California landscapes earned healthy six-figure prices at Andrew Jones

Granville Redmond, ‘Rolling hills with California poppies,’ $237,500
Granville Redmond, ‘Rolling hills with California poppies,’ $237,500

LOS ANGELES – Bidders nationwide and around the world responded enthusiastically to the collection of Jack and Ellen Phillips of San Diego, California, which blasted through its overall estimate by more than one and a half times, totaling $1.487 million and earning white glove status in an online sale held January 15-16 by Andrew Jones Auctions.

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Museum seeks dismissal of lawsuit over van Gogh painting

Exterior of the Detroit Institute of Arts, photographed in July 2018. The museum, which is currently displaying Vincent van Gogh’s ‘The Novel Reader’ as part of an exhibition that closes Jan. 22, has asked a court not to pull it into a dispute over the ownership of the work. Image courtesy of Wikimedia Commons, photo credit Michael Barera. Shared under the Creative Commons Attribution-Share Alike 4.0 International license.
Exterior of the Detroit Institute of Arts, photographed in July 2018. The museum, which is currently displaying Vincent van Gogh’s ‘The Novel Reader’ as part of an exhibition that closes Jan. 22, has asked a court not to pull it into a dispute over the ownership of the work. Image courtesy of Wikimedia Commons, photo credit Michael Barera. Shared under the Creative Commons Attribution-Share Alike 4.0 International license.
Exterior of the Detroit Institute of Arts, photographed in July 2018. The museum, which is currently displaying Vincent van Gogh’s ‘The Novel Reader’ as part of an exhibition that closes Jan. 22, has asked a court not to pull it into a dispute regarding who owns the work. Image courtesy of Wikimedia Commons, photo credit Michael Barera. Shared under the Creative Commons Attribution-Share Alike 4.0 International license.

DETROIT (AP) – A Detroit museum displaying a 1888 painting by Vincent van Gogh as part of a showing of 80 of his works said it shouldn’t be pulled into a dispute over ownership of the multimillion-dollar artwork.

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Tropic Bound artists’ book fair comes to Miami in Feb.

Tropic Bound exhibitor-artist Emily Martin, ‘Out There In Here,’ 2012, released in an edition of 25. Image courtesy of Tropic Bound Book Fair
Tropic Bound exhibitor-artist Emily Martin, ‘Out There In Here,’ 2012, released in an edition of 25. Image courtesy of Tropic Bound Book Fair
Tropic Bound exhibitor-artist Emily Martin will show her 2012 work ‘Out There In Here,’ released in an edition of 25. Image courtesy of Tropic Bound Book Fair

MIAMI — Tropic Bound, South Florida’s first international biennial artists’ book fair, arrives in February in the Miami Design District. This event will showcase the unique artistic genre known as artists’ books. These complex creations bridge the worlds of art, craft and literature, telling stories — sometimes without words — and represent a broad variety of cultural traditions. Featuring more than 60 exhibitors from the United States, Mexico, South America, the Caribbean, Europe and Egypt, Tropic Bound will take place Feb. 16-19 at the rooftop garden at Paradise Plaza. The fair is free and open to the public.

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Carpaccio the artist, not the appetizer, now getting his due

Vittore Carpaccio, ‘Virgin Reading,’ circa 1510. Oil on canvas transferred from panel. Overall, 78 by 51cm (30 11/16 by 20 1/16in); framed, 119.7 by 86.4 by 10cm (47 1/8 by 34 by 3 15/16in). National Gallery of Art, Washington, Samuel H. Kress Collection
Vittore Carpaccio, ‘Virgin Reading,’ circa 1510. Oil on canvas transferred from panel. Overall, 78 by 51cm (30 11/16 by 20 1/16in); framed, 119.7 by 86.4 by 10cm (47 1/8 by 34 by 3 15/16in). National Gallery of Art, Washington, Samuel H. Kress Collection

VENICE, Italy (AP) – When most people think of “carpaccio,” they think of the thinly sliced raw beef appetizer made famous by Venice’s iconic Harry’s Bar. Few people know that the dish is named for a lesser-known Venetian, the Renaissance painter Vittore Carpaccio, because of the intense red hues he favored. Carpaccio the painter has recently received more attention outside his native Venice. In November, the National Gallery in Washington inaugurated the first retrospective exhibit of his work outside Italy. The show, Vittore Carpaccio: Master Storyteller of Renaissance Venice, is set to close in Washington on Feb. 12 and move to Venice’s showcase Palazzo Ducale on March 18. The Washington exhibit includes two Carpaccio paintings that left Venice for the first time in more than 500 years.

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