Jeffrey S. Evans sells Va. stoneware pot for record $86,250

Signed ‘Emanuel Suter,’ Rockingham Co., Shenandoah Valley of Virginia salt-glazed stoneware honey or sugar pot, circa 1851. The 5-inch pot sold for $86,250, a new record price for Virginia pottery. Jeffrey S. Evans & Associates image.
Signed ‘Emanuel Suter,’ Rockingham Co., Shenandoah Valley of Virginia salt-glazed stoneware honey or sugar pot, circa 1851. The 5-inch pot sold for $86,250, a new record price for Virginia pottery. Jeffrey S. Evans & Associates image.

Signed ‘Emanuel Suter,’ Rockingham Co., Shenandoah Valley of Virginia salt-glazed stoneware honey or sugar pot, circa 1851. The 5-inch pot sold for $86,250, a new record price for Virginia pottery. Jeffrey S. Evans & Associates image.

MT. CRAWFORD, Va. – A rare stoneware honey or sugar pot by Emanuel Suter sold for a record-breaking price of $ 86,250 at Jeffrey S. Evans & Associates’ auction of Americana & Fine Antiques on June 22.

Internet live bidding was facilitated by LiveAuctioneers.com.

The pot, from the collection of Rudolph Evers, is important because it bears a stenciled mark, “Emanuel Suter,” which is known on this and only two other examples. Emanuel Suter (1833-1902) is widely recognized as the preeminent Mennonite potter of the American South during the second half of the 19th century.

For more information on Suter see A Great Deal of Stone & Earthen Ware – The Rockingham County, Virginia School of Folk Pottery by Jeffrey S. Evans and Scott Hamilton Suter. The pot broke the previous record of $82,250 for Virginia pottery, held by an Anthony Bacher earthenware figure of a goat sold in 1995 as part of the Dr. Henry Deyerle collection. The Suter pot was purchased by private collectors from Maryland who have ties to the Shenandoah Valley.

There were many other strong prices achieved during the auction. An important Wythe County, Valley of Virginia paint-decorated blanket chest, sold for $34,500 to private collectors in the area. The blanket chest, lot 603, had a presale estimate of $20,000-$30,000.

A rare coin silver covered fruit bowl with elaborate Rococo Revival repousse decoration, marked for retailers Mitchell & Tyler of Richmond, Va., and maker Peter L. Krider of Philadelphia, that descended in the Dooley family of Richmond, sold to a Virginia institution for $31,050 against an estimate of $5,000-$8,000. [Lot 880].

Purchases by the Museum of the Shenandoah Valley included an extremely rare Frederick County, Va., fraktur, one of only six known by the same hand. This example featured a spread-wing eagle and two heart-form leaves above “MARY E. / JONES / Died July 29th 1849 Aged 49.y 4m. 20d.” executed in gold leaf, watercolor and ink. Estimated at $10,000-15,000, the fraktur sold for $29,900, against strong bidding. [Lot 527]. The catalog entry for the lot included a possible identification of the artist of this group based on research conducted by Jeffrey S. Evans and William McGuffin.

A rare pair of circa 1775 Southside Virginia Chippendale black walnut side chairs [Lot 607] was also hotly contested, realizing $26,450 against an estimate of $8,000-12,000. They are identical to an example in the Colonial Williamsburg collection that is illustrated on p. 108, fig. 24.1 of Southern Furniture 1680-1830 by Ron Hurst and Jonathan Prown and carried a Milly McGehee provenance.

Among the fine art sold at the auction, a Southern genre painting by William Aiken Walker, also from the Evers estate, sold for $17,250 against an estimate of $10,000-15,000. The estate collection of Betty and Richard Robertson of Waynesboro, Va., yielded two miniature portraits signed by members of the famous Peale family of artists. A Raphaelle Peale portrait of a gentleman, realized $9,200, while a James Peale portrait of a woman, realized $8,625.00. [Lots 815 and 816]. Both had estimates of $2,000-4,000.

The mammoth 1,010-lot auction realized slightly more than $870,000. All prices include a 15 percent buyer’s premium. Bidders from over 23 countries participated in the sale and the auction house received thousands of online and left bids.

“The demand for well documented, fresh Southern material continues to be strong,” said Jeffrey S. Evans. “Institutional interest in this auction was tremendous with several museums successfully adding important objects to their collections of Southern decorative arts.

“As for the antiques market as a whole, we are seeing a significant increase in the number of bidders and bids, which is resulting in an uptick in prices. Buyers are recognizing the great values available in the current market and are taking advantage of some great deals,” added Evans

For further details email jfenichell@mac.com, or call 917-302-1757, or call Jeffrey S. Evans & Associates, 540-434-3939.

 

View the fully illustrated catalog of Jeffrey S. Evans’ June 22 Americana & Fine Antiques Auction, complete with prices realized, at LiveAuctioneers.com.

 


ADDITIONAL LOTS OF NOTE


Signed ‘Emanuel Suter,’ Rockingham Co., Shenandoah Valley of Virginia salt-glazed stoneware honey or sugar pot, circa 1851. The 5-inch pot sold for $86,250, a new record price for Virginia pottery. Jeffrey S. Evans & Associates image.

Signed ‘Emanuel Suter,’ Rockingham Co., Shenandoah Valley of Virginia salt-glazed stoneware honey or sugar pot, circa 1851. The 5-inch pot sold for $86,250, a new record price for Virginia pottery. Jeffrey S. Evans & Associates image.

Extremely rare Frederick Co., Shenandoah Valley of Virginia fraktur, watercolor, ink and gold leaf on paper, a death record for Mary E. Jones, circa 1849. 9 3/4 inches x 7 3/4 inches sight. Price: $29,990. Jeffrey S. Evans & Associates image.

Extremely rare Frederick Co., Shenandoah Valley of Virginia fraktur, watercolor, ink and gold leaf on paper, a death record for Mary E. Jones, circa 1849. 9 3/4 inches x 7 3/4 inches sight. Price: $29,990. Jeffrey S. Evans & Associates image.

Important Wythe Co., Va., paint-decorated poplar blanket chest dated 1802. Price: $34,500. Jeffrey S. Evans & Associates image.

Important Wythe Co., Va., paint-decorated poplar blanket chest dated 1802. Price: $34,500. Jeffrey S. Evans & Associates image.

An important pair of Southside Virginia Chippendale black walnut side chairs, probably Southampton or Greensville Co., circa 1765-1785. Price: $26,450. Jeffrey S. Evans & Associates image.

An important pair of Southside Virginia Chippendale black walnut side chairs, probably Southampton or Greensville Co., circa 1765-1785. Price: $26,450. Jeffrey S. Evans & Associates image.

Rare Richmond, Va., retailed coin silver fruit bowl with cover, stamped for the firm of Samuel P. Mitchell and John H. Tyler Sr. (1845-1866) of Richmond and Peter L. Krider (1845-1860) of Philadelphia, circa 1845. Price: $31,050. Jeffrey S. Evans & Associates image.

Rare Richmond, Va., retailed coin silver fruit bowl with cover, stamped for the firm of Samuel P. Mitchell and John H. Tyler Sr. (1845-1866) of Richmond and Peter L. Krider (1845-1860) of Philadelphia, circa 1845. Price: $31,050. Jeffrey S. Evans & Associates image.

 

 

Three Stooges starring in Heritage poster auction July 27-28

‘The Three Stooges in Mutts To You’ (Columbia, 1938). One sheet (27 inches x 41inches). Very fine on linen. Estimate: $15,000-$30,000. Heritage Auctions image.

‘The Three Stooges in Mutts To You’ (Columbia, 1938). One sheet (27 inches x 41inches). Very fine on linen. Estimate: $15,000-$30,000. Heritage Auctions image.
‘The Three Stooges in Mutts To You’ (Columbia, 1938). One sheet (27 inches x 41inches). Very fine on linen. Estimate: $15,000-$30,000. Heritage Auctions image.
DALLAS – A rare one sheet from the Three Stooges’ classic film Playing the Ponies may bring more than $20,000 to lead the largest collection of pre-1940s Three Stooges movie posters and lobby cards ever offered at auction in Heritages’ Movie Posters Signature Auction on July 27-28. LiveAuctioneers.com will provide Internet live bidding.

“This is the largest and most diverse vintage Stooge poster and lobby card collection offered at one time that I can remember,” said Grey Smith, director of movie posters at Heritage Auctions. “These are posters that really seldom turn up, to the tune of 17 different varieties, all relating to the golden age of the careers of the Stooges and some of their greatest comedy.”

A scarce one sheet for the hilarious short Mutts to You, a rare pre-1940 Three Stooges poster highly sought after by collectors, is expected to bring $15,000-plus. The short was directed by silent screen comedian Charley Chase and remains one of the most beloved of the threesome’s early work. A rare one sheet featuring a bold image of Curly Howard taken from the 1941 short I’ll Never Heil Again is expected to bring $6,000-plus.

A group of 13 lobby cards is expected to be led by a rare find from the 1935 classic Hoi Polloi, in which a professor bets that he can turn the Stooges into gentlemen. The rare title card is expected to bring $6,000-plus in its first-ever appearance at Heritage. A delightful lobby card from the 1937 short Cash and Carry, graced with a scene of Moe bonking Curly on the head with a gold brick, is expected to bring $4,000-plus.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


‘The Three Stooges in Mutts To You’ (Columbia, 1938). One sheet (27 inches x 41inches). Very fine on linen. Estimate: $15,000-$30,000. Heritage Auctions image.
‘The Three Stooges in Mutts To You’ (Columbia, 1938). One sheet (27 inches x 41inches). Very fine on linen. Estimate: $15,000-$30,000. Heritage Auctions image.
‘The Three Stooges in Playing the Ponies’ (Columbia, 1937). One sheet (27 inches x 41 inches. Fine/very fine on linen. Estimate: $20,000-$40,000. Heritage Auctions image.
‘The Three Stooges in Playing the Ponies’ (Columbia, 1937). One sheet (27 inches x 41 inches. Fine/very fine on linen. Estimate: $20,000-$40,000. Heritage Auctions image.
‘The Three Stooges in I'll Never Heil Again’ (Columbia, 1941). One sheet (27 inches x 41 inches). Very fine on linen. Estimate: $6,000-$12,000. Heritage Auctions image.
‘The Three Stooges in I’ll Never Heil Again’ (Columbia, 1941). One sheet (27 inches x 41 inches). Very fine on linen. Estimate: $6,000-$12,000. Heritage Auctions image.
‘The Three Stooges in Hoi Polloi’ (Columbia, 1935). Title lobby card (11 inches x 14 inches). Fine+. Estimate: $6,000-$10,000. Heritage Auctions image.
‘The Three Stooges in Hoi Polloi’ (Columbia, 1935). Title lobby card (11 inches x 14 inches). Fine+. Estimate: $6,000-$10,000. Heritage Auctions image.
‘The Three Stooges in Cash and Carry’ (Columbia, 1937). Title lobby card (11 inches x 14 inches). Fine+. Estimate: $4,000-$8,000. Heritage Auctions image.
‘The Three Stooges in Cash and Carry’ (Columbia, 1937). Title lobby card (11 inches x 14 inches). Fine+. Estimate: $4,000-$8,000. Heritage Auctions image.

Kansas to provide modest grants to arts groups

State Flag of Kansas.

State Flag of Kansas.
State Flag of Kansas.
TOPEKA, Kan. (AP) – Nearly two years after most state funding for the arts was eliminated in Kansas, the state is starting to provide small grants to some arts groups.

The Kansas Department of Commerce is expected to announce this week that it is granting a total of $58,400 to eight arts groups across the state, The Wichita Eagle reported Monday.

In 2011, Gov. Sam Brownback vetoed $700,000 of cultural arts funding, triggering the loss of about $1.2 million in national grants that were dependent on the state showing a willingness to invest in the arts. The money was restored last year, but the new Kansas Creative Arts Industries Commission did not issue many grants, choosing to put most of its money into next year’s budget to show the National Endowment for the Arts it has money to match grants, state Department of Commerce spokesman Dan Lara said.

“We’re cautiously optimistic that having this money roll over is going to be a positive in terms of getting a matching grant with the NEA,” he said. If that grant is approved, it should provide a noticeable increase in funding for qualified arts groups, he said.

The $58,400 in grants the department plans to announce this week include $10,000 to renovate an old depot for resident artists at the Bartlett Arboretum in Belle Plaine; $10,000 for Burford Arts in Arkansas City; $5,000 for Chamber Music at the Barn in Maize; $4,400 for Fisch Haus in Wichita; $10,000 for the Hutchinson Theatre Guild; $4,000 for Image Makers in Wamego; $5,000 for the Kansas Alliance for the Arts in Education and $10,000 for the Culture House in Olathe.

The creative arts industries commission plans to meet Friday to discuss larger grants.

The state also said an effort to offer $100 license plates to support the arts hasn’t yet brought in 500 orders, which is required for the state to print the plates.

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Information from: The Wichita (Kan.) Eagle, http://www.kansas.com

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Rago to auction collection of renowned Pa. dealer Dec. 6-8

The massive Viennese silver 'Triumph of Flora' centerpiece is expected to bring $200,000-$300,000. Rago Auctions image.
The massive Viennese silver 'Triumph of Flora' centerpiece is expected to bring $200,000-$300,000.  Rago Auctions image.
The massive Viennese silver ‘Triumph of Flora’ centerpiece is expected to bring $200,000-$300,000. Rago Auctions image.

LAMBERTVILLE, N.J. – Rago Auctions has been chosen to handle the collection of Tony Tenaglia—the finest pieces acquired over decades of buying and selling by this dealer and auctioneer. The auction is scheduled for Dec. 6-8.

Tony Tenaglia, who died last November at 55, was legendary in the Bucks County, Pa., area for his acumen and his passion for antiques. Everyone who followed him at Bristol Auctions, Estate Treasures of Bucks County and the Golden Nugget flea market admired his eye and his ability to source fresh and valuable property.

His family has decided to sell the finest of his treasures in a dedicated sale at Rago Arts and Auction Center. Rago has just begun the work of removing and cataloging the property for auction. With fewer than 600 lots in house as of May, the low estimate already approaches $1 million.

Among the highlights:

– Viennese silver “Triumph of Flora” centerpiece, which features the Goddess of Spring upon a gilded and jeweled chariot, drawn by angels and a team of four horses, led by Mercury and accompanied by frolicking putti, 1877-1890. With parcel gilt 800 standard, jeweled and enameled highlights, the centerpiece (38″ x 16 3/4″ x 19″) is estimated at $200,000-$300,000. This extremely large and highly complicated Viennese silver figural group bears an English sponsor mark indicating that it may have been made for an international exhibition.

– Tiffany & Co. Japanesque mixed metal centerpiece designed by Edward C. Moore, 1880. It is masterfully spot-hammered undulating silver bowl on four puddled bracket feet designed as a rippling stream of water with floating maple leaves and seed pod. Composed of silver, copper and brass alloys, shades of gold and sentoku, forged and inlaid with niello, the centerpiece has an estimate of $80,000-$120,000.

– Victorian brass eagle lectern with bookstand, on lion feet, signed Gorham, circa 1890. Estimate: $6,000-$8,000.

– Sir William Hamo Thornycroft (English, 1850-1925), bronze sculpture, Teucer, 1881, signed Hamo Thornycroft and dated, 30 inches. Estimate: $15,000-$20,000.

– Pair of rose medallion palace vases, Republic Period, 36 inches. Estimate: $10,000-$15,000.

– Poseidon bronze table lamp with shell shades. Bronze figure of Poseidon with sea creatures and waves at his feet on a base of sea blue glass tiles with two nautilus shell shades, electrified, early 20th century, 34 inches. Estimate: $2,500-$3,500.

– Myochin School iron articulated snake, Meiji period/late 19th century, signed Muneyoshi, 39 inches. Estimate: $8,000-$12,000.

– Evgeny Alexandrovich Lanceray (Russian, 1848-1886) bronze sculpture of two cossacks on horseback, signed in Cyrillic, stamped foundry mark, 13″ x 11″ x 6 1/2″. Estimate: $4,000-$6,000.

Rago Auctions expects to have catalogs available by mid-November.

For more information call Rago Arts and Auction Center at 609-397-9374.

 

 

NYC takes control of South Street Seaport Museum

The South Street Seaport is a historic area of New York City. One of its many picturesque landmarks is this lighthouse structure erected as a 'Titanic' memorial near the South Street Seaport Museum. Photo by Andy C, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

The South Street Seaport is a historic area of New York City. One of its many picturesque landmarks is this lighthouse structure erected as a 'Titanic' memorial near the South Street Seaport Museum. Photo by Andy C, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The South Street Seaport is a historic area of New York City. One of its many picturesque landmarks is this lighthouse structure erected as a ‘Titanic’ memorial near the South Street Seaport Museum. Photo by Andy C, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
NEW YORK (AP) – New York City has taken control of the South Street Seaport Museum.

It continues to struggle with an estimated $22 million in damage from Superstorm Sandy.

The Museum of the City of New York said last month it could no longer operate the waterfront museum in lower Manhattan.

The Wall Street Journal says three Bloomberg administration officials now make up a skeleton board of trustees. Meanwhile, the city is scrambling to find a new institutional partner.

The museum’s waterfront director has been appointed as its interim president.

The museum is housed in a commercial building on Fulton Street that served the seaport starting in 1811. It also maintains a fleet of historic vessels.

Donations are gratefully accepted. To contact the museum, call 212-748-8600 or e-mail info@seany.org.

Online: http://www.southstreetseaportmuseum.org

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Information from: The Wall Street Journal, http://www.wsj.com

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Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


ADDITIONAL IMAGE OF NOTE


The South Street Seaport is a historic area of New York City. One of its many picturesque landmarks is this lighthouse structure erected as a 'Titanic' memorial near the South Street Seaport Museum. Photo by Andy C, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.
The South Street Seaport is a historic area of New York City. One of its many picturesque landmarks is this lighthouse structure erected as a ‘Titanic’ memorial near the South Street Seaport Museum. Photo by Andy C, licensed under the Creative Commons Attribution-Share Alike 3.0 Unported license.

Colby College to reopen revamped art museum

Architectural rendering by Frederick Fisher and Partners Architects of the new Alfond-Lunder Pavilion, a major addition to the Colby College Museum of Art in Waterville, Maine. The grand opening is set for July 14, 2013. Image courtesy of Colby College.
Architectural rendering by Frederick Fisher and Partners Architects of the new Alfond-Lunder Pavilion, a major addition to the Colby College Museum of Art in Waterville, Maine. The grand opening is set for July 14, 2013. Image courtesy of Colby College.
Architectural rendering by Frederick Fisher and Partners Architects of the new Alfond-Lunder Pavilion, a major addition to the Colby College Museum of Art in Waterville, Maine. The grand opening is set for July 14, 2013. Image courtesy of Colby College.

WATERVILLE, Maine (AP) – The gleaming glass building of the Colby College Museum of Art not only stands out on campus among the red brick, Georgian-style classrooms and dormitories but now also stands out across Maine.

A new addition means the museum now has 38,000 square feet of exhibition space, the largest in the state. The museum’s more than 8,000 works will be on display when it reopens to the public July 14 after more than a year of renovations.

The new pavilion adds about 10,000 square feet of exhibition space to its four wings and serves as the new entrance for visitors.

Organizers hope that the revamped museum will put Maine on the map as a destination for art lovers across the country.

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Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.


ADDITIONAL IMAGE OF NOTE


Architectural rendering by Frederick Fisher and Partners Architects of the new Alfond-Lunder Pavilion, a major addition to the Colby College Museum of Art in Waterville, Maine. The grand opening is set for July 14, 2013. Image courtesy of Colby College.
Architectural rendering by Frederick Fisher and Partners Architects of the new Alfond-Lunder Pavilion, a major addition to the Colby College Museum of Art in Waterville, Maine. The grand opening is set for July 14, 2013. Image courtesy of Colby College.

3-D printer aids in restoration of Gettysburg map

HANOVER, Pa. (AP) – When Scott Roland bought the 50-year-old electric map that illustrates the Battle of Gettysburg, he had never seen the 12-ton map.

He didn’t anticipate that it would require so much work and side projects before it could be shown to the public, but Roland said the electric map might be ready to unveil by the end of the month.

First, asbestos had to be removed from the map. Then it was discovered that many of the 600 lights had broken pieces. Also, the control system was missing.

Roland purchased a 3-D printer to make the necessary parts for the damaged lights rather than paying $25 per piece for each damaged light. The 3-D printer will later be used to benefit art programs at Hanover Public School District.

Student volunteers from the Gettysburg Campus of Harrisburg Area Community College student volunteers will start work to complete the necessary electrical updates and controller programming within the next few weeks, and Roland said he hopes all of the work can be finished by the end of the month.

“Students involved in this project will have an opportunity to enhance their understanding of course content and deepen their interest in the content, apply skills and concepts learned in class and develop relationships with business and community leaders that could lead to future employment opportunities,” said Shannon Harvey, campus vice president of Gettysburg HACC.

Roland bought the map at auction last October and put it in a building he owns on Carlisle Street that will eventually serve as a conference and heritage center. Although there are no solid plans or dates for when the conference center will be complete, just as with the map, Roland said he couldn’t resist snatching up any opportunity to give vision to developing downtown Hanover.

“This one project morphed into a community of projects,” Roland said.

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Online: http://bit.ly/18Bq9ey

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Information from: The Evening Sun, http://www.eveningsun.com

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.