Indian art, artifacts in spotlight at Heritage auction Nov. 15

Eastern woodlands carved wood belt cup, circa 1760, carved of maple burl, depicting two beavers, a sailing ship, two flintlock guns and a broom-like object, the barrel-shape toggle attached with string, 4 3/4 inches. Estimate: $10,000-$20,000. Heritage Auctions image.

Eastern woodlands carved wood belt cup, circa 1760, carved of maple burl, depicting two beavers, a sailing ship, two flintlock guns and a broom-like object, the barrel-shape toggle attached with string, 4 3/4 inches. Estimate: $10,000-$20,000. Heritage Auctions image.

Eastern woodlands carved wood belt cup, circa 1760, carved of maple burl, depicting two beavers, a sailing ship, two flintlock guns and a broom-like object, the barrel-shape toggle attached with string, 4 3/4 inches. Estimate: $10,000-$20,000. Heritage Auctions image.

DALLAS – A grandfather’s long-ignored collection of Indian art and artifacts could bring a New Jersey family more than $125,000 when 203 lots from the famed Valentine “Val” Pasvolsky cross the block Nov. 15 at Heritage Auctions. The American Indian Art Signature® Auction is led by a rare Sioux boy’s pictorial beaded and fringed hide shirt, with a note on the hide tying it to the Battle of Little Big Horn, which is estimated to bring more than $30,000.

LiveAuctioneers.com will provide Internet live bidding. The auction will begin at 10 a.m. Central time.

It wasn’t until Delia E. Sullivan, director and senior specialist of American Indian Art at Heritage, opened the boxes that Pasvolsky’s grandchildren realized just how important the collection truly was. Sullivan was the first specialist to see the collection in nearly two decades.

“It’s likely the hobby won’t see another collection like this for a decade or more,” Sullivan said. “There are some really wonderfully important things in this collection. A find like this only happens once or twice in a career.”

Tucked away for decades was a pair of Southeast beaded hide moccasins, estimated to bring $20,000 plus, a Crow painted parfleche medicine case, which could sell for $7,000plus, and a plateau beaded hide cradleboard, which could bring $8,000-plus.

Pasvolsky was an U.S. Army sergeant when he made a name for himself from the 1950s through the 1970s as a generous and ambitious numismatist who regularly took top honors in coin shows throughout New England, Canada and the UK. He was honored by the American Numismatic Association in 1975. His passion for both numismatics and American Indian art started shortly after immigrating to the United States from Russia at age 14. He collected primarily between the 1930s and 1970s. His collection includes rarities from across North America, with particular emphasis on tribes of the Northeast with selections of South American tribal art as well. At one point, Pasvolsky made headlines nationwide for owning a vest worn by the Apache Chief Geronimo.

By the early 1960s, he and his wife had turned an 18-room house in Lakewood, N.J. into the Indian Village Museum & Trading Post, a roadside attraction and museum. Pasvolsky regularly brought his entire family to county fairs, schools and scout troop meetings, complete with a tepee and full headdress, shirts and pants.

Highlights from the 203 lots from the Valentine Pasvolsky Collection also include:

– Collection of 16 rare studio portraits of Crow Indians, mounted on board, originating from Montana, 1909. Estimate: $3,000-plus;

– Apache beaded hide male doll with painted and beaded facial features, circa 1885. Estimate: $1,000-plus;

– Santee Sioux beaded hide vest, circa 1890, decorated on the front with abstract floral/foliate motifs stitched in shades of blue, green, yellow and pink. Estimate: $4,000-plus;

–Blackfoot beaded hide shirt, circa 1915, with eight-point stars alternating with “fringed” hourglass motifs. Estimate: $8,000-plus.

Additionally, the Nov. 15 auction presents a strong selection of early art and pre-Columbian pieces, to include a rare prairie grizzly bear claw necklace, circa 1835, which could sell for $20,000-plus, a large Veraguas gold pendant representing an eagle, circa A.D. 900-1200, and estimated to bring $18,000-plus, and an Eastern woodlands carved wood belt cup, circa 1760 and depicting two beavers, a sailing ship and two flintlock guns, which could hammer for $10,000-plus.

Among the notable collections in the auction is a group of American Indian art formerly owned by artist Eanger Irving Couse, including an Apache coiled storage jar, circa 1920, estimated to sell for $2,000-plus, and a Santa Clara blackware pitcher, circa 1910, and once used as a model in hundreds of paintings by the artist, is expected to bring $1,000-plus.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Eastern woodlands carved wood belt cup, circa 1760, carved of maple burl, depicting two beavers, a sailing ship, two flintlock guns and a broom-like object, the barrel-shape toggle attached with string, 4 3/4 inches. Estimate: $10,000-$20,000. Heritage Auctions image.

Eastern woodlands carved wood belt cup, circa 1760, carved of maple burl, depicting two beavers, a sailing ship, two flintlock guns and a broom-like object, the barrel-shape toggle attached with string, 4 3/4 inches. Estimate: $10,000-$20,000. Heritage Auctions image.

Sioux boy's pictorial beaded and fringed hide shirt, circa 1875, with ink inscription on the front interior: ‘Captured on June 25, 1876 at the Battle with Indians on the Little Big Horn River, M.T. Commanded by General G. A. Custer, U.S.A. by Louis Rott 1st Sgt., Co. K, 7th Cav.’ Estimate: $30,000-$50,000. Heritage Auctions image.

Sioux boy’s pictorial beaded and fringed hide shirt, circa 1875, with ink inscription on the front interior: ‘Captured on June 25, 1876 at the Battle with Indians on the Little Big Horn River, M.T. Commanded by General G. A. Custer, U.S.A. by Louis Rott 1st Sgt., Co. K, 7th Cav.’ Estimate: $30,000-$50,000. Heritage Auctions image.

Pair of Southeast beaded hide moccasins, circa 1830, each 9 1/2 inches long. Estimate: $20,000-$30,000. Heritage Auctions image.

Pair of Southeast beaded hide moccasins, circa 1830, each 9 1/2 inches long. Estimate: $20,000-$30,000. Heritage Auctions image.

Prairie grizzly bear claw necklace, circa 1835, composed of 22 grizzly bear claws, interspersed with globular glass beads, 15 inches. Estimate: $20,000-$30,000. Heritage Auctions image.

Prairie grizzly bear claw necklace, circa 1835, composed of 22 grizzly bear claws, interspersed with globular glass beads, 15 inches. Estimate: $20,000-$30,000. Heritage Auctions image.

Plateau beaded hide cradleboard, circa 1880, composed of a wood backboard, covered in hide, the bow decorated with a pair of diamonds, flat-stitched in various shades of glass seed beads, hide fringe at back, 41 3/4 inches long. Estimate: $8,000- $12,000. Heritage Auctions image.

Plateau beaded hide cradleboard, circa 1880, composed of a wood backboard, covered in hide, the bow decorated with a pair of diamonds, flat-stitched in various shades of glass seed beads, hide fringe at back, 41 3/4 inches long. Estimate: $8,000- $12,000. Heritage Auctions image.

Crow painted parfleche medicine case, circa 1880, trimmed with red and navy blue wool trade cloth and side fringe with red ochre pigment, 17 inches. Estimate: $7,000-$9,000. Heritage Auctions image.

Crow painted parfleche medicine case, circa 1880, trimmed with red and navy blue wool trade cloth and side fringe with red ochre pigment, 17 inches. Estimate: $7,000-$9,000. Heritage Auctions image.

James Bond, Beatles to star in Ewbank’s memorabilia sale Nov. 13

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

SURREY, England – Ewbank’s will conduct an Entertainment & Memorabilia Auction on Wednesday, Nov. 13, consisting of more than 500 lots of music, movie props, posters, toys and sports collectibles. The auction will begin at 10:30 a.m. UK time (2:30 a.m. Pacific).

LiveAuctioneers.com will provide Internet live bidding.

Lovers of James Bond will be surprised to learn that the publishers of Ian Fleming’s thriller Casino Royale—the first appearance of 007 in print—was considered to be too lightweight to gamble on a long print run. Today a comparative rarity, a first edition of the book in good condition and with dust jacket would set you back something in the region of £1,000.

Now, anything connected to the fictional MI6 Secret Service agent is collected avidly, whether it’s copies of Fleming’s books or related to the 23 blockbuster films, which started in 1962 with Sean Connery in Dr. No to last year’s Skyfall, starring Daniel Craig.

One man with his finger on the pulse of the film and entertainment collectors’ market is Alastair McCrea, 27, the rock, pop, photography, cinema and entertainment memorabilia specialist at Surrey’s premier fine art and antiques auctioneer, Ewbank’s.

“A whole new generation of collectors, young people who have grown up in the ‘chuck out your chintz’ era, have discovered the fun to be had in searching out things connected to the music and film industry and the pleasure of displaying the objects in their homes,” said McCrea.

“A wall of film posters, a rare record collection or a display of memorabilia are great features to show off at a party.”

McCrea’s next auction of entertainment memorabilia is on Nov. 13. He is now accepting further entries from prospective sellers.

James Bond, his cars and his gadgets already feature prominently in the upcoming auction. A quad-sized poster—that’s one in a landscape format measuring 30 by 40 inches (330 x 762mm) —is for the 1967 spy comedy version of Casino Royale starring David Niven as Sir James Bond, who is forced out of retirement to investigate the deaths and disappearances of international spies.

The film’s slogan: “Casino Royale is too much … for one James Bond!” refers to Bond’s ruse to mislead SMERSH in which six other agents pretend to be “James Bond,” namely, Baccarat master Evelyn Tremble (Peter Sellers), millionaire spy Vesper Lynd (Ursula Andress), Bond’s secretary Miss Moneypenny (Barbara Bouchet), Bond’s daughter by Mata Hari, Mata Bond (Joanna Pettet), and British agents “Coop” (Terence Cooper) and “The Detainer” (Daliah Lavi). The poster is estimated at an affordable £200-£400.

Film props are always much sought after and the Nov. 13 sale includes a gadget from the 2002 Bond film Die Another Day, the fourth and last Bond film to star Pierce Brosnan. In addition to being supplied with the traditional Aston Martin by the MI6 boffin Q (John Cleese) Bond is given a ring that is able to shatter glass. This is put to dramatic use when Bond eludes the evil Gustav Graves (Toby Stephens) through the window of his Aston. The replica ring is estimated at £200-£400.

Bond films have always been a rich source of inspiration for marketing tie-ins and promotional material, not least from the manufacturers of children’s toys. A.C. Gilbert was an American toy company, once one of the largest in the world, best known for introducing the Erector set, a construction toy similar to Meccano. Gilbert was founded in 1909 in Westville, Conn., originally as a company providing supplies for magic shows, its founder, Alfred Carlton Gilbert being a magician. Gilbert invented Erector in 1911, inspired by railroad girders, and the construction toy was introduced two years later.

In 1965, the company produced a battery-operated toy Aston Martin DB5 “as seen in Goldfinger and Thunderball,” which every young fan of the Bond films coveted. Just like in the movies, the car’s bulletproof shield went up and down; hidden machine guns popped out of the front which lit up and made machine gun sounds when operated; crash bumpers extended and retracted; the license plates revolved and, best of all, the passenger ejection seat threw the enemy out of the car through the roof. An example for sale is estimated at £250-£350.

In the world of pop memorabilia, long-redundant vinyl records—both LPs and singles—can command often staggering prices, depending on their rarity. One group stands above all others: The Beatles and the sale will include a rare export release version of their famous White Album with Parlophone EMI Silver & Black label, complete with posters.

Uniquely, the cover of early copies of the White Album were printed with sequential serial numbers, a feature discontinued sometime in 1970. This export release is numbered 057509 and is estimated at £100-£150. Early numbers with fewer digits can be worth considerably more.

Elsewhere, early entries in the sale include a quad poster for the 1972 film Dirty Harry (1972) starring Clint Eastwood, estimate £200-£400 and a menu for a 1971 Night of Nights dinner at the Hotel Piccadilly in honour of Muhammad Ali, signed by the boxing legend and also by sports commentator Harry Carpenter, Manchester United manager Matt Busby and Manchester City manager Malcolm Allison, estimate £200-£400.

For further information or to make an appointment to see a valuer, contact the auctioneer on 01483 223101 or email: antiques@ewbankauctions.co.uk

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL LOTS OF NOTE


Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Image courtesy of LiveAuctioneers and Ewbanks.

Nazi art trove includes unknown Chagall, Dix masterpieces

A self-portrait by Otto Dix was apparently passed on by Hildebrand Gurlitt to his son Connelius. Fair use rationale: This copyrighted image of a historically significant artwork is being used for informational and educational purposes. Image courtesy of Wikipaintings.org.

A self-portrait by Otto Dix. Fair use rationale: This copyrighted image of a historically significant artwork is being used for informational and educational purposes. Image courtesy of Wikipaintings.org.
A self-portrait by Otto Dix. Fair use rationale: This copyrighted image of a historically significant artwork is being used for informational and educational purposes. Image courtesy of Wikipaintings.org.
AUGSBURG, Germany (AFP) – Previously unknown masterpieces by modernist painters Marc Chagall and Otto Dix are among a vast trove of works believed stolen by the Nazis and uncovered in a Munich flat, an art historian said Tuesday.

Breaking two days of silence following the revelation of the spectacular discovery, Meike Hoffmann, the chief expert aiding the investigation, said the Chagall painting, an allegorical scene dating from the mid-1920s, had a “particularly high art historical value.”

The Dix work is a rare self-portrait probably painted in 1919, she added.

Hoffmann showed slides of the paintings, which also include works by Pablo Picasso, Pierre-Auguste Renoir and Henri Matisse, at a news conference in the southern city of Augsburg where the German authorities shed light on the extraordinary find in the apartment of an eccentric elderly loner.

The man, identified as Cornelius Gurlitt, is the son of Hildebrand Gurlitt, a prominent Nazi-era art dealer who acquired the paintings in the 1930s and 1940s.

Hildebrand Gurlitt had been one of a handful of art experts tasked by the Nazis with selling valuable artworks stolen from Jewish collectors or seized among avant-garde works deemed to be “degenerate.”

Augsburg chief prosecutor Reinhard Nemetz said 1,285 unframed and 121 framed paintings, sketches and prints, some dating back to the 16th century, were found in the rubbish-strewn flat.

Focus magazine, which broke the story this week, had reported that the collection comprised 1,500 works worth an estimated one billion dollars ($1.3 billion). Nemetz declined to comment on the possible market value of the stash.

Determining which works were looted from Jewish collectors by the Nazis or taken from them under duress for a pittance would be a lengthy process, Hoffmann noted.

In a moment of high drama at the news conference, Hoffmann flicked through slides in the darkened room showing works that had not been seen in public in seven decades.

They included a groundbreaking Expressionist horse painting by Franz Marc, a vivid portrait of a seated woman by Matisse and a touching image of a girl holding a goat by 19th century French master Gustave Courbet.

The Dix painting is a haunting portrayal of the German artist’s gaunt face just one year after World War I, a conflict in which he fought and whose horrors left him traumatized, shaping his work until his death in 1969.

Hoffmann said finding the works, many of which were thought lost forever, was “of course an extraordinarily happy feeling”, adding that the new discoveries would advance art research.

“It was very emotional for me to see all these works and to realize they still exist,” she said.

Nemetz said the authorities had no plans to post an exhaustive list of the works online because it could violate the privacy rights of those claiming ownership and trigger a flood of frivolous requests.

“It would be counterproductive for us. It would endanger the investigation and endanger the artworks,” he said.

“We have no interest in sitting on the paintings forever,” he added.

Siegfried Kloeble, head of the customs office in Munich, which launched an investigation against Gurlitt on suspicion of tax evasion and misappropriation of assets, said the works were now stored at a secret location as a precaution.

Kloeble said most of the collection, which also included works by Henri de Toulouse-Lautrec, Max Beckmann, Max Liebermann, Emil Nolde, Oskar Kokoschka,

Carl Spitzweg and Ernst Ludwig Kirchner, had been kept in a single room of Gurlitt’s flat.

“The paintings were stored professionally and are in very good condition,” he said, adding that although some appeared soiled, none were damaged.

Nemetz said the elderly recluse had cooperated with the authorities when the works were seized but said they were “not in contact with him currently” and that there was no warrant for his arrest.

Gurlitt’s official residence is in Austria but his current whereabouts are unknown.

Nemetz also disputed a key point of the Focus report—that the raid had already taken place in early 2011 and that the authorities had kept mum since then.

He said that although the investigation started in 2011, the search of the apartment had begun on Feb. 28, 2012, and continued for three days.

The Nazis plundered artworks in Germany and across Europe before and during World War II.

Thousands of stolen artworks have since been returned to their owners or their descendants, but many more have never resurfaced.

Jewish groups have called for an exhaustive search for the provenance of the paintings found in Munich, at least 200 of which were officially reported missing.


ADDITIONAL IMAGE OF NOTE


A self-portrait by Otto Dix. Fair use rationale: This copyrighted image of a historically significant artwork is being used for informational and educational purposes. Image courtesy of Wikipaintings.org.
A self-portrait by Otto Dix. Fair use rationale: This copyrighted image of a historically significant artwork is being used for informational and educational purposes. Image courtesy of Wikipaintings.org.

Millea Bros. opens new location with auction Nov. 9-10

Brothers Mark (left) and Michael Millea. Millea Bros. image.

Brothers Mark (left) and Michael Millea. Millea Bros. image.
Brothers Mark (left) and Michael Millea. Millea Bros. image.
BOONTON, N.J. – On Saturday, Nov. 9, Millea Bros. will kick off their two-day Fall Estates Auction at their newly renovated auction gallery at 677 Myrtle Ave. After 10 years of business the brothers are laying down roots and opening their own brick-and-mortar gallery with 15,000 square feet of consolidated warehousing, office and permanent exhibition space designed to better serve their clients both buying and selling.

On Saturday, day 1 of the 2-day sale, 557 lots will cross the block. Sunday’s auction will consist of 507 lots. LiveAuctioneers.com will provide Internet live bidding.

Both Saturday’s and Sunday’s auctions will begin at 10 a.m. Eastern.

Auctions and previews will be held at the Millea Bros. Auction Gallery, 677 Myrtle Avenue, Boonton, N.J., on Thursday, Nov. 7, from 11 a.m. to 7 p.m.; Friday, Nov. 8, from 11 a.m. to 5 p.m.; Saturday, Nov. 9, from 9 a.m. to 5 p.m.; and Sunday, Nov. 10, from 9 a.m. to 10 a.m.

For further information and directions visit www.milleabros.com or call 973-377-1500.

View the fully illustrated catalog and register to bid absentee or live via the Internet as the sale is taking place by logging on to www.LiveAuctioneers.com.


ADDITIONAL IMAGE OF NOTE


Brothers Mark (left) and Michael Millea. Millea Bros. image.
Brothers Mark (left) and Michael Millea. Millea Bros. image.

Jerk or genius? Debate over Banksy’s month in NYC

'An inflatable throw-up on the Long Island Expressway,' writes the artist on his website. Image courtesy of Banksy.

'An inflatable throw-up on the Long Island Expressway,' writes the artist on his website. Image courtesy of Banksy.
‘An inflatable throw-up on the Long Island Expressway,’ writes the artist on his website. Image courtesy of Banksy.
NEW YORK (AP) – The secretive street artist Banksy ended his self-announced month-long residency in New York City with a final piece of graffiti, a $615,000 painting donated to charity and a debate: Is he a jerk or a genius?

Banksy, who created a new picture, video or prank every day of October somewhere in the city, spent his last day like thousands of graffiti artists before him: He tagged a building near a highway with his name in giant bubble letters. The twist was that these letters were actual bubbles: balloon-like inflatables stuck to a wall near the Long Island Expressway in Queens.

As if to underscore his dual identity as both a street punk and an art-world darling, he also donated a painting that was auctioned off Thursday night for $615,000. The original painting first sold for $50 at a Manhattan thrift shop that benefits Housing Works, an organization that fights homelessness and AIDS. Banksy added a Nazi soldier to the landscape scene and Housing Works sold it in an online auction.

Throughout his 31 days here, Banksy put pictures of his work on BanksyNY.com, with clues as to locations but nothing precise. That spawned a treasure hunt by fans who hunted the works down, shared locations via social media, then swarmed to see them.

But by the time Banksy was done, New Yorkers were divided in their opinions. Some tweeted “Go home, Banksy!” Others declared their admiration.

The turning point for many was an essay he wrote criticizing the building replacing the World Trade Center. Banksy called the new design “vanilla … something they would build in Canada,” and added, “It so clearly proclaims the terrorists won.” He offered the essay to The New York Times. The paper wouldn’t print it, so he posted it on his website.

“The terrorists won” comment upset many New Yorkers, including Brian Major, 51, of Brooklyn. “Enough!” Major said. “Who is this guy? Everybody’s got a right to an opinion but what gives him any kind of credibility in New York? Shut up, Banksy! Go home!”

A lifelong New Yorker, Major says he understands graffiti culture, and he also appreciates fine art. But he doesn’t think Banksy’s art is all that good—“though I’ll give him credit, he’s a good marketer.”

But Sean Lynch, 25, of Staten Island thinks Banksy is “one of the more captivating artists of our generation.” Lynch said it was magical visiting Banksy sites around the city and hearing conversations about art that the works inspired, with “people of all different walks and cultures sharing opinions, sharing stories. … The walls started to talk to them, in a way.”

Banksy, who refuses to reveal his full identity, began his career spray-painting buildings in Bristol, England. In New York, many of his images were silhouetted figures or spray-painted messages. The art ranged from a stencil of a dog lifting his leg on a hydrant to a video of a “slaughterhouse delivery truck” filled with stuffed animals. Some works were defaced by other graffiti artists. But interest grew with each piece, and at least one Banksy street work was covered with Plexiglas to preserve it. He also sold some pieces, unadvertised, for $60 on the street.

Radhika Subramaniam, a professor at Parsons The New School for Design in Manhattan, says Banksy is part of a long tradition of graffiti artists like Keith Haring and Jean-Michel Basquiat whose work ultimately earned recognition from the art establishment. But he also fits into a contemporary trend of opening up public spaces to conversations about who owns them and what can happen there—especially in today’s cleaned-up New York, where Mayor Michael Bloomberg, when asked about Banksy, called graffiti “a sign of decay and loss of control.”

OK, but is Banksy any good? “There’s plenty of wit in what he does, as well as some thoroughly ordinary, sometimes pleasant, sometimes banal, but sometimes sweet things,” Subramaniam said. But he’s also “not a naïf in the art world. After all, who would care if you or I were to set up a blog and enact a residency like this? It’s only because he’s able to marshal this kind of PR and marketing that … catapults his residency to another level and elicits these polarized points of view.”

In a final gesture that was simultaneously serious and self-mocking, audio commentary posted Thursday on Banksy’s website called his final piece—his name in bubble letters by the road—“an homage … to the most prevalent form of graffiti in the city that invented it for the modern era. Or it’s another Banksy piece that’s full of hot air.”

Copyright 2013 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

AP-WF-11-01-13 1418GMT


ADDITIONAL IMAGE OF NOTE


'An inflatable throw-up on the Long Island Expressway,' writes the artist on his website. Image courtesy of Banksy.
‘An inflatable throw-up on the Long Island Expressway,’ writes the artist on his website. Image courtesy of Banksy.