Quinn’s to auction folk art from prestigious Sellen-Burt collection, April 20

Ronald J. Scott (Lafitte, La., 1922-2003), ‘Sea Wing,’ mixed-media boat model. Initialed on captain’s quarters. Size: 32 x 56 x 14 inches. Collection of Betty-Carol Sellen and Martha Burt. Estimate $2,000-$4,000

FALLS CHURCH, Va. – On Tuesday, April 20, Quinn’s Auction Galleries will present a 155-lot Folk Art Auction that encompasses a variety of media, including pottery, wood carvings, metal sculptures, mixed-media paintings, and works by such renowned artists as Clementine Hunter, Roy Ferdinand, and Dr Bob. Creations by Louisiana and New Orleans artists including Prophet Royal Robertson, Reginald Mitchell, and Cyril and Ivy Billiot will also be offered. Bid absentee or live online through LiveAuctioneers.

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Yayoi Kusama show opens at NY Botanical Garden

 ‘Dancing Pumpkin,’ 2020, installed at the New York Botanical Garden, collection of Yayoi Kusama.

‘Dancing Pumpkin,’ 2020, installed at the New York Botanical Garden, collection of Yayoi Kusama

NEW YORK — The New York Botanical Garden (NYBG) announces the opening of its expansive 2021 exhibition, KUSAMA: Cosmic Nature, featuring work by internationally celebrated artist Yayoi Kusama (Japanese, b. 1929-). Postponed in 2020 due to the COVID-19 pandemic, the exhibition includes four experiences debuting at the Botanical Garden. NYBG is the exclusive venue for KUSAMA: Cosmic Nature. On view April 10 through October 31, the exhibition is installed across the garden’s landscape, in and around the Enid A. Haupt Conservatory, and in the LuEsther T. Mertz Library Building. Advance, timed, limited-capacity tickets are required and on sale at nybg.org/kusama.

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Milestone’s May 1 auction loaded with rare robots, early comic character toys

Masudaya (Japan) 15-inch battery-operated Target Robot from the famous ‘Gang of Five.’ All original and complete with correct dart gun and one dart. Estimate $8,000-$12,000

WILLOUGHBY, Ohio – They came from the future and landed on Earth in the 1950s and ’60s, but now toy robots of that classic production era seem more like prophets whose mission is being fulfilled more than half a century later in the labs of MIT and NASA. For many collectors, the connection to robots is rooted in a childhood memory – discovering that Santa had left them a walking, flashing, noisy android under the Christmas tree. Collectors will relive that indelible memory on May 1st at Milestone’s 766-lot Spring Spectacular Toy Auction, which features a specialty grouping of more than 100 coveted vintage robots and space toys.

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Paperweights a top attraction in Jeffrey Evans Apr 22-24 sale

Paul Stankard botanical assemblage lampwork paperweight sculpture, estimated at $6,000-$8,000
Paul Stankard (b.1943) botanical assemblage lampwork paperweight sculpture, estimated at $6,000-$8,000
Paul Stankard botanical assemblage lampwork paperweight sculpture, estimated at $6,000-$8,000

MT. CRAWFORD, Va. – The Jeffrey S. Evans & Associates Spring Fine & Decorative Arts Auction contains everything from contemporary paperweights and Tiffany art glass to ethnographic art and fine jewelry. The auction will take place from April 22-April 24, and sessions on all three days commence at 9:30 am Eastern time. Absentee and Internet live bidding will be available through LiveAuctioneers.

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The Hot Bid: Daum glass vase in Prairie pattern could make $18K

A Daum glass vase created circa 1900 in a bulbous stick form and decorated with the Prairie pattern. Jaremos could sell it for $18,000.

NEW YORK – In this edition of The Hot Bid, the subject turns to a French cameo-glass creation by one of the premier makers of the 19th century/early 20th century.

What you see: A circa 1900 Daum glass vase, painted in the Prairie pattern and rendered in a bulbous stick form. It stands a little over 12 inches tall. Jaremos estimates it at $12,000 to $18,000.

The expert: Bruce Orr, founder of Jaremos, which is located in Flower Mound, Texas.

How is the word “Daum” pronounced? [Laughs] It depends on if you’re American or French. Here, it’s “dom”. In France, it’s more like “dome”.

Who, or what, was Daum? Is it still active? Two brothers, August and Antonin Daum, ran a cameo-decorating company at the turn of the century. It was in competition with Émile Gallé, and it was contemporary with Tiffany Studios in the United States. The company was strong until 1913, when World War I shut the factory down, and it ended up being used as a field hospital. After the war, the brothers were too old to continue. One of their sons took over. Daum has been a continuously producing glass house for 130 years.

Does it still make art glass? It still does some. In the 1980s, it did a series with Salvador Dali. Daum is to France what Steuben was to America, as far as stemware.

And the “Nancy” in the title of the lot listing–that is the town in France where Daum is based? Yes. Gallé was the primary glass-maker in Nancy. Daum came second. But in 1904, Gallé died, so it lost its leader a little early. Daum has more appeal to Americans than Europeans because it’s pretty. Americans buy pretty. Americans have always gone pretty. Europeans like technique.

Was there a golden age of Daum art glass? There’s an argument based on whether you’re a fan of Art Nouveau or Art Deco, but 1900 to 1913 is considered the high point.

Do we have any notion of how many pieces of art glass Daum produced during its golden age? I’m sure the records are out there somewhere, but any number I could give you would be a guess. Daum was a big operation. It had 100 artists at one point, decorating the glass.

The lot notes describe the vase as having “iconic Prairie décor”. Was “Prairie” a specific line of art glass that Daum produced? Yes. This is a guess on my part, but it was not popular in its day, compared to the Daum Winter scenes. I might see one Prairie piece for every 100 Winter pieces. Because of that, Prairie is desired by collectors.

This Daum glass vase features the Prairie pattern, which is rare now because it evidently wasn't popular when it was new.

Do we know how many Prairie pieces Daum made, and how many survive? No, but I can tell you that over the last 15 years, eight have sold publicly that I know of.

Would this be the only Daum glass vase you’ve seen that’s in the Prairie style and has a bulbous stick shape? It’s the only one I know of.

How many different shapes did Daum offer in the Prairie line? There could have been 30 to 40 different ones. Most of the time with Prairie, they’re small.

The lot headline calls this Daum glass vase “rare”. What makes it so? Is it purely the Prairie decoration, or does its unusual shape play a role? It really wouldn’t make a difference what shape it has. It could be an ashtray and it would still get attention. This is one of the better ones I’ve seen as far as the shape. That should help it, but it’s the decoration that makes it rare.

Does this bulbous stick form vase show up only in the Prairie line, or do other pieces of Daum take this form? Other Daum pieces have this shape.

The Daum glass vase takes a bulbous stick form that seemingly laughs at the idea of actually serving the function of a vase.What can we tell, just by looking, how difficult this Daum glass vase was to make? As far as the enameling–and again, I don’t mean to downplay it–the decoration itself is not difficult to do. It wouldn’t have been that complicated. The difficulty is in getting the shape. When you consider that they were all hand-blown pieces, that’s saying something.What challenges would the bulbous stick form pose to the glass-blower? Just the consistency. It’s difficult to do it consistently, but Daum, they were masters.In looking at the shape of the Daum glass vase, it almost revels in its inability to function. Was it explicitly designed never to be used to hold flowers? Oh, come on! You could put one flower in it! [Laughs] I don’t think it was meant to be used. Tiffany, Gallé, and Daum were always made for the affluent of the day. It was always strictly a decorative piece.

What condition is the Daum glass vase in, and what condition issues do you tend to see with the bulbous stick form pieces? Anybody can crack or chip these. Once that happens, it takes 90 percent of the value out of the vase. The decoration can wear, and it’s usually worn by exposure to the sun. This one is very clean. On a one to ten scale, it’s about an 8.5. It has pretty strong decoration and not a lot of wear on it at all.

So the sun is the number one enemy of a piece like this? That, and if the owner is a klutz.

The Daum glass vase, tilted to better display the wildflower decorations.What is the Daum glass vase like in person? The delicate flowers on the bottom–I took a shot of the vase laying down so you could see it–I don’t know how you paint this on a piece of glass. The trees have definitive branches and the wildflowers are very delicately done. It doesn’t take a super artist, you just have to have the time to do it.As we speak on March 25, 2021, the Daum glass vase has been bid up to $5,500 with the auction almost three weeks away. Is that meaningful at all, this far out? Yeah. It tells you there’s interest. Normally, most [lots] come close to two or three times their presale estimates. In my last sale, I had a Tiffany red flower formthat was at $5,500 with three weeks to go, and it ended up doing $19,200. [The link reflects the Tiffany piece’s hammer price, or the price before the premium and attendant fees are added.]

What is the world auction record for a piece of Daum art glass in the Prairie style, and what is the record for any Daum piece? The overall record was set in December 2006 at Christie’s by a glass gourd piece that sold for $156,000. The record for a Daum piece in the Prairie style belongs to this same piece, or an identical version of this piece. It was offered in the same 2006 Christie’s auction, and sold for $28,800.

Why will this Daum glass vase stick in your memory? It’s the only one I’ve ever had. You remember the pieces that are really, really rare. When you have pieces this special, it’s exciting.

How to bid: The Daum glass vase is lot 0206 in the Spring Art Glass 2021 auction scheduled at Jaremos on April 14, 2021.

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Morgan Library acquires Martin Puryear prints

Martin Puryear, ‘Phrygian,’ 2012, softground etching, drypoint, aquatint, and spitbite aquatint with chine colle
Martin Puryear, ‘Phrygian,’ 2012, softground etching, drypoint, aquatint, and spitbite aquatint with chine colle
Martin Puryear, ‘Phrygian (Cap in the Air),’ 2012, Spitbite acquatint with drypoint and chine colle, recto

NEW YORK – The Morgan Library & Museum proudly announces the acquisition of 20 exceptional prints by Martin Puryear (American, b 1941-). Made between 2001 and 2014 at Paulson Bott Press (now Paulson Fontaine Press), Berkeley, California, they represent nearly all of the prints Puryear made during the first 15 years of the 21st century and include several of his most important works in this medium. Known primarily as a sculptor, Puryear is celebrated for the elegance and refinement of his largely handmade constructions. The same qualities apply to his prints, which he creates with a similar attention to craft and technical precision.
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