriage.

The two new carriages were built by Steen Cannon & Ordnance Works in Kentucky using a Civil War pattern. They were shipped to Appomattox and unloaded Monday morning, just three months after the order was placed. The county is paying the $35,000 cost.

The county decided to make the purchase for the Memorial Day celebration, in preparation for the Civil War sesquicentennial in 2015, and to reduce money spent long-term. The metal carriages will not have to be replaced as often and are expected to last 60 to 100 years, Taylor said.

This is the third time the cannon carriages have been replaced since 1961.

The carriages were last replaced in 1997, when the county and the Sons of the Confederacy split the $6,700 price tag, using money raised at a reenactment.

Taylor said he believed the original carriages were lost during the Civil War.

Phelps has been working on Court House Square since he was in school. As a student in shop class, he helped build the carriages installed in 1961. He’s stayed connected to the spot ever since.

“Court House Square means a lot to me,” Phelps said, adding it’s a memorial to Appomattox soldiers.

This is an attitude shared by many in Appomattox, Taylor said, who added he is pleased with the project. They will be dedicated during the Memorial Day ceremony.

“These are beautiful, beautiful carriages and we think they’ll fit real well here,” he said.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-21-13 1352GMT


ADDITIONAL IMAGE OF NOTE


An example of a Confederate 12-pound 'Napoleon.' Photographed at Gettysburg National Military Park. Image courtesy of Wikimedia Commons.
An example of a Confederate 12-pound ‘Napoleon.’ Photographed at Gettysburg National Military Park. Image courtesy of Wikimedia Commons.

Art Basel highlights Hong Kong’s new status as arts hub

Hong Kong, site of Art Basel which opened today. Image by chensiyuan. This file is licensed under the Creative Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Hong Kong, site of Art Basel which opened today. Image by chensiyuan. This file is licensed under the Creative Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
Hong Kong, site of Art Basel which opened today. Image by chensiyuan. This file is licensed under the Creative Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
HONG KONG, May (AFP) – The first Art Basel fair to be hosted by Hong Kong boasts a prestigious array of international art, highlighting the city’s new role as a global arts hub amid an explosion of personal wealth in mainland China.

The four-day annual show is the world’s premier art fair and has until now only been held in Switzerland and the United States.

On Wednesday wealthy VIPs flocked to the waterfront exhibition center hosting the fair, which opens to the wider public on Thursday.

Dressed in glamorous outfits and against a backdrop of popping champagne corks, they perused an eclectic mix of works from more than 3,000 international artists exhibiting through 245 of the world’s leading galleries.

The main section showcases work from an international group of 171 modern and contemporary art galleries, with selections of paintings, sculptures, drawings, photographs and video.

In one room a Volkswagen Beetle had been compressed into a giant sphere.

Another installation drawing crowds featured a disheveled human-sized rabbit

sitting on a log, created by the American artist Marnie Weber.

Internationally renowned artists whose work is on display include Britain’s Damien Hirst, French artist JR and the German photographer Andreas Gursky.

Other sections feature selections from the Asia-Pacific region curated for the show, large-scale sculptures and a section with solo and two-person exhibitions from emerging international artists.

The boom in Hong Kong’s international art market is largely a result of the fast-growing wealth of mainland Chinese, some of whom are investing heavily in art.

“Having seen the high quality and vast range of presentations from galleries across the globe, I can assure you that the first edition of Art Basel in Hong Kong promises many discoveries and delights,” Art Basel director Marc Spiegler told reporters.

Art Basel also exhibits in the Swiss city of Basel and in Miami Beach in the U.S., but the Hong Kong show will emphasize works from Asia, Spiegler said.

Hong Kong is “a place where all Asia feels at home and with many bridges to the West”, he said.

“Here in Hong Kong, we will provide a global stage of international exposure for galleries and artists in Asia.”

There is also a growing interest among Asian collectors in different types of art aside from traditional works.

Gagosian, White Cube, Acquavella, Lehmann Maupin and Galerie Perrotin are just some of the big-name galleries to have arrived in the city in the past two years despite sky-high rents.

“Art Basel in Hong Kong is evidence that Asia is becoming paramount to the international art world,” Pearl Lam, who runs galleries based in the southern Chinese city and in Shanghai by the same name, said in a statement for Art Basel’s opening.

Art Basel replaces Art HK, Hong Kong’s former art fair, which was set up in 2008. It was recently taken over by the high-profile Swiss Art Basel franchise, which has been showcasing modern and contemporary art since 1970.

“This is a truly historic moment for the art scene in Hong Kong and in Asia”, Art Basel Asia director Magnus Renfrew told reporters.

“The arrival of Art Basel in Hong Kong strengthens the city’s position as the leading art hub in Asia.”


ADDITIONAL IMAGE OF NOTE


Hong Kong, site of Art Basel which opened today. Image by chensiyuan. This file is licensed under the Creative Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.
Hong Kong, site of Art Basel which opened today. Image by chensiyuan. This file is licensed under the Creative Attribution-Share Alike 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license.

Suspected theft prompts cancellation of Bergman auction

Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film 'Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.

Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film 'Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.
Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film ‘Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film ‘Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.
STOCKHOLM (AFP) – An auction of items belonging to late Swedish filmmaker Ingmar Bergman has been canceled, the auction house said on Wednesday, after police said the objects were likely stolen from the family.

Photos, letters—most of them addressed to his fourth wife, pianist Kaebi Laretei, now 90—and a sketch from a 1944 draft manuscript were to have gone under the hammer at Bukowskis auction house in Stockholm on May 28.

But Bukowskis chief curator Carl Barkman said the auction had been scrapped after “irregularities concerning the origin of the items.”

Police officer Lars Alm said one of Bergman’s sons, Daniel, had filed a complaint after seeing an article about the auction in Swedish daily Dagens Nyheter.

“He was very surprised because he thought these objects were in the possession of his mother, Kaebi Laretei,” said Alm.

“It turned out that it was Kaebi’s daughter, Linda, who took them, pawned them, and sold the pawn shop receipt to an antique dealer who picked up the items and brought them to Bukowskis,” added Alm.

Daniel Bergman and Linda do not have the same father.

Police said they had launched an investigation into the suspected theft and planned to interrogate suspects.

“We have previously worked with the family and we reacted as soon as we were informed of the situation,” Bukowskis curator Barkman said.

He stressed the decision to cancel the sale was taken together with the family and the seller.

Ingmar Bergman died on July 30, 2007, at the age of 89 after directing more than 40 films during a career that spanned the second half of the 20th century.

In 2009, Bukowskis organized an auction of his possessions, in line with Bergman’s wishes to avoid disputes within his large family—he had nine children by six women—over his belongings.

His home on the Baltic Sea island of Faaroe, off Sweden’s southeastern coast, was sold the same year to a Norwegian businessman for an undisclosed sum.


ADDITIONAL IMAGE OF NOTE


Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film 'Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.
Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film ‘Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.Ingmar Bergman (left) with cinematographer Sven Nykvist during the filming of the 1982 film ‘Fanny and Alexander. Image courtesy of LiveAuctioneers.com Archive and The Written Word Autographs.

Housekeeper gets 6 years in Ben Franklin bust theft

Benjamin Franklin marble bust by Jean-Antoine Houdon, 1778. Image courtesy of Wikimedia Commons.

Benjamin Franklin marble bust by Jean-Antoine Houdon, 1778. Image courtesy of Wikimedia Commons.
Benjamin Franklin marble bust by Jean-Antoine Houdon, 1778. Image courtesy of Wikimedia Commons.
NORRISTOWN, Pa. (AP) – A housekeeper has been sentenced to six years in federal prison in the theft of a Benjamin Franklin bust stolen in suburban Philadelphia and reportedly worth $3 million.

Andrea Lawton, 47, of Mobile, Ala., was living in Philadelphia when the bust was taken Aug. 24 from a home where she had worked as a housecleaner. She fled to Alabama with the bust and was arrested Sept. 21 in Elkton, Md., where she planned to sell it.

Lawton pleaded guilty in December to a federal charge of interstate transportation of stolen property. She pleaded guilty in April to a separate state charge of burglary.

The 25-pound bust was made by French artist Jean-Antoine Houdon while Franklin visited Paris in 1778.

It was broken while in Lawton’s possession and is being repaired.

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-05-20-13 1812GMT


ADDITIONAL IMAGE OF NOTE


Benjamin Franklin marble bust by Jean-Antoine Houdon, 1778. Image courtesy of Wikimedia Commons.
Benjamin Franklin marble bust by Jean-Antoine Houdon, 1778. Image courtesy of Wikimedia Commons.